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Post by maddogfagin on May 26, 2016 8:25:20 GMT
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Post by maddogfagin on May 27, 2016 8:42:31 GMT
2 May 1994
Sentrum Scene
Oslo, Norway My Sunday Feeling, For A Thousand Mothers, Living In The Past, Bourée/Soirée, So Much Trouble, With You There To Help Me, Instrumental (incl. In The Grip Of Stronger Stuff), The Whistler (inst.), Farm On The Freeway, Thick As A Brick, Beggar's Farm, Sossity: You're A Woman/Reasons For Waiting, Songs From The Wood/Too Old To Rock'N'Roll/Heavy Horses, Later That Same Evening (inst.), Budapest, Passion Jig/Seal Driver (inst.)/A New Day Yesterday (incl. Kelpie), Aqualung, Locomotive Breath, Cross-Eyed Mary, Dharma For One www.ministry-of-information.co.uk/no.wikipedia.org/wiki/Sentrum_Scene
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Post by maddogfagin on May 28, 2016 8:54:44 GMT
20 May 1995
Prinzregententheater
München, GermanyIn A Stone Circle, In Sight Of The Minaret, In A Black Box, In The Grip Of Stronger Stuff, In Maternal Grace, In The Moneylender's Temple, In The Defence Of Faiths, At Their Father's Knee, En Afrique, In The Olive Garden, In The Pay Of Spain, In The Times Of India (Bombay Valentine), Heavy Horses, Life Is A Long Song, Sossity: You're A Woman/Reasons For Waiting/Sossity, Dangle The Billies, Wond'ring Aloud, Cheap Day Return, Nursie, Dun Ringill, She Moves Through The Fair/Dust Devils, Jack-In-The-Green, Bourée, Aqualung, Locomotive Breath www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Prinzregententheater
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Post by maddogfagin on May 29, 2016 8:43:01 GMT
30 May 1993
Carl-Diem-Halle
Würzburg, GermanyIntro, My Sunday Feeling, For A Thousand Mothers, Living In The Past, Bourée, So Much Trouble, With You There To Help Me, Bug, Black Sunday, Sossity: You're A Woman/Reasons For Waiting, Songs From The Wood/Too Old To Rock'N'Roll.../Heavy Horses, Later That Same Evening (inst.), The Waking Edge, Thick As A Brick, Andy Gidding's Parrot, Budapest, A New Day Yesterday, Passion Jig, Farm On The Freeway, This Is Not Love, Aqualung, Locomotive Breath, A Song For Jeffrey (intro)/Cross-Eyed Mary, Dharma For One www.ministry-of-information.co.uk/Another venue which has had its name changed due to sponsorship. en.wikipedia.org/wiki/S.Oliver_Arena
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Post by maddogfagin on May 30, 2016 8:09:27 GMT
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Post by maddogfagin on May 31, 2016 7:55:17 GMT
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Post by maddogfagin on Jun 1, 2016 7:50:34 GMT
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Post by maddogfagin on Jun 2, 2016 8:16:57 GMT
16 July 1994
Tutbury Castle
Tutbury, UK Summer Music Festival Also appearing: Blodwyn Pig. Living In The Past, Farm On The Freeway, Thick As A Brick, Wond'ring Aloud, Bourée, My Sunday Feeling, With You There To Help Me, Bug, Beggar's Farm, Songs From The Wood/Too Old To Rock'N'Roll.../Heavy Horses, Budapest, For A Thousand Mothers, Aqualung, Locomotive Breath, Cross-Eyed Mary/Dharma For One www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Tutbury_Castle    
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Post by maddogfagin on Jun 3, 2016 8:11:48 GMT
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Post by maddogfagin on Jun 4, 2016 9:13:20 GMT
19 October 1970
Anaheim Convention Center
Anaheim, Ca. USA Nothing Is Easy, My God, With You There To Help Me/By Kind Permission Of..., A Song For Jeffrey, Sossity: You're A Woman/Reasons For Waiting, We Used To Know Incomplete? www.ministry-of-information.co.uk/www.electrocutas.co.uk/blps/flutecake1.htmen.wikipedia.org/wiki/Anaheim_Convention_CenterThe MoI has this concert dated as the 19 October '70 while the Flute Cake bootleg(s) have it dated as the 18 October '70. I would guess the bootleg(s) are edited down to fit onto two sides of vinyl and that the full set list is as the previous night at the LA Forum: Nothing Is Easy, My God (incl. flute solo), With You There To Help Me/By Kind Permission Of..., A Song For Jeffrey, Sossity: You're A Woman/Reasons For Waiting, Dharma For One (w. drum solo), We Used To Know, Guitar Solo, For A Thousand Mothers 
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Post by maddogfagin on Jun 5, 2016 8:43:07 GMT
21 March 1996
Estadio Siles
La Paz, BoliviaIntro., Roots To Branches, Thick As A Brick, Hunting Girl, Mother Goose, In The Grip Of Stronger Stuff, Steal, Dangerous Veils, Beside Myself, Aqualung*, Nothing Is Easy, Bourée, We Used To Know, In The Moneylender's Temple, My God, Misère, Fat Man, Budapest, Locomotive Breath, Truck Stop Runner (?!) *: With unique intro replacing 'Aquadiddley'. www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Estadio_Hernando_Siles 
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Post by maddogfagin on Jun 6, 2016 7:57:30 GMT
14 June 1995
Pantages Theater
Los Angeles Ca. USAIn A Stone Circle, In Sight Of The Minaret, In A Black Box, In The Grip Of Stronger Stuff, In Maternal Grace, In The Moneylender's Temple, In The Defence Of Faiths, At Their Father's Knee, En Afrique, In The Olive Garden, In The Pay Of Spain, In The Times Of India (Bombay Valentine) - [Interval] - Heavy Horses, Life Is A Long Song, Sossity: You're A Woman/Reasons For Waiting/Sossity, Bass w. Drums, Wond'ring Aloud, Cheap Day Return, Nursie, Dun Ringill, She Moves Through The Fair/Dust Devils, Jack-In-The-Green, Bourée, Aqualung, Locomotive Breath www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Pantages_Theatre_(Hollywood)
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Post by maddogfagin on Jun 7, 2016 7:48:23 GMT
24 September 1996
Pavilion
Concord, Ca. USA In A Stone Circle, Aqualung, Thick As A Brick, Bourée, Dangerous Veils, In The Grip Of Stronger Stuff, Mother Goose,We Used To Know, Outer Circle (inst.), Songs From The Wood/Too Old to Rock'N'Roll.../Heavy Horses, Keyboard Solo, My God, Hunting Girl, Nothing Is Easy, Locomotive Breath, Aquadiddley, Cross-Eyed Mary/Thick As A Brick (reprise) www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Concord_Pavilion
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Post by steelmonkey on Jun 7, 2016 18:12:55 GMT
Shortish set....they had to let ELP play. Yuck
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Post by maddogfagin on Jun 8, 2016 7:45:08 GMT
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Post by bunkerfan on Jun 8, 2016 18:11:23 GMT
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Post by maddogfagin on Jun 9, 2016 8:09:00 GMT
23 May 1997
Royal Festival Hall
London, UKDavid Palmer and the Royal Philharmonic Orchestra, featuring Ian Anderson Numerous Queen, Genesis and Yes pieces; Tull content: With Ian: Bourée, Thick As A Brick, Elegy, Too Old To Rock'N'Roll..., Living In The Past (orchestral inst.) Without Ian: Elegy (D.Palmer, w. vocals) Encore (w. Ian): Locomotive Breath www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Royal_Festival_Hall
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Post by bunkerfan on Jun 9, 2016 14:52:57 GMT
23 May 1997
Royal Festival Hall
London, UKDavid Palmer and the Royal Philharmonic Orchestra, featuring Ian Anderson Numerous Queen, Genesis and Yes pieces; Tull content: With Ian: Bourée, Thick As A Brick, Elegy, Too Old To Rock'N'Roll..., Living In The Past (orchestral inst.) Without Ian: Elegy (D.Palmer, w. vocals) Encore (w. Ian): Locomotive Breath www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Royal_Festival_Hall In 1968 the group I played drums in entered a competition and the prize was to play at The Royal Festival Hall. We came second.  |
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Post by maddogfagin on Jun 10, 2016 8:22:12 GMT
wzlx.cbslocal.com/2016/06/10/carter-alans-rock-n-roll-diary-june-10-in-classic-rock-history-2/1971: A Jethro Tull concert in Denver was marred when police fired tear gas into the crowd of 10,000 to quiet disturbances. Tull played on even though keyboardist John Evans couldn’t see his piano through the tear gas. www.denverpost.com/2011/06/02/jethro-tulls-71-red-rocks-concert-forged-a-place-in-rock-history/Jethro Tull’s ’71 Red Rocks concert forged a place in rock historyBy RICARDO BACA | June 2, 2011 | UPDATED: 5 years agoForty years ago, Jethro Tull played an apocalyptic show at Red Rocks Amphitheatre amid tear gas, unruly crowds, hurled rocks, violent police officers and a swooping police helicopter. It was to be the end of rock ‘n’ roll at Red Rocks forever. And for the five years after the concert, there was no rock music at the legendary mountain amphitheater. “It was an overreaction by the police at the time, who had helicopters in the air,” Tull frontman Ian Anderson said recently from his office in southwest England. “We charged through police roadblocks, and I ran straight onto the stage and talked to the audience. (The police) knew there would be a full-scale riot if they arrested me.” Anderson laughs about it now, calling it “a Top 10 strange/weird moment” while discussing his band’s Red Rocks date, scheduled for Wednesday, only two days shy of that fateful show’s 40th anniversary. It’s fitting that Tull is playing Red Rocks on this tour, also the 40th anniversary of the record they were touring then, “Aqualung.” So what exactly happened that night in June 1971? From 1,000 to 2,000 fans showed up without tickets to the sold-out concert, and they were directed by Denver police to a side of the mountain where they could watch the show. Some stayed there. Others climbed a wall into the venue. Others charged the gates en masse. Back-up officers were called, and police chief George Seaton came out in the helicopter and dropped tear gas on the unruly masses himself. But the gas spread into the amphitheater, where Livingston Taylor was opening the concert, and suddenly a bad situation got worse. “Backstage looked like an aid station, with doctors and patients sprawled out everywhere,” remembered retired promoter Barry Fey. “Boy, did I (mess) up. I didn’t realize how big they were. We should have done two shows.” It’s hard to imagine now, but rock music wasn’t always welcome at the Morrison amphitheater. It was already a hard sell in city-owned venues, Red Rocks included, because of a violence at an Iron Butterfly concert at the Auditorium Arena in the late ’60s. But Fey had specially petitioned for the Tull concert, and he got it. “Barry learned the hard way that you have to get three or four nights with an artist like that,” said Jerry Kennedy, who was a captain with the Denver Police Department in 1971 and later a division chief. “I was running the police up there, and the place was under assault by thousands of people who wanted to get in. They decided they were going to rush the place, and that’s what caused the battle. “They were throwing rocks. And I didn’t see it, but I heard that some of the officers were throwing rocks back at them. It was the first real incident of that kind that I’d seen.” Amid all of this, Tull was devising a way to enter the amphitheater, which had been blockaded by the police. Anderson remembers charging through the police barricade and knowing that he was the only person who could calm the capacity crowd — which was swimming in tear gas at the moment. “(The police) tried to turn us back and say, ‘You’re not allowed to go up there,’ so we just charged the gate,” Anderson said. “We jumped out of the cars and ran straight on stage to talk to the audience. “It was like the Russians putting a flag on the ocean bed under the Arctic ice. Once you’ve done it, staked the claim, it’s tough to dislodge you. Once I was on stage in front of a microphone, they cops realized that they had to stand back.” Anderson soothed the crowd and told them they were going to get a full set of music. He told them to put clothing over their mouths, and he encouraged parents with babies and small children to come to the apron so they could access the makeshift hospital set up backstage. An iconic moment is forged “People were passing babies down through the audience,” Anderson said. It was a mess of an evening. But like Woodstock and Altamont before it, the concert was also a snapshot of America as it formed its relationship with rock ‘n’ roll. “Back in the early ’70s, they didn’t know how to cope with rock concerts and rock people,” Anderson said. “The big production and how the audience behaved. . . . People now have more understanding, and civil and social savvy. They have an awareness about what it all is.” Exiting the amphitheater proved to be as difficult as entering for the band, Anderson remembered. “(The police) tried to get us on the way back down,” he said. “They were looking for us, but we were hidden under blankets in the back of a station wagon. They didn’t find us, and we got out of town.” But the band left a trail of controversy. Police chief Seaton recommended a ban on rock concerts at Red Rocks. Mayor William McNichols said there wouldn’t be rock shows there as long as he was mayor. And even Fey agreed, telling The Denver Post at the time that he wouldn’t throw any more rock concerts there. Of course, that didn’t last long. Fey sued the city in 1975, and a U.S. Circuit Court judge ruled in his favor. As Fey remembers it, the judge put this question to Denver leaders: “Who do you think you are, czars? You’re going to tell the people what they should listen to?” Rock returned to the Rocks in ’75, and Fey’s popular “Summer of Stars” found its start in ’76. “We went on to do hundreds of concerts there without a lick of problems because (Barry) got a handle on the problem,” retired division chief Kennedy said. “But in terms of problems, I encountered at venues over my career, that ranks in the top two or three.” And it would have been worse if Tull had taken advantage of the act-of-God clause in its contract. “The clause says that if anything crazy happens beyond the control of the band, they have the right not to play,” Fey said. “But he did play, and he played a full set. “Ian Anderson is still my hero to this day. He went up there and hopped around with his flute and actually played a full set in the middle of the tear gas, in the middle of everything.”
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Post by maddogfagin on Jun 10, 2016 8:27:43 GMT
31 May 1997
Beck Theatre
Hayes, UK A Song for Jeffrey, Aqualung, Thick As A Brick, Dangerous Veils, In Sight Of The Minaret, Morris Minus, Skating Away..., Bourée, Songs From The Wood/Too Old To Rock'N'Roll.../Heavy Horses - [Interval] - Nothing Is Easy, Acres Wild, Up the 'Pool, We Used To Know, Pussy Willow, Bungle In The Jungle/Minstrel In The Gallery (no guitar solo)/Teacher, Locomotive Breath, Aquadiddley/Living in the Past/Cheerio www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Beck_Theatre
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Post by maddogfagin on Jun 10, 2016 18:35:02 GMT
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Post by maddogfagin on Jun 11, 2016 8:30:01 GMT
3 June 1997
Dacorum Pavilion
Hemel Hempstead, UK A Song for Jeffrey, Aqualung, Thick As A Brick, Dangerous Veils, In Sight Of The Minaret, Paparazzi, Skating Away..., Bourée, Songs From The Wood/Too Old To Rock'N'Roll.../Heavy Horses - [Interval] - Nothing Is Easy, Acres Wild, Up the 'Pool, We Used To Know, Pussy Willow, Bungle In The Jungle/Minstrel In The Gallery (no guitar solo)/Teacher, Locomotive Breath, Aquadiddley/Living in the Past/Cheerio www.ministry-of-information.co.uk/www.berkhamstedtoday.co.uk/news/more-news/campaigners-to-mark-loss-of-the-pavilion-1-4007088
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Post by maddogfagin on Jun 12, 2016 8:42:45 GMT
9 June 1997
Arena
Poznan, PolandTull's Polish live debut, after bookings in 1994 and '95 fell-through, and the 1996 dates were cancelled. A Song for Jeffrey, Aqualung, Thick As A Brick, Dangerous Veils, In Sight Of The Minaret, Beside Myself, Paparazzi (inst.), Skating Away..., Bourée, Songs From The Wood/Too Old To Rock'N'Roll.../Heavy Horses - [Interval] - Nothing Is Easy, In The Grip Of Stronger Stuff, Acres Wild, Mother Goose, We Used To Know, Pussy Willow, Bungle In The Jungle/Minstrel In The Gallery/Teacher, Locomotive Breath, Aquadiddley/Living in the Past/Dogs In The Midwinter (inst.)/The Dambusters March/Cheerio www.ministry-of-information.co.uk/en.wikipedia.org/wiki/HWS_Arena
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Post by maddogfagin on Jun 13, 2016 7:59:17 GMT
11 June 1997
Spodek
Katowice, PolandA Song for Jeffrey, Aqualung, Thick As A Brick, Dangerous Veils, In Sight Of The Minaret, Beside Myself, Barre Instrumental, Skating Away..., Bourée, Songs From The Wood/Too Old To Rock'N'Roll.../Heavy Horses, Nothing Is Easy, In The Grip Of Stronger Stuff, Acres Wild, Mother Goose, We Used To Know, My God, Bungle In The Jungle/Minstrel In The Gallery/Teacher, Locomotive Breath, Aquadiddley/Living in the Past/The Dambusters March/Cheerio www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Spodek
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Post by nonrabbit on Jun 13, 2016 8:18:11 GMT
From Victorian/Edwardian stately grandeur to Tomorrow's World metal flying saucer he's "pibroched" in them all  |
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Post by bunkerfan on Jun 13, 2016 11:33:50 GMT
11 June 1997
Spodek
Katowice, PolandA Song for Jeffrey, Aqualung, Thick As A Brick, Dangerous Veils, In Sight Of The Minaret, Beside Myself, Barre Instrumental, Skating Away..., Bourée, Songs From The Wood/Too Old To Rock'N'Roll.../Heavy Horses, Nothing Is Easy, In The Grip Of Stronger Stuff, Acres Wild, Mother Goose, We Used To Know, My God, Bungle In The Jungle/Minstrel In The Gallery/Teacher, Locomotive Breath, Aquadiddley/Living in the Past/The Dambusters March/Cheerio www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Spodek Wait a minute. I've seen that spaceship before. |
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Post by nonrabbit on Jun 13, 2016 12:08:47 GMT
Wait a minute. I've seen that spaceship before. Hey Mr Meyer film maker, all that needed was an overdub of the Aqualung intro  put it on the list  |
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Post by bunkerfan on Jun 13, 2016 14:54:46 GMT
Wait a minute. I've seen that spaceship before. Hey Mr Meyer film maker, all that needed was an overdub of the Aqualung intro put it on the list Your wish is my command. |
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Post by maddogfagin on Jun 14, 2016 7:46:19 GMT
16 June 1997
Petofi Csarnok
Budapest, Hungary
Doane's birthday A Song for Jeffrey, Aqualung, Thick As A Brick, Dangerous Veils, In Sight Of The Minaret, Beside Myself, Morris Minus, Skating Away..., Bourée, Songs From The Wood/Too Old To Rock'N'Roll.../Heavy Horses, Nothing Is Easy, In The Grip Of Stronger Stuff, Acres Wild, Mother Goose, We Used To Know, Flying Dutchman (intro)/My God, Bungle In The Jungle/Minstrel In The Gallery/Teacher, Locomotive Breath, Aquadiddley/Living in the Past/Dogs In The Midwinter (inst.)/The Dambusters March/Cheerio www.ministry-of-information.co.uk/en.wikipedia.org/wiki/Pet%C5%91fi_Csarnok
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Post by maddogfagin on Jun 14, 2016 7:55:58 GMT
Hey Mr Meyer film maker, all that needed was an overdub of the Aqualung intro put it on the list Your wish is my command. I won't go down the ELO route then |
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. Anyone else? I know of one other 