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Post by bunkerfan on May 10, 2016 19:01:30 GMT
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Post by maddogfagin on May 11, 2016 15:23:04 GMT
Great images and thanks for the link Graham and so good to see Mick looking so well. Happy memories for me which takes me back to the time I saw Mungo Jerry in 1970. Some more images from Mick's benefit night have been added webgram.co/tag/mickabrahams
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Post by maddogfagin on May 12, 2016 9:27:52 GMT
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Post by JTull 007 on May 12, 2016 10:57:22 GMT
Excellent review! I am so glad he's still able to play. Keep Rockin' Mick
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Post by maddogfagin on Jun 11, 2016 9:14:15 GMT
dmme.net/Mick Abrahams Benefit – The Borderline, Soho, London, May 9th, 2016Revived – And Live! “Just to see him get on that stage, put his guitar around his neck and play when people were saying ‘Oh, he’ll never play again!’ is everything… and seeing everyone here who’ve come to support and listen to him. Hopefully this is a new beginning and the start of many more shows to come.” – Rick WakemanReview and photos of the benefit concert here dmme.net/specials/gspot/mick-abrahams-benefit-the-borderline-9-may-2016.html
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Post by Deleted on Jun 22, 2016 15:31:04 GMT
More - Mick Abrahams, of Jethro Tull: Something Else! Interview June 21, 2016 by Steve Elliott STEVE ELLIOTT: The album included the first-ever performance between you and your successor as Jethro Tull guitarist, Martin Barre, on the Johnny Kidd and the Pirates’ classic “I Can Tell.” How did it feel to collaborate with Martin after all of these years? MICK ABRAHAMS: Martin Barre is a wonderful guitar player and a great friend of mine. Need I say any more?
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Post by maddogfagin on Jun 29, 2016 8:01:10 GMT
JUNE 21, 2016 BY STEVE ELLIOTT Mick Abrahams, of Jethro Tull: Something Else! Interviewsomethingelsereviews.com/2016/06/21/mick-abrahams-jethro-tull-something-else-interview/Mick Abrahams rose to instant fame as a member of Jethro Tull, helping craft a debut album in This Was that memorably melded blues with progressive rock. “Cat’s Squirrel” from that 1968 project would later appear during concerts for Abrahams’ post-Tull band Blodwyn Pig. Along the way, Abrahams provided a rare non-Ian Anderson vocal on a Jethro Tull song, for “Move On Alone,” and later collaborated with Anderson on solo projects. The guitarist also formed an offshoot band, called This Was, that featured all of that era’s Jethro Tull members save for Ian Anderson. More recently, he bounced back from health issues to release a new studio effort, titled Revived! Abrahams joined Steve Elliott for a Something Else! Sitdown to discuss those early days with Tull, subsequent projects including Blodwyn Pig, and Abrahams’ new album … STEVE ELLIOTT: I wanted to congratulate you on the release of your latest album Revived!, which arrived in 2015 after some real life health concerns. I was so happy to hear that you were returning to music on your own terms. MICK ABRAHAMS: Thank you very much; my pleasure. STEVE ELLIOTT: The album included the first-ever performance between you and your successor as Jethro Tull guitarist, Martin Barre, on the Johnny Kidd and the Pirates’ classic “I Can Tell.” How did it feel to collaborate with Martin after all of these years? MICK ABRAHAMS: Martin Barre is a wonderful guitar player and a great friend of mine. Need I say any more? STEVE ELLIOTT: One guy in particular on Revived! who that stood out for me is vocalist Peter Eldridge. He sounds almost exactly like you did back in 1970 with Blodwyn Pig. I loved his vocal performance on album opener “Summer Day.” MICK ABRAHAMS: Great guy, great vocalist, and I chose him for exactly the reasons that you have said. STEVE ELLIOTT: I miss hearing your distinctive lead vocals and lead guitar throughout the whole album, as you did with Blodwyn Pig. Your voice and guitar really did sound revived on this new album. When you go in and to record your next album, do you think you will do all of the lead vocals and lead guitar playing? MICK ABRAHAMS: If I’m up to it, but I think I like good diversity of different voices. STEVE ELLIOTT: What do you remember about your pre-Jethro Tull band, McGregor’s Engine? Were there any recordings ever made? MICK ABRAHAMS: Sadly, there are no recordings of McGregor’s Engine. At least, I haven’t found any yet. STEVE ELLIOTT: Your 1968 debut single for Jethro Tull was “Sunshine Day,” a wonderful upbeat song on a summer day. I love it; what do you think of “Sunshine Day”? MICK ABRAHAMS: The production by Derek Lawrence is great. I still like it. STEVE ELLIOTT: “Love Story,” from 1968, is a powerful performance from everyone in the band, and I think a real blueprint of things to come for Jethro Tull’s classic sound. MICK ABRAHAMS: Someone played a guitar solo to me the other day, and I liked it. I then asked him where he got it from and he said, “It is you!” Doh! It was the solo from “Love Story.” STEVE ELLIOTT: You’ve said that This Was is the definitive Jethro Tull album – and not just because you’re on it. It’s hard to argue with that point, but I’d also throw in there the equally the Stand Up album, which came out after you left. Both are very strong. Your performances on that first Tull album are excellent, and I – like most early Tull fans – missed you not being in the band after 1968. MICK ABRAHAMS: Looking back, not only was it the right time for Tull and I to part company, but it gave an intro to a great guitarist and all round nice guy, Martin Barre, to inject new blood into the band. STEVE ELLIOTT: You didn’t waste too much time in putting together an all-new band after leaving Jethro Tull in late ‘68. You formed the fantastic band Blodwyn Pig in 1969. How did you guys first get together and where did you find that band name ? MICK ABRAHAMS: The band was formed from people I already knew and wanted to play with. The name just came out from a nutty friend called Graham Waller who, after hearing us rehearse one day, simply said to us on his way out of the room: “Thou shalt evermore be known as Blodwyn Pig!” We all broke up laughing, as you can imagine. I asked where he was going and he said, “I’m going to become a Buddhist monk, as he did!” He came back a year later saying it was no good, because the place was infested with snakes and the abbot wouldn’t let him have his favorite breakfast of cornflakes! He played piano on a couple of numbers, as I recall, and vanished. The last we heard, he is living somewhere in France. I am led to believe that the words Blodwyn Pig come from the poem by the famous poet, Dylan Thomas and, the play named Under Milk Wood. STEVE ELLIOTT: The first Blodwyn Pig album, 1969’s Ahead Rings Out, is a great classic debut – much like the first Jethro Tull album was. What did you want to get across and achieve with Blodwyn Pig as a band that maybe you couldn’t do with Tull? MICK ABRAHAMS: My own stuff, I guess! STEVE ELLIOTT: The second Blodwyn Pig album, 1970’s Getting to This, rocks pretty hard and expands the length of some of the songs, with the “San Francisco Sketches” suite being a pretty good example. The album also contains “See My Way,” which is another unbelievable pile-driving rocker and was one of the highlights of your live shows. “Toys’ is a beautiful, poignant and touching acoustic ballad, and as good as “The Change Song” from the first album. MICK ABRAHAMS: I was off my nut when I wrote “Toys,” but thanks for liking it. I prefer “The Change Song,” I think. STEVE ELLIOTT: “Variations On Nainos” is a wonderfully funky breezy jazz rocker, and a prime example of your style and Jack Lancaster’s flute prowess coming effortlessly to forefront – plus a dash of your funny sense of humor. MICK ABRAHAMS: Again, off my head in the recording studio. The producer bet me that I couldn’t sing a verse with my head in a bucket of water, so I did – then, jokingly they said, bet you can’t double track it. So, I did! More, spell the name Nainos backwards and you see my silly sense of humor. STEVE ELLIOTT: Unbelievably, the fabulous unreleased blues rocker “Meanie Mornay” was left off of the Getting to This album, before finally arriving as part of the 2006 reissue of Ahead Rings Out. Why wasn’t it released back in 1970? MICK ABRAHAMS: I truly have no idea. You should ask the record company people; they know everything! STEVE ELLIOTT: What did your producer Andy Johns bring to the Blodwyn Pig albums? MICK ABRAHAMS: Rest in peace, the very best I have ever worked with. He brought absolutely everything to those records. He was a really nice guy. Very talented, and Blodwyn Pig owes him a debt of gratitude. STEVE ELLIOTT: So, what in your mind caused Blodwyn Pig to break up after two albums? On the surface, you seemed to have everything going for you – great songs, fab musicianship, genuine talent and exciting performances. MICK ABRAHAMS: People being idiots, management not caring, and aliens, maybe? Who cares? It’s gone; leave it gone. STEVE ELLIOTT: After Blodwyn Pig, you then briefly formed Wommet in 1971 which then morphed into The Mick Abrahams Band after some personnel changes. What you do think of 1972’s At Last? I really don’t know what to make of it. MICK ABRAHAMS: What a crap album. I think this album failed simply because there were just too many people sticking their own oars in the water, and it ruined it for me. STEVE ELLIOTT: The original 1968 Jethro Tull lineup held a brief reunion in 2001, performing a couple of the old songs live for the Tull DVD Living With The Past. How was it for you to play those guys again after all of these years? MICK ABRAHAMS: That was good fun doing that. We all went into an old-fashioned club in Warwick, where we were filmed and recorded live in front of an audience of Tull fans who were told to clap lightly and disappointingly – just like in the first days when we played these types of clubs. It was hard going until Tull had a magic breakthrough at the Sunburn Blues Festival. STEVE ELLIOTT: Tell us about your experience at the special 50th anniversary benefit concert, held on May 9, 2016 in England at the Borderline Club. MICK ABRAHAMS: It was truly incredible! STEVE ELLIOTT: I want to thank you for all of the great music that you’ve recorded with Jethro Tull, Blodwyn Pig, and as solo artists. You are a true original, Mick Abrahams. MICK ABRAHAMS: You’re very kind! Thank you all so much.
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Post by maddogfagin on Aug 24, 2016 7:09:35 GMT
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Post by maddogfagin on Sept 16, 2016 7:50:22 GMT
Early support gig for Blondwin Pig
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Post by bunkerfan on Sept 16, 2016 8:40:44 GMT
Early support gig for Blondwin Pig 15 bob well spent.
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Post by maddogfagin on Sept 26, 2016 7:39:37 GMT
From ebay
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Post by maddogfagin on Nov 30, 2016 16:59:54 GMT
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Post by bunkerfan on Nov 30, 2016 19:36:56 GMT
My thanks to PC for emailing me the enclosed. Seems Mick is "under the weather" in Milton Keynes but has not lost his sense of humour Very sorry to hear about Mick. Pity he's not nearby or I'd visit him with a bunch of grapes for us both to share. Get well soon Mick.
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Post by maddogfagin on Dec 23, 2016 9:12:13 GMT
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Post by JTull 007 on Feb 9, 2017 12:06:38 GMT
Mick Abrahams - Cat's Squirrel This is the track 'Cat's Squirrel' taken from the Secret Records DVD 'Mick Abrahams Live: Black Night Is Falling' available now. Featuring an acoustic and electric of material from Blodwyn Pig, The Mick Abrahams Band and a numberof classic blues covers including 'Trouble In Mind', 'Jesus On The Mainline' and 'I Wonder Who' -- this is not a performance to be missed! Mick's funny stories and anecdotes between the songs are also guaranteed to turn any frown upside down! Additionally the DVD features and exclusive interview with Mick Abrahams, a biography and a set list menu. Buy the DVD now from these awesome places... Secret Records LINK Amazon LINK ALL MUSIC LINK
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Post by maddogfagin on Feb 14, 2017 14:50:20 GMT
Mick Abrahams' piece at about 2+ minutes into the recording. In the middle of 1970 Mick left Blodwyn Pig.
Pop Deux 5 December 1970
Published on 11 Jan 2017
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Post by maddogfagin on Apr 30, 2017 13:21:38 GMT
www.beds.ac.uk/news/2017/march/students-celebrate-graduations-at-bedfordshireStudents celebrate graduations at BedfordshireFri 17th March, 2017 Hundreds of students from the University of Bedfordshire celebrated the end of years of hard work at graduation ceremonies in Luton. Students from the faculties of Creative Arts, Technologies & Science, Education & Sport, Health & Social Sciences and the Business School gathered at St Mary’s Church to collect their awards in front of proud family and friends. Among the guests was Luton musician Mick Abrahams, who was awarded an Honorary Doctor of Music for his outstanding services to the music industry.
Mick is an accomplished guitarist and has enjoyed a successful career in the music industry spanning back to the 1960s in bands like Jethro Tull and Blodwyn Pig.Guest of Honour was Kathryn Holloway, Police and Crime Commissioner for Bedfordshire. Vice Chancellor Bill Rammell told the graduates: “Today is a day to pause and reflect on your learning journey so far. Think back to the person you were when you embarked on your course of study with us. And now think about how you have changed. “If we have done our job right, you will be ready and eager to take the opportunities the world offers you to learn and grow, in the workplace, at home and in civil society.”
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Post by maddogfagin on Aug 24, 2017 7:36:40 GMT
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Post by JTull 007 on Oct 29, 2017 16:47:02 GMT
Salute to Mick Abrahams & Graham 'Mad Dog Fagin' LINK Awesome Blog site by Johnkatsmc5 Beat-Club 27.03.1971 Audio & Video Remastered by BrunoSamppa, 2014 Beat-Club 69 - 27.03.1971 01. Mick Abrahams Band - Greyhound bus 02. Caravan - Golf girl 03. Osibisa - Phallus ? 04. The Grease Band - Let it be gone 05. Et Cetera - Raga / Lady blue / Thursday morning sunrise 06. James Gang - Walk away 07. Mick Abrahams Band - Why do you do me this way
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Post by maddogfagin on Jun 6, 2018 13:57:57 GMT
And this is one album I shall be getting www.loudersound.com/news/first-two-blodwyn-pig-albums-set-for-cd-reissueFirst two Blodwyn Pig albums set for CD reissueBy Scott Munro Ahead Rings Out and Getting To This by Blodwyn Pig to be reissued on one deluxe edition CD featuring bonus materialThe first two Blodwyn Pig albums are to be reissued on a deluxe edition CD this summer. Ahead Rings Out and Getting To This will be packaged together along with bonus material on July 27 via Chrysalis Records. The CD will feature new sleeve notes within an eight-panel poster along with two previously unreleased songs, McGregor Muckabout and One Thing Leads To Another together with bonus material to the original studio albums. In addition, Ahead Rings Out will also be released on heavyweight 180g vinyl, with the tracks mastered from the original master tapes. Blodwyn Pig were formed in 1968 by Jethro Tull’s Mick Abrahams, with Ahead Rings Out being released that same year, while Getting To This arrived in 1970. Ahead Rings Out 1. It’s Only Love 2. Dear Jill 3. Sing Me Song That I Know 4. The Modern Alchemist 5. Up and Coming 6. Leave It With Me 7. Change Song 8. Backwash 9. Ain’t Ya Coming Home, Babe ? 10. Sweet Caroline 11. Walk On The Water 12. Summer Day 13. McGregor Muckabout (previously unreleased) Getting To This 1. Drive Me 2. Variations On Nainos 3. See My Way 4. Long Bomb Blues 5. The Squirreling Must Go On 6. San Francisco Sketches i. Beach Scape ii. Fisherman’s Wharf iii. Telegraph Hill iv. Close The Door I’m Falling Out The Room 7. Worry 8. Toys 9. To Rassman 10. Send Your Son To Die 11. Same Old Story 12. Slow Down 13. Meanie Mornay (outtake) 14. One Thing Leads To Another (previously unreleased)
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Post by bunkerfan on Jun 6, 2018 19:03:00 GMT
And this is one album I shall be getting www.loudersound.com/news/first-two-blodwyn-pig-albums-set-for-cd-reissueFirst two Blodwyn Pig albums set for CD reissueBy Scott Munro 1. It’s Only Love 2. Dear Jill 3. Sing Me Song That I Know 4. The Modern Alchemist 5. Up and Coming 6. Leave It With Me 7. Change Song 8. Backwash 9. Ain’t Ya Coming Home, Babe ? 10. Sweet Caroline 11. Walk On The Water 12. Summer Day 13. McGregor Muckabout (previously unreleased) Getting To This 1. Drive Me 2. Variations On Nainos 3. See My Way 4. Long Bomb Blues 5. The Squirreling Must Go On 6. San Francisco Sketches i. Beach Scape ii. Fisherman’s Wharf iii. Telegraph Hill iv. Close The Door I’m Falling Out The Room 7. Worry 8. Toys 9. To Rassman 10. Send Your Son To Die 11. Same Old Story 12. Slow Down 13. Meanie Mornay (outtake) 14. One Thing Leads To Another (previously unreleased) A little taster from The Jethro Tull Forum Youtube Channel
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Post by maddogfagin on Aug 23, 2018 16:30:46 GMT
www.loudersound.com/news/one-hump-or-two-camel-are-on-the-cover-of-the-new-issue-of-progThe new issue of Prog is on sale today. With Camel touring the nation's concert hall's playing 1976's Moonmadness in its entirety we talk to Camel mainman Andy Latimer about the making of the album and how it became Camel's biggest selling album. Plus Andy and the rest of the current line-up reveal they're working on material for a new Camel album! Also in Prog 90... Steve Howe - the soon to be crowned Prog God opens up about his epic career in his most revealing interview ever. Conny Plank - Neu!'s Michael Rother is among those paying tribute to the man who invented Krautrock. Jeff Wayne - the War Of The Worlds supremo discusses a career that's also seen him work on over 3000 films, TV shows and ads! Blodwyn Pig - former Jethro Tull guitarist Mick Abrahams looks back over the impact of the band's first two albums.
Michael Romeo - the Symphony X guitarist discusses his first ever solo album. Sipritualized - the modern day space rockers mull over whether this might be their last ever album. Heather Findlay - opens up on her recent live album and lets slip some secrets about her forthcoming new studio album. Mystery - the Canadian prog rockers hit top form with new album Lies And Butterflies. Robert Berry - having returned to the 3 project, he talks about working with the late Keith Emerson. Dead Letter Circus - the Aussie proggers tell us it's the music that matters with their new self-titled album. Southern Empire - more Aussie prog, this time from former Unitopia man Sean Timms. Distorted Harmony - the Israeli prog metallers really open up on new album A Way Out. Talons - the Hereford based post/prog rockers celebrate their tenth anniversary. Judy Dyble - the former Fairport singer discusses new album Earth Is Sleeping. Cosmograf - Robin Armstrong opens up about his own prog world. Plus live and album reviews from The Pineapple Thief, Crippled Black Phoenix, Gryphon, Nosound, Soft Machine, Curved Air, Yes feat. ARW, Be Prog! My Friend, Ramblin Man, Roger Waters, Coheed & Cambria and more... And music from Midas Fall, Aisles, Emperor Norton, Stuckfish, Dead End Space and more on the CD. You can buy the latest issue online here. www.myfavouritemagazines.co.uk/Prog-Print-Back-Issues/
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Post by maddogfagin on Aug 25, 2018 6:10:34 GMT
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Post by maddogfagin on Sept 19, 2018 6:42:32 GMT
It's not often these days for Blodwyn Pig to be mentioned, let alone played, on UK radio but last night in the last 10 minutes of Marc Riley's programme on BBC 6 Music the Pig were featured. Nothing we don't know already but still it's a pleasant surprise to hear them featured. www.bbc.co.uk/radio/play/m0000d7p
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Post by JTull 007 on Nov 17, 2018 14:00:00 GMT
CHECK IT OUT !!! .... LINK
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Post by maddogfagin on May 25, 2019 14:38:04 GMT
Mick Abrahams - Why Do You Do Me This Way # 2 *T*O*T*P*1971 4,292 views Bluevelvetglove Published on 27 Apr 2010 Introduced by Jimmy Saville June, 17. 1971
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Post by maddogfagin on May 27, 2019 6:47:52 GMT
Mick with a rather fine white Gibson SG as opposed to the cherry red one he normally plays
A magic evening with Mick Abrahams, Clive Bunker & the Beggars' Farm long time ago 5,123 views
Roberto Cribio Published on Mar 16, 2016
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Post by maddogfagin on Jul 7, 2019 13:49:29 GMT
I may have missed or forgotten about this "episode" in Mick's career but either way it's interesting ! From shadowmusic.bdme.co.uk/viewtopic.php?f=11&t=5438&start=20Re: jET HARRIS NEW BOOK Postby Arpeggio » Thu Jun 23, 2011 10:10 am
I Found out about "Theme For A Fallen Idol" 22 years ago quite by chance when I was interviewing former Jethro Tull guitarist (later of Blodwyn Pig) Mick Abrahams. It was during the time when he was getting back to live playing with a new line up of '...the Pig'. It was a fascinating interview especially when Mick mentioned that he started out life (musically) as a 12 - year - old 'Hank Marvin Clone' in a group playing many Shadows instrumentals. It was later....when I asked him what he'd been doing (as he spent some time out of the music business) in between the demise of the Mick Abrahams Band and his 1989 'renaissance'....that he thought for a moment and said..."Hmmmm...ah...I was Jet Harris briefly back in 1975.." I was staggered - as his throwaway comment came right out of the blue. Mind you....Mick was also taken aback when I asked him if that was on "Theme For A Fallen Idol" produced by Roger LaVerne. He confirmed that it was & that the reason was that Jet had turned up for the session....but that he was heavily under the influence of alcohol and his attempts at playing were utterly disastrous. I also recalled that Mick was chief guitar demonstrator for SRT at the time & so it all made sense. "I was a great fan of the Shadows and Jet Harris", he said, "...Roger LaVerne couldn't abort the session because other musicians were involved and he'd have to pay them whether they played anything or not. Anyway....I went over to the studio and quickly learnt the music. Then I just did my very best Jet Harris impression (on the guitar) for two and a half minutes...but I couldn't resist just putting a flashy couple of bars in at the end...." (Mick laughed as he said that).
As part of the Joe Meek Society I also got to know Roger LaVerne quite well and he subsequently confirmed Mick's account of events. Roger was also fiercely loyal to Jet and (even in 1989) he asked me not to let it be known that Jet wasn't on "Theme..." - purely to protect Jet at the time. Jet certainly played the number live during the 1970s. Re: "This Sportin' Life" and "Guitar Man" - neither Mick Abrahams nor Roger LaVerne have ever said that Jet didn't feature on those tracks.
Like some people (as has already been mentioned) I knew that Jet didn't play on "Scarlett O'Hara" and "Applejack" - although, of course, he subsequently played both numbers live (& on future re - recordings) many, many, many times. No - one has ever suggested that it wasn't Jet on "Besame Mucho", "...Golden Arm", "Diamonds" etc., etc. The main reason that Jet didn't actually play on a handful of tracks was, sadly, the effects of his alcoholism. Dave Nicholson's book certainly doesn't paint a very flattering picture of Jet. It's not surprising as it dwells heavily on the periods of Jet's life when he was a chronic alcoholic in the depths of depression. It makes for painful and harrowing reading.
When Jet famously said that he'd been "To Hell and back" - it was heartfelt. When he managed to end c. 35 years of alcohol addiction in 1997 - it must have been incredibly difficult for him to come to terms with what had happened during those terrible years. Yes.....it must have had a dreadful effect on those closest to him. Sadly, a lot of it he simply couldn't remember. It's always extremely difficult to separate out the tremendous effect musically that our heroes have on us from their private lives. It's not for me to judge Jet (who I knew privately on one level for almost 25 years)....but the book (although I don't doubt the brutal honesty of some of the accounts) is upsetting.
But.....musically...for what he did with the Shadows and his solo career (even though he didn't play on on two or three tracks) and particularly for the years 1997 - 2010 - he still (IMHO) deserves the accolades he received. Jet's interaction with the fans was also 100% genuine. Let's just also say that the personal lives of many great musicians (Jazz, Rock, Popular, Soul, Folk, Classical etc) and composers - do not make for pleasant reading. Generally though - we all tend to separate out all of these personal issues when enjoying great music. Similar parallels can also be drawn with many great and popular authors, poets, artists etc., etc., etc.
Best wishes to all....RobIf the above is legit, and I have no reason the believe it isn't, this is the release bought of ebay a few weeks ago for a few £s. (I had permission from the Memsaab ) Theme For a Fallen idol 325 views mark070961 Published on Feb 11, 2016 Song Tornado Sunset Artist The Tornados | Mick Abrahams Album Telstar - Single Licensed to YouTube by The Orchard Music (on behalf of Techniche Label OMP), and 1 Music Rights Societies
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Post by maddogfagin on Sept 1, 2019 6:38:04 GMT
pastdaily.com/2014/10/23/blodwyn-pig-in-session-1970-nights-at-the-roundtable-session-edition/Blodwyn Pig In Session – 1970 – Nights At The Roundtable: Session EditionThe name may not ring too many bells, unless you were a longtime follower of Jethro Tull, and then it would all make sense. Blodwyn Pig was founded by Guitarist Mick Abrahams who, if fans remember, was a founding member of Jethro Tull. Abrahams would leave shortly after This Was came out and went on to a solo career. One of those stop-offs was by way of Blodwyn Pig, who had two albums out and were, during their tenure, a staple of many Underground FM stations here in the States. Their big hit was Dear Jill, a ballad that just hit the right chords with listeners and was their most memorable hit. After Blodwyn Pig’s demise, Mick Abrahams continued his solo career with various lineups of bands. But this short-lived band was remembered fondly by a lot of people. As a reminder, here is a session the band did in 1970 for John Peel which features mostly material from their Ahead Rings Out album. Crank it up and enjoy. pastdaily.com/wp-content/uploads/2014/10/Blodwyn-Pig-in-session-1970.mp3
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Post by JTull 007 on Dec 14, 2019 1:07:09 GMT
A Great Christmas gift from In Your Ear Records LINK
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