Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Feb 7, 2013 19:57:16 GMT
Always look north for me. All North American after the take over.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Feb 14, 2013 15:30:27 GMT
Google Translate: Kacophonia apresenta Jethro Tull - Ao Vivo em Montreux Section: Guarani - 14/02/2013 11:59 Kacophonia presents Jethro Tull - Live at Montreux Mark Karcowicz presents today at 22pm, the Kacophonia. On today's program, highlights Karcowicz Jethro Tull - Live at Montreux. Stay tuned on Guarani FM and not miss out! The program will air on Thursdays at 22 hours and have alternate time Saturdays at 18 hours. If you missed or want to hear again Kacophonia programs, produced and presented by Mark Karcowicz, click here. www.new.divirta-se.uai.com.br/html/sessao_25/2011/11/30/ficha_guarani/id_sessao=25&id_noticia=47026/ficha_guarani.shtmlwww.new.divirta-se.uai.com.br/html/sessao_25/2013/02/14/ficha_guarani/id_sessao=25&id_noticia=62304/ficha_guarani.shtmlMarcos Karcowicz apresenta hoje, às 22h, o Kacophonia. No programa de hoje, Karcowicz destaca Jethro Tull - Ao Vivo em Montreux. Fique ligado na Guarani FM e não perca! O programa vai ao ar às quintas-feiras, às 22 horas e tem horário alternativo aos sábados, às 18 horas. Se você perdeu ou quer ouvir novamente os programas Kacophonia, produzidos e apresentados por Marcos Karcowicz, clique aqui.
|
|
|
Post by Tull50 on Feb 16, 2013 21:07:45 GMT
JETHRO TULL'S IAN ANDERSON Barcelona (Palau de la Música), February 6, 2013 8,5 / 10 www.elladooscurodelaluna.com/jethro-tulls-ian-anderson-barcelona-palau-de-la-musica-06022013-cronica-de-conciertos/ Google Translate: Unmissable event in Barcelona for music fans capitalized. And none other than the Palau de la Música to receive one of the great progressive rock, IAN ANDERSON. JETHRO TULL leader takes great silent spaces of his band, has been planted in Spain to present his album in four cities Thick As A Brick 2: Whatever Happened To Gerald Bostock? (2012), then the mythical Thick As A Brick (1972), JT. More than 2,000 people housed the Palace, while the stragglers arrived yet started up ... without realizing. A few minutes after 9, the band that accompanies Anderson took the stage with a trench that confused a little present. It was not until they began to interact with the public when it is realized that the show had begun, and almost no time to digest it, went on to a screen in the center and the lights. Anderson disguised himself welcomed us psychiatrist (a detail, subtitling the videos). After the intro, the legendary rocker was planted on the side of the stage, with his guitar, and after singing the first verse of Thick As A Brick part 1, was placed in the middle between the band. The show was divided into two parts, one for each Thick As A Brick, and the style of what he did to Roger Waters The Wall, but with much less budget (conceptual work, screens, "theater" ...). First then, the two issues of more than 20 minutes of work JETHRO TULL. The tingling that invaded the present when Anderson left leaning his guitar became applause and cheers as he took his flute, and gave the first single with his favorite instrument. There are few artists who take out both yield a device that takes 6 strings, and Anderson is one of them. The main surprise of this show is that he had the presence of an actor, Ryan O'Donnell, in a role somewhat forced, especially in the first half. Anderson sang parts when he was busy with the flute. O'Donnell's role was a bit forced, especially in the first part, and often diverted public attention. Not because it would overshadow the protagonist's charisma and talent, but their continuous walks between the band ended not being credible. Of course, the most famous rock flutist captures the looks, and gave the impression that he wanted to return them all. It strives to look at each of the seats and in the eyes of the deals, making them feel part of the show. Overreact singing, but he does fear. And with his age (65 years) is commendable that wastes energy on stage. Still gets goosebumps to stand on his right leg, the left and moving to the beat of the music. Anecdotally, one of the projections simulated a Skype connection with Anna Phoebe, in which "joined" to the Musicians with their instruments. The London-based violinist could not join the tour for maternity. Despite being less known his latest, Barcelona dazzled. Thick As A Brick 2: Whatever Happened To Gerald Bostock? is at the level of the great Anderson, including its predecessor. And interpret the fact that the band recorded, gave the second act of greater energy. The band (magnificent) was devoted to play, leaving aside the more theatrical aspect (which included O'Donnell), and Palau is warmer. Still, this aspect was not lost more theatrical. E player continued playing various characters, and even the leader danced without tools! They highlighted the second Thick As A Brick Upper Sixth topics Loan Shark / Banker Bets, Wins Banker, who got the audience clapping accompany, and Old School Song, which was a recital of Anderson ... and guitarist Florian Opahle For the encore, good old Ian booked a surprise ending. Nothing less than the Locomotive Breath, the mythical Aqualung (1971). The ovation that lasted minutes, was well deserved. A concert of high caliber, and one of those shows that not only worthwhile, but probably unrepeatable. Anderson's power, the end of his career (in Jethro Tull and on their own) does not seem close, but it is difficult to meet again in one concert these two masterpieces. So you have to feel fortunate. Text: Thomas Catalan (@ t_catalan) Illustration: Andrew Miguel
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Mar 1, 2013 15:31:27 GMT
Google translate; [Interview] Saori Jo : Je suis hyper émotive [Interview] Saori Jo: I'm so emotional toutelaculture.com/2013/03/interview-saori-jo-je-suis-hyper-emotive/Welcome to Strasbourg Saori Jo, just released his debut album 2.17 AM (Cosmopolitan Record) as the last note of this album, recorded at home, was engraved in the early morning hours. Meeting. Saori hello, I'm delighted that you answer a few questions for toutelaculture.com. Firstly they are your motivations to release a first album? Why in English? I love the scene, the album is for me its extension, not the reverse. I did live my songs on stage before deciding to leave the first album. Moreover, it is often believed that without album it is difficult to do this job, this is wrong. We have turned not only in France but also in other European countries, including doing 3 rounds consecutive first part of Jethro Tull. It was after these events that the release of the album has become inevitable to meet all a public that follows us, but also to seal a step. The choice of English came naturally being a citizen of the world, I have multiple origins. I have not really started my career in France. I sang in other countries before revealing my album in my native country. Enable the public to understand my writing is very important to me. It is easier to translate from English and French to someone who lives in Germany, for example. What are your musical madeleine of Proust? I'm a hyper emotional, just that I hear music that brings me back to my childhood for me the emotional win. This is because the music rocked and I always accompanied my life from my youth, when privileged moment with my parents, for example. There is not a particular song but many. To name a few: "San Francisco" Scott Mc Kenzie, "The Boxer" Emmilou harris "Everybody loves somebody" Dean Martin, but "Natural Mystic" by Bob Marley "Cocaine" or JJ Cale "Echoes" of Pink Floyd or "Hurricane" by Bob Dylan ... Any evoke deep feelings. How did your meeting with Ian Anderson? Is that the musicians who participated in the recording turn with you? Our former manager in Germany was the Tour Manager of Jethro Tull. It has enabled us to meet the group and its legendary flutist charismatic. Ian Anderson gave us the opportunity to follow starting on 3 dates that are quickly transformed into several tours in Germany, England and Scotland, but cà is very long history. It is he asked me when we first met I was ok if I had it to join us on one of my title (We were their first game in duet with Miguel Ruiz on guitar). He had listened to my cd had was a 4 tracks on which there was "Fairy World". This is how the story of this song was born. The next day is the group that joined us and for all the concerts that followed. We shared the stage on three songs with them. Saori Jo Featuring JETHRO TULL "Fairy World", March 2009 Fellow Travellers live Nürenberg (featuring Jethro Tull) Ian Anderson recorded his part flute on the album and John O'Hara his accordion during the tour. Rather call you on the piano? Guitar? The piano is the instrument that allows me to fully express. The guitar is not my first instrument, brings me to another point of view in the composition. Where do you get the inspiration for your lyrics? Will you ever sing in French? I find my inspiration in the news offering subjects that reason, but also in the people around me. I practice meditation leaving cycle through my ideas in a quiet moment or walking. Sometimes it's the music that inspires me the text. I love sharing writing. Sebastien Moullier Aram Papazian and shared writing lyrics of this album. I love putting words in other music because it is a source of inspiration for my music which is articulated in any other way if I composed with my words. I do not exclude sing in French or Italian or Spanish. I know some of my family would love to hear me sing in Italian. What is it about the single "Some chocolate" The song talks about the urgency of being yourself and regain control of his life at the time that it becomes more vital. So we must dare and not get trapped within the limits set by others and fears that do not belong to us. Put color in her life when everything turns gray, it is to regain control of her life! Y was he a tour planned? Which regions are affected? We are programmed this tour, I do not have all the dates. The list of concerts will be published progressively on the site www.saorijo.comWho do you like in the French music scene or international? Elbow Archive. I rarely listen to music strangely. I like to listen to as ethnic. Good luck for the future, we loved your album, pleasure to meet you! Thank you to you!
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Mar 4, 2013 14:55:47 GMT
Ian Anderson en Córdoba: ganá entradas El legendario cantante de Jethro Tull llega para presentar un disco emblemático de la banda de rock británico. Ganá entradas. Ian Anderson in Cordoba: Win tickets The legendary singer of Jethro Tull disc arrives to present iconic British rock band. Win tickets.vos.lavoz.com.ar/concurso/ian-anderson-cordoba-gana-entradasIan Anderson presented on Friday March 8 in Cordoba, an opportunity to see the renowned singer and flute artist, presenting a show that will tour the legendary album Thick as a Brick, published in 1972 by Jethro Tull. Anderson, singer, composer, flutist and Scottish guitarist, is best known for leading the rock band Jethro Tull. Just the idea of this tour is fully interpret that masterpiece of Jethro Tull, Thick as a brick, a work of 45 minutes, a long song (divided into A and B side of the disc) with instrumental landscapes and lyric that became a milestone in rock. The show is in Quality Space Cordoba (Av Red Cross 200), on Friday at 22. Advance tickets from 160 to 460 pesos in sales outlets and self-entry of the malls. contest VOS giving away five (5) pairs of tickets to see the show of Ian Anderson. To participate you just have to be registered in VOS.com.ar. You have time to register yourself until Thursday March 7 to 18, when it will make the draw. Winners will be published in this note (it is important that participants enter see if were favored) and may move to withdraw their entries on Friday March 8 with your ID by Avenida Colón 45, 9-15.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Mar 8, 2013 15:34:29 GMT
Careful readers - Google translate; Barre Barre Dialogue with the leader of Jethro Tull Anderson: "we generated both love and hate" Plays on Sunday with his band www.ambito.com/diario/noticia.asp?id=678798™Jethro Tull (trade-mark) 1972 recorded one of his best and most successful LPs, "Thick as a brick". The album was also one of his most revolutionary, as dressed in a cover that was a fake diary of 16 pages, and only offered a broad topic that was changing shape along both sides of vinyl. The album, called on Argentina "Thick as a Brick", the controversy had a child poet, Gerard Bostock, who had cheated to win a poetry contest. Last year, Ian Anderson, leader and composer of Jethro Tull, decided to celebrate 40 years of "Thick as a brick" with a sequel, "Thick as a Brick 2", which tells how the poet's life continued, and incidentally put together a tour where, for the first time in a long time, be presented in full the original 1972 album. The tour will bring Jethro Tull and the two "Thick as a Brick" this Sunday at Teatro Gran Rex. We spoke with the leader of the band, singer, songwriter and flautist Ian Anderson. Reporter: There is a legend that says "Thick as a Brick" grew out of a feud with the recorder prompting you would not give a full album and instead stretch a single song to its conclusion. Ian Anderson: No, that legend is not true. I never had a fight with the record company. I just wanted to make a record and unusual theme. They were very happy with the result, especially when it came to the top of the charts. P.: "Thick as a Brick" was the album of the year according to Billboard, and achieving amazing good reviews from the press. How did it feel to be compared to a Mozart or a rock Dostoevsky? IA: Well, there were also some very negative reviews. The good thing was that no one said it was OK, and ready. O loved him or hated him. The album was somewhat a counterpart of other concept albums of the era, as it was a little parody, full of humor quite surreal. I do not remember Yes, Genesis or Emerson Lake and Palmer put humor in their concept albums. Instead, Frank Zappa or Captain Beef Heart itself. Is that English bands were taking everything seriously. Q: After "Thick as a brick" You took another album like, "A Passion Play", but instead of receiving excellent reviews in the press was stoned. IA: Well we could get away with it once. But twice? Not impossible. In addition, "A Passion Play" was a bit pompous. It was my fault not of the band, as it had very good musical passages, but the content was very complex Q. How did the musicians of Jethro Tull when he told them the conceptual idea of "Thick as a Brick"? IA: never told it! We started rehearsing without the vocals, so I did not have much idea of the general concept until we finished. Q: Over the years, "Thick as a Brick" was always a highlight in the show, but in versions with 10 or 15 minutes. How does the public to hear the full version? IA: The public likes. And the theatrical show of them seem too interested. So far nobody asked you back for the silver. On the other hand there are not many rock shows on concept albums at the moment, except perhaps Roger Waters. Q. How did they maintain almost the same sound for "Thick as a Brick 2" without Martin Barre's guitar, the musician original?
IA: The same guitar and the same amp. A different pair of hands, but the sound is the same. That point was not difficult to recreate. But you must understand that even Martin Barre Barre sounds today like 1972. These days is a far superior guitarist.Q: Is it true that the fake diary original album cover, with 16 pages, took longer to assemble the disc? IA: It was, I did the design, and we put it together with John Evan and Jeffrey Hammond-Hammond. The new design was based on that, but now a little easier to be adapted to the current Internet era. Q. How did you impose the flute in rock, Roland Kirk and honor in their first album, "This Was"? IA: I played guitar until Mick Abrahams joined the band that later became Jethro Tull. So I had to find something else to play, and preferably something that does not touch people like Eric Clapton or Jimmy Page, Jimi Hendrix and Keith Emerson either. Roland Kirk heard in March 1968, when a friend told me he heard a jazz album with a flutist who made the same sounds that I, so I took one of the tracks on the album as a solo moment in the early days of group. Q. What is your favorite album of Jethro Tull? IA: "Songs from the Wood", "Aqualung", or perhaps "Budapest". Q. What part of the story of Jethro Tull is the least favorite? IA: The first ten years of touring the United States was very difficult for me. And the difficulties to socialize all the time with the same people always bothered me. I'm a loner and I need my own space, even in the midst of a tour. Batteries do not want noise, or groupies or people caterer. I like a glass of beer and catch up with CNN and BBC TV in there enough sex and violence, the police drunk, the officer Rick Grimes in the series "The Walking Dead", now my son.
|
|
|
Post by Tull50 on Mar 9, 2013 22:05:23 GMT
Jethro Tull & Ñu Written by Kike Babas & Kike Turrón on October 8, 2012. Posted in Music www.pagina-1.es/index.php/secciones/musica/60-jethro-tull-nuGoogle translate: Distances are insurmountable, but there are obvious parallels between the British Jethro Tull and the Spanish Ñu: both are true representatives of rock group with flutist-singer to front, both races have developed extensive discographies lived (more than 15 papers edited Wildebeest, and Jethro twice), both times have had significant sales in their respective markets (international and Iberian) to establish themselves in the spotlight, and they have expanded the concept of rock in his fondness for classical music, the folk, the medieval and the Celtic Obviously Ñu began following the path opened by Jethro, who had debuted with "This Was" in 1968 and achieved huge sales worldwide notoriety with millions of "Aqualung" (1971) and the double concept, the totem, "Thick as a Brick (1972) ", in full fever of progressive music. The José Carlos Molina band debuted in 1978 with "Tales of Yesterday and Today", and had a good start in the early eighties, always within the New Wave of Heavy Metal Hispanic prevailing at the time. Since then has been Ñu holding up, sometimes in agonizing love-and-no-I can that seem inherent in this league is lower than that of the Spanish rock. Sure that is unmatched as the creator of "Thick as a Brick" and "Fire". As is their everyday reality: while José Carlos permanently fight against oblivion, the goal, survival proud, Ian Anderson is a veteran, feted, Anglo estrellona that keeps the world spinning. Ian Anderson (Jethro Tull) You just edit "Thick As A Brick II", the second part of your legendary album. It retakes the conceptual history of that boy, Gerald Bostock, but made a man, an adult of today ... is a happy guy? Ian: It has happy moments and a lot of times depression. It's like what can happen to any one, depends on the events of our lives and, according to that, you may feel lucky, happy, and your life can be hell ... All this is the result of the choices we make, good or bad , and partly the result of things that happen to us, things that happen without more and we can be positive or negative ... You ask for a fictional character and my answer is that it is a metaphor that you could use yourself, think in all things that can happen to you since you're 15 or 16 years and you start to make choices in life: you can go to college or not, you can study, or a soldier, or police, you can choose your sexual preferences, being gay or transsexual ... you get to choose along the way. And then the things that happen to you: you're in the middle of a tsunami or a contagious incurable grips train going ... These are things that happen, you, your father, your sister, your children. We are all part of this curious mystery among the choices we make, and this one happens to us and we can not control. That intellectual standpoint is what interested me for the disc, and since then the music starts. Do you think that people can get the message? Ian: I fully understand that there are people who will not be interested in this, you may not have the time or the intellectual curiosity, that's fine, do not buy this album unless you want to face this reflection that I have done. Have your own favorite songs of "Thick As a Brick II"? Ian: For me there are really cuts the 17 songs on the CD, if you buy on itunes you will see that there are 14 different sections ... I can not think of the concept of song, and the album is written with the concept of a single piece of music with natural places where you can take a break ... Of course, if you want you can take your music and small snacks are like fast food items. In itunes if you want to buy three minutes of music can do and if you want to take full, too. But live it represent as one continuous piece of music, that's how it was written. With its development and reprise. For me it is one piece, but if you think that 17 songs, you can. Jethro Tull is the band's oldest active international rock after the Stones. Ian: Well, it's like when you start playing at school with your friends and you're having fun and suddenly someone comes and says, 'Boys, Back to School', the truth, do not want to go there again, right? Want to be having a good time with your buddies forever ... and that means being in a band r'n'r ... the Stones, Jethro Tull or anyone. We do not want teachers touching the bell and saying to come inside. It's the secret: fun at what you do, you know how lucky you are taking that profession, live in something you love and do not want to stop, and you get older and do not want to stop, because you know you're going to die soon, so I want continue to do so long as you can ... Of course, your status is very reliable musician: you accumulate awards and distinctions and even recently were with the Queen of England ... Ian: It was the Queen, Prince Charles was. She had met him before, a few times ... always nice to give you anything: a birthday card, a call from a friend, a nice greeting from the beautiful wife of your neighbor. But, not to be taken too seriously, if the young woman of your neighbor spends a beautiful smile, you should not think that you're going to have sex with her that night. So when I get a prize, a Grammy, a doctorate from college or a prize of rock londinene ... are nice things to have, but they are nothing more than that, a friendly greeting, do not take it too seriously. José Carlos Molina (ÑU) Wildebeest's latest album is studied "Old Hymns to New Warriors" (2011). Aside from being the title of one of the songs, what do you mean? José Carlos: Although I am not very heavy, I support, I am heavy-hearted, but this music is not my favorite to make it myself, that others do. The heavies use the songs as hymns ... The old hymns were hymns they used before, we are making a sound like very old for many young people which has been incorporated, they are the new warriors, twenties, that old already will listen ... Of all the instruments you play on the disc (vocals, Irish flute, alto and soprano baroque flute, whistle, piano, acoustic guitars, organ) with which you feel most comfortable? José Carlos: With the piano I feel comfortable, I have long, every so often I hit arreón, music is another way, is the desire to excel. With the flute also study a lot. The novelty, with acoustic guitar every time I defend myself better as an escort, I do some punteillo, as the beginning of "Today For You leave my skin", I do that, but do not ask me more. The church organ I play, I do play some Bach because I am not a church organist, more like me, it's complicated. I know what I know. What about the voice? José Carlos: I still advocate a bit. He sang better when I got into a studio and someone in the cockpit. I concentrated more and more I hear. Now I get less, be your own producer has this. Nor was this album showcasing voice over composition. Ian Anderson sometimes defined as folk musician how do you define yourself? José Carlos: I really should be Hammond organist, but had no money. Yo, if I could be a pianist, had not been flutist, pianist had been a singer, but folk musician ever. To be a folk musician can not be Spanish, only if you're English, Irish or parts of France. The folk is linked to joy, but here brings very bad memories, the kind of folk-flamenco hate him with all my heart. For all what I remember. I hate sevillanas, sardanes bull7777, the Asturias-patriotic-dear, I hate the jacks, but "The Pied Piper" is a jack, a 6x8, the muñeira is disgustingly sweet, Galician and Asturian musicians are making a folk quite interesting but have had to move away from the roots. I can not be folk musician in this country, I consider myself more of a folk musician who comes from the school of blues. Do you listen to more rock or classical? José Carlos: Just listen to music so I can sleep, every day I get a new disc. I just made one of Santana's time "Welcome" (1973). Very relaxing time. I made another of all of Jimmy Hendrix blues. Now I'm going to do one of Genesis, of the songs that I sleep better. And I have thought of another with the quieter songs by Jethro Tull. And blues, Sonny Boy Williamson, the most tranquis. Many blues. I hear a blues station available on the Internet and sit at the piano, I have it right under the computer, and all the mess that leaves me to play, I enjoy it and learn a f**king egg. What I like is the blues, but the blues could not live here. I also like classical music. I like Thijs Van Leer, Focus. I like all music. Would you say that this country is grateful to the musician when the years go? Does survival merit? José Carlos: There are people who appreciate it, but little. This is not like the U.S. or England, where pamper musicians here has not called me no queen, and you call, call a tow or Mecano or something similar, any of these rolls so corny we have .... This is a country where everything is arranged clapping, which was easier to play, in fact I find it amazing how they got to play well the flamenco guitarists, actually has merit. But as a country bumpkin, who can come to hate people like me to continue with their work, for so many years in the music ... is more, I veto on the radio, because they want to sell pretty faces and groups that do not exist. You do not go on TV, you forget, you disparage... I expect nothing from this country. If I could I will go now.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Mar 13, 2013 14:47:32 GMT
Rock progressivo do Jethro Tull inaugura shows internacionais no Araújo Vianna Ian Anderson e grupo de instrumentistas realizaram show conceitual para 3 mil pessoas www.correiodopovo.com.br/ArteAgenda/?Noticia=492405Crédito: Ricardo Giusti - Photos Fonte: Luiz Gonzaga Lopes/Correio do Povo another wink, link; www.gaz.com.br/noticia/396734-rock_progressivo_do_jethro_tull_inaugura_shows_internacionais_no_araujo_vianna.html-------------------------------------------------------------------->more Google translate; Ian Anderson: "It will be a very special show" Artistic genius told The Viola Web details before arriving in Argentina. A minstrel who went a long way in music. Submit the work reminded Thick as a Brick. Friday March 8, 2013 | 9:43 tn.com.ar/musica/hablamos-con/ian-anderson-recrea-en-vivo-un-disco-clave-thick-as-a-brick_376081TROVADOR. Anderson con su particular guitarra Troubadour. Anderson with his unique guitarWhat does it mean to be back in Argentina? It's very special. Let's take a show based on the hard Thick as a Brick, 1972. The audience will enjoy the presence of many musicians on stage. It is our second year with the tour and did not expect it to last much. I estimate that we will be having another year. How do you feel on stage? I'm aware of the music, from what I can deliver. I feel a lot of energy. You have to give everything to the audience and present it in the best way possible. Do you listen to music when traveling? Can not hear anything when I'm on tour. When I had to play in India I was interested a little about their music and culture for a particular job. I'd rather stay in a hotel looking out the window or reading a book. My life is very moving and I need some quiet. What do you remember the start of Jethro Tull? It was very special. There were many bands looking to do new things. It was an idea of mixing styles like jazz to classical. We try to take things to the limit. It was a time with bands like Genesis, Yes, King Crimson, and we were doing concept albums. What was your first show? I started playing music in London. At 16, I gave my first recital in a church. They were looking for an artist for young people called me. I played some blues but it was what the public wanted. You have a great musical knowledge Your place music played? My dad liked Glenn Miller and my mom was not very interested in music but, over time, I realized I liked the violin and dance. Never told us and it was a great surprise when we found out. How do you feel when composing? I am very happy. I find it easier to create the music they write. The letters take me more time and I find it very difficult. I have 45 years in this and do not think I did a great job. I could have done better. Aqualung was another great job We had many problems in the study. The band members were new and did not have much experience. It was frustrating, very hard work. They are great songs but I think it could have worked better sound. Do you have in mind to record a new material? Yes, I'm working on it. I figure that will be published in 2014. In the coming days I will record some demos. Ian Anderson Thick As A Brick {part 1 and 2} spacetrucker1969 - Published on Oct 7, 2012 - Live in Fort Myers, Florida - 9-24-2012 Ian Anderson, 10 de marzo, Gran Rex - Ian Anderson, March 10, Grand Rex Life is a long song ;D
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Mar 15, 2013 16:14:25 GMT
Ian Anderson faz show sábado e continua levando o rock na flauta Carro-chefe da apresentação do líder do Jethro Tull é o disco Thick as a brick Ian Anderson show does continue Saturday and leading the rock on flute flagship presentation of the leader of Jethro Tull's Thick as a Brick Carolina Santos - Diario de Pernambuco Publicação: 15/03/2013 11:20 Atualização: 15/03/2013 11:29 www.diariodepernambuco.com.br/app/noticia/viver/2013/03/15/internas_viver,428724/ian-anderson-faz-show-sabado-e-continua-levando-o-rock-na-flauta.shtml Google translate: antiastro? Founding leader of Jethro Tull, Ian Anderson is a kind of rock antiastro. In the 1970s, at the height of the group, he did not like hippies - although the band have a sound well-traveled - not using drugs, not going to binge. Always managed the finances of banda and himself negotiates prices for concert tickets. In over 40 years of experience, more than thirty musicians passed through the group. "I choose (the members) for technical skills, personality and their ability to get up early," says Anderson. On Saturday, he performs on stage at the Theatre Guarapes with a show that makes a tour of the group's songs and his solo career. The flagship of the presentation is Thick as a brick - the fifth and perhaps most progressive album the band released in 1972, and with only a single, very long song - and the continuation of the disc, Thick as a brick 2, released in 2012 As Ian Anderson solo album. Service Ian Anderson - Jethro Tull's voice When: This Saturday, March 16, 2013 When: 21h Where: Theatre Guararapes (Convention Center) As: I Stalls - Rows AA / BB £ 250 (full), £ 125 (half); Stalls II - queues BC / BT £ 200 (full price), $ 100 (half) Balcony - Rows AC / CJ £ 100 (full price), $ 50 (half). Points of sale: www.bilheteriavirtual.com.brand stores Zefirelli Information: (81) 3182-8020 INTERVIEW / / Ian Anderson What is the difference between composing and playing for Jethro Tull and composing and playing for your solo career? No, actually. They are always my songs, and my arrangements, most often, the same musicians. Perhaps his greatest legacy is the ability to use the flute as the main instrument in rock. How did this idea? Do you see any new banda also using the flute as the protagonist? I wanted to find a tool in the summer of 1967 that Eric Clapton could not play. There were many great players coming new at that time and I was not susceptible to becoming one. So I bought a flute. An impulse buy, which was almost a mistake because I could not pluck a note of that thing. Six months later, we made our first album. I was a quick learner. I had to be, for if Eric suddenly decide to become a piper too! So that was my biggest concern. If you see Eric with a flute, jump on it and break it completely. Everyone except him, is welcome to try to use the flute in rock, but nobody does this successfully - at least not in the context of international rock. I really do not know why ... Maybe just because the flute does not belong to rock. You said you did not use drugs during the 1970s and tried to stay away from people who wore. How did you manage to do this when he toured with Led Zeppelin in 1969? They went their way, I went mine. I enjoyed reading a book and watching the news on television. But they invited me to parties. (John) Bonham paid the price, unfortunately, and Jimmy (Page) was lucky to get out in time. Entrepreneur of them, Peter Grant, also paid the price. He was a gentleman with me. Always polite and friendly. Do you regret having refused to play the Woodstock festival? There was a good career strategy. We were not prepared for that kind of exposure and needed more time to find musical and personal directions. But they could have enjoyed our show! And we could have defined as a hippie band like Ten Years After and Country Joe. You already said you do not like hippies. Why? I really did not appreciate the effects that drugs had on people I knew and that whole thing of free sex missing something special and romantic. And the clothes were ridiculous. Add to that problems with toiletries and jewelery cheap and you have something unattractive. I never had a girlfriend hippie. Martin Barre, the second oldest member of Jethro Tull, is no longer touring with you and complained publicly that. Why do you leave him out this tour? You want to work with him again? Martin is doing great now with his solo work and I think he's happy with his new path. We discussed this new work from him in the summer of 2011 and do not see why it is a surprise that I also am doing other work. I have no plan now to do Jethro Tull concerts, but if an offer I will consider. Líder fundador do Jethro Tull, Ian Anderson é uma espécie de antiastro do rock. Na década de 1970, no auge do grupo, ele não gostava de hippies - apesar da banda ter um som bem viajado -, não usava drogas, nem ia para farra. Sempre controlou as finanças da banda e ele próprio negocia os preços dos ingressos dos shows. Em mais de 40 anos de trajetória, mais de trinta músicos passaram pelo grupo. “Escolho (os integrantes) pelas habilidades técnicas, personalidade e a capacidade deles em acordar cedo”, diz Anderson. No sábado, ele se apresenta no palco do Teatro Guarapes com um show que faz um passeio pelas músicas do grupo e da sua carreira solo. O carro-chefe da apresentação é Thick as a brick - o quinto e talvez o mais progressivo disco da banda, lançado em 1972, e com apenas uma única e longuíssima música - e a continuação do disco, Thick as a brick 2, lançado em 2012 como disco solo de Ian Anderson. Serviço Ian Anderson - A voz do Jethro Tull Quando: Neste sábado, 16 de março de 2013 Quando: 21h Onde: Teatro Guararapes (Centro de Convenções) Quanto: Plateia I – filas AA/BB R$ 250 (inteira), R$ 125 (meia); Plateia II – filas BC/BT R$ 200 (inteira), R$ 100 (meia) Balcão – filas CA/CJ R$100 (inteira), R$ 50 (meia). Pontos de venda: www.bilheteriavirtual.com.bre lojas Zefirelli Informações: (81) 3182-8020 ENTREVISTA // Ian Anderson Qual a diferença entre compor e tocar para o Jethro Tull e compor e tocar para sua carreira solo? Nenhuma, na verdade. São sempre minhas músicas, meus arranjos e, na maioria das vezes, os mesmos músicos. Talvez o seu maior legado seja a possibilidade de usar a flauta como instrumento principal no rock. Como surgiu essa ideia? Você vê alguma nova banda também utilizando a flauta como protagonista? Eu queria encontrar um instrumento, no verão de 1967, que Eric Clapton não poderia tocar. Havia muitos grandes guitarristas novos chegando, naquela época, e eu não era suscetível a me tornar um deles. Então eu comprei uma flauta. Uma compra de impulso, que quase foi um erro, porque eu não conseguia arrancar uma nota daquela coisa. Seis meses depois, fizemos o nosso primeiro álbum. Eu era um aprendiz rápido. Eu tinha que ser, para caso Eric, de repente, decidir se tornar um flautista também! Então essa era a minha maior preocupação. Se você ver Eric com uma flauta, salte nela e a quebre completamente. Todo mundo, menos ele, é bem-vindo para tentar usar a flauta no rock, mas ninguém faz isso com sucesso – pelo menos não no contexto do rock internacional. Eu realmente não sei por que…Talvez apenas porque a flauta não pertence ao rock. Você disse que não usou drogas durante a década de 1970 e tentou ficar longe de pessoas que usavam. Como você conseguiu fazer isso quando excursionou com o Led Zepelin em 1969? Eles seguiram o caminho deles, eu segui o meu. Eu gostava de ler um livro e ver as notícias na televisão. Mas eles me convidavam para as festas. (John) Bonham pagou o preço, infelizmente, e Jimmy (Page) teve a sorte de sair a tempo. O empresário deles, Peter Grant, pagou o preço também. Ele era um cavalheiro comigo. Sempre educado e cordial. Você se arrepende de ter recusado tocar no festival Woodstock? Não, foi um boa estratégia de carreira. Nós não estávamos preparados para aquele tipo de exposição e precisávamos de mais tempo para encontrar direções musicais e pessoais. Mas eles podiam ter gostado do nosso show! E poderia ter nos definido como uma banda hippie como o Ten Years After ou Country Joe. Você já disse que não gosta de hippies. Por quê? Eu não apreciava muito os efeitos que as drogas tinham nas pessoas que eu conhecia e naquela coisa toda do sexo livre faltava algo especial e romântico. E as roupas eram ridículas. Adicione a isso problemas de higiene pessoal e bijuteria barata e você tem algo nada atraente. Eu nunca tive uma namorada hippie. Martin Barre, o segundo integrante mais antigo do Jethro Tull, não está mais excursionando com você e reclamou publicamente disso. Por que você o limou desta turnê? Você pretende trabalhar com ele de novo? Martin está ótimo fazendo o trabalho solo dele agora e eu acho que está feliz com o seu novo caminho. Nós discutimos esse novo trabalho dele no verão de 2011 e não vejo porque seja uma surpresa que eu também esteja fazendo outros trabalhos. Eu não tenho nenhum plano agora de fazer shows do Jethro Tull, mas se surgir uma oferta eu irei considerar. Acompanhe também o Pernambuco.com pelo Twitter Tags: Teatro Guararapes Jethro Tull show flauta rock banda anderson ian
|
|
|
Post by Tull50 on Mar 16, 2013 21:14:54 GMT
IAN ANDERSON - Teatro Gran Rex (Sunday, March 10, 2013) www.requiemweb.com.ar/destacado.php?id=680THE LEGEND OF MINSTREL AND HIS MAGIC FLUTE. Chronicle by: Hernán Franco / Photo: Fernando Serani Under the guise of Ian Anderson's Jethro Tull, the charismatic leader of one of the most emblematic bands of progressive rock, presented again in Buenos Aires, exhausting locations Teatro Gran Rex, to delight us with the interpretation full of 'Thick As A Brick ', on the 40th anniversary of the classic. There are few bands that have been devoted to this point at least one tour in its entirety to commemorate one of their most iconic albums, in what has become a trend that threatens not stop, at least in the short term. The main point of analysis to provide real dimension of what leads to a certain band to use their legacy, we must now look the same. How about honesty and willingness to 'honor' the material and actually offer it, because there also, to new generations who have not had access to that material live, and all that is in search of a graceful exit before the material poverty provided herein, are the questions to be addressed. In regard to Ian Anderson, the charm that surrounds this tour is the fact that the Scottish bard not only hit the road with one of his masterpieces to costs, a situation which in itself would guarantee success, but the trigger of it, was the release of 'Thick as a Brick 2', a work of impressive results published a year ago by Ian Anderson but solo, step on the product which is currently Jethro Tull, caused, apparently for the rift between Ian Anderson and Martin Barre, guitarist to accompany him in the band mother since time immemorial. Just a few minutes past 20 pm, characterized as petty, while purporting to clean and arrange the instruments, the musicians were putting one by one in their places, until at stage right, a few meters from where I was located , featuring the great Ian Anderson, acoustic in hand, to offer the first lines of one of his masterpieces. The sound was great from the first to the last moment of the show, allowing us to glimpse the sound of each instrument, every detail, and every arrangement, perfectly, promotes an even more exquisite frame. Buoyed by a band of notable musicians, among them especially the young Ryan said O'Donnell, who not only took care of seconding Ian Anderson on vocals, but also to showcase their histrionic talents during the staging of the subjects during nearly two hours, the brilliant Scottish piper provided a memorable show, surrendered before a packed house at the foot of one of the most talented musicians that music has any concept The first part of the show was devoted to the interpretation of 'Thick as a Brick', imperishable masterpiece of progressive rock, a piece of more than 40 minutes in length, (originally divided into two parts by the vinyl edition), which charm lies in its consistency maintaining its length despite without attention decay at any time, wherein each musician took place for personal brilliance, especially during the instrumental sections where some of the sole, such as the battery by Scott Hammond, who has his place by little into the second part, are extended. During the presentation emphasized not only musically and progressive spirit of the work, but also put special emphasis on the visual, not avoid humor and parodic touches through dramatic performances and images emanating from the screen video. Listening melodies and passages that enclose a job as 'Thick As A Brick', one understands because criticism has always been hard to pigeonhole a band like Jethro Tull within the musical context. It is always difficult to describe the intricacies of a work you stroll from folk to progressive, from acoustic to heavy, provided with a sense of humor unusual in conceptual works, such as in those published by some of his peers tended to be more dramatic and deep, (itself, 'Thick As A Brick' arose at the time as a satire to them), and last but not least, by an instrument duly decked unusual like a Magic Flute Ian Anderson achieves astonishing that hypnotize Pied Piper, leading us to follow each of their steps, their choreography, or die 'by the four' is a trademark of the house as the horns of Dio, or standing in the eternal Steve Harris return, are emblematic images of the rock world that are worth a thousand words. Unfortunately, over time, coupled with difficulties encountered by Ian Anderson on his vocal cords in recent years have led to a decline in its flow vowel why Ryan O'Donnell takes care of the most demanding, achieving at times an astonishing blend with Anderson's voice of young years, gaining prominence as the old minstrel including Scottish, to whom he was more focused on his flute and acoustic guitar. After an interval of about 15 minutes, began the second part of the show, dedicated to "Thick As A Brick 2 '. At the time, the output of this second installment not only generated many expectations, but also controversy, doubting what Anderson was able to offer 40 years after the first delivery. But if there is something you learn over the years is not to underestimate the talented musicians, because you never know when you may injure to surprise us again, and the teacher came out with dignified work, without going to the majestic heights of the first part, not at odds at all, with passages of highest quality that are enhanced in vivo. As proof of the value of the material, we could enjoy the likes of pearls 'Old School Song' with hammond protagonist, 'Wootton Bassett Town' with all his baggage and dark environment, the extensive 'A Change Of Horses', with purely progressive structure, 'Swing it Far', or my favorite 'Kismet In Suburbia'. Another area of note is 'Banker Bets, Banker Wins', one of the most hard rock, dominated force Ophale Florian guitar. As in the first installment, despite being divided into seventeen parts, this sequel has a similar structure with recurring melodies like 'leitmotif' throughout the whole work, but varying in intensity according to the time of reflecting history, characteristic of such compositions, and personally is one of the most enjoyable features within the conceptual pieces. As for the concept, this second part is basically centered on the question of what happened to Gerald Bostock life, speculating on the various uses that may have had one child prodigy poet protagonist of the first delivery, (who at the time was about 8 years, and now, would be around 50 years) posing several alternatives, such as, a future as homeless, as British soldier, as a banker, as a preacher, or seller. Bostock's role is taken by O'Donnell, not only from the vocals, but also from the visual, assuming different roles depending on the occasion, such as during a performance of 'Give It Hurts Hill' which appeared characterized as a priest . In this second part, who also manages a greater role, is the guitarist Florian Ophale, who are encouraged to take the stage in front of their own, probably emboldened by the fact that he who was in charge of recording the violas on the disk, Unlike the first part, which has to wear the shoes as a hero Martin Barre. To close, the piano intro by John O'Hara, was the sign that it was the turn of another classic, nothing more and nothing less than 'Locomotive Breath' belonging to another of the essential works of the record of such as Jethro Tull 'Aqualung', with Ian Anderson on flute again plethoric. After the show, Ian Anderson himself through prerecorded images that could be displayed on the screen, was in charge of presenting bassist David Goodier (who with his white hair reminded today of Jimmy Page) and keyboardist John O'Hara, who knew be co-Anderson in Jethro Tull, Florian Ophale guitarist, drummer Scott Hammond, and vocalist Ryan O'Donnell, who became the revelation of the evening, why was one of the most applauded, passing each them forward to receive the heat from the public, to conclude presenting himself and feeling for the last time on the night the popular clamor applauded respectable standing to redden the palms. Apart from some wear logic in his throat, as both the deployment stage interventions Ian Anderson on flute and acoustic guitar, are still worthy of admiration, showing the entire life of a musician who after all these years, walking with total mastery talent onstage, and luckily, we were able to witness it again.
|
|
|
Post by JTull 007 on Mar 17, 2013 0:28:45 GMT
Excellent review by Hernán Franco. I love this part especially. Well done Remy! ;D ;D
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Mar 21, 2013 16:02:04 GMT
Innocent bystander stirs it up. I thought Ian Anderson said that the best of shows were reserved for Martin Barre/Jethro Tull. ?? "The Best of Jethro Tull": la grande musica al Castello di Villafranca Eventi a Verona 21 marzo 2013 www.veronasera.it/eventi/concerti/best-jethro-tull-castello-villafranca-18-giugno-2013.htmlAfter the success of Thick as a Brick 1 & 2 in 2012 and world tour which celebrated the fortieth anniversary of the first disc, IAN ANDERSON, the man who popularized the flute in the world of the legendary rock driving JETHRO TULL, back to to vibrate his instrument to the tune of the most popular songs of the band. In fact, Anderson continues the journey of exploration and reinterpretation of the music and the band's repertoire, presenting to the public, who expected them, success, and most significant pieces in more than 40-year career, beginning with classics such as Aqualung, thick as a Brick and Locomotive Breath. After more than 65 million records sold and more than 3000 concerts in 40 countries, the long creative period of Anderson led him in 2012 to bring out Thick as a Brick 2, disk entirely new world tour and bring to a live show suggestive, that filled the theaters and arenas Italy and the world, bearing witness to a deep relationship with the audience that follows him for years. Now the "Pied Piper" back to back over the beautiful trails of its long past and, with the musicians who followed him for years, invites us to follow him. The return of the great music!
|
|
|
Post by steelmonkey on Mar 21, 2013 17:22:53 GMT
Good point...or is this billed as Jethro Tull's Ian Anderson does best of JT ? Very convoluted.
|
|
|
Post by nonrabbit on Mar 21, 2013 17:54:01 GMT
Good point...or is this billed as Jethro Tull's Ian Anderson does best of JT ? Very convoluted. you forgot "with special guests"
|
|
|
Post by JTull 007 on Mar 24, 2013 18:52:57 GMT
Ian Anderson says that "no" is "a rock music fan" 14 marzo 2013 Pablo M. Beleña www.portalesquizofrenia.com/ian-anderson-dice-que-ya-no-es-un-fan-de-la-musica-rock/2013/03/The heirs of the classic Jethro Tull, now called Jethro Tull's Ian Anderson by legal problems with Martin Barre, are one of the most attractive projects to the classics. Now we bring a recent statement from Anderson, living myth of British prog and folk. The flutist, composer, singer and living legend Ian Anderson made a statement to the newspaper "La Capital ', the city of Rosario Argentina. These include a few words about his new projects and what he thinks of the current rock scene. Asked "What is today the rock for you?" Anderson replied: "Most pop and rock is so formulaic and predictable. Some bands, old and new, should try to make things interesting. Even if they fail sometimes. It's better to try and fail to be original than to be an imitation. My new project is rock heavier than before and is a wild concept album that will be recorded in November this year, to be released in 2014. " But also commented on the feelings that awakens the current rock. The question was: "Apart from that experience solo and away from the rock, do you still find it interesting to play rock?". And Anderson said: "Yes, of course.'s Interesting and fun addition, not only playing but also compose pieces of rock. But I find it interesting to hear, I'm not a fan of rock music in general." More intimate already reported: "My musical tastes are varied. Hear, mostly, classical and folk music. But world music. Not want to hear too. I like reading a book and watching CNN. And watch Al Jazeera, Russian TV and Fox News. The intense hours of my own music every day and shows sound evidence is enough for me, especially when I'm on tour. "
|
|
|
Post by Tull50 on Mar 30, 2013 20:20:50 GMT
This is an interview conducted by David Lopez of Tullianos, something like a Q & A with Tullianos questions, and Florian answers He refuses to answer questions about Martin and future projects (2014) Google translator: Part1 David Lopez March 30, 2013 florian_opahle Florian Opahle, exclusive interview to Miusykwww.miusyk.com/florian-opahle-entrevista-exclusiva-miusyk-i.htmlOpahle Florian is one of the most impressive rock guitars of modern rock. For many it can be a big unknown but if we told you it has been a year playing Thick as a brick and every night TAAB2 sure you understand our view. The 72 classic Jethro Tull is not easy and just because we accept this challenge and deserves our respect. If you also see how it falls almost everything about the concert and how to share that music with Ian Anderson weight because all is said. Among his tour of South America and Japan and Germany imminent has been kind enough to answer our questions. Your comments on the matter. -First of all thank you for answering this interview. We intend to go over your musical career and your experiences as a musician. You're young but you've got to play with legends like Bruce Dickinson, Greg Lake and Ian Anderson. Did you ever imagine this ever going to be like when you started playing, this dream would come true? When I was fourteen or fifteen, I think, I thought maybe you were good to be a full time musician. Leaving your home every day with the guitar slung over his shoulder was my goal. That and you mark the way and of course you want to play with the best, with professionals, with idols you may have. I was really lucky, I think I was 20, when I suddenly had the opportunity to play with Ian Anderson, a great musician who has been in this 40 years playing for the world. My dream was fulfilled. -Your direct experience and professional musician began in 2002 with Curly. What do you remember from this stage? It was my first professional tour and we used to go to German television programs, were small concerts but also my first foray into that world. It has always been great to work with Curly. Look back to remember only positive things, was very good to work with them both live and in the studio. Part2 www.miusyk.com/florian-opahle-entrevista-exclusiva-miusyk-ii.htmlWe continue with the interview with Florian Opahle. In this second part tells how he began playing with Ian Anderson and what memories do you have of this important journey still hard and we had the opportunity to see the last February live. Also remember your flirting with flamenco. -Two years later started playing with Ian Anderson. How did you contact him and how you feel to know that you were going to work with a musician as well? In 2002 he worked with the female artist Masha, played guitar in his group and several other projects. We had the great opportunity to go on tour with Tull for Germany and do two concerts in Switzerland. It was the end of the tour when Ian Anderson, one night before the concert, gave me a CD with two songs and asked if I could learn for the next day. I was shaking. I could not believe. I went to my hotel room, I grabbed my acoustic and practiced all night. The songs were "Eurology" and "Living in the past". The next day we were in the dressing room and played with acoustic songs. He asked me if I wanted to go on tour with him for concerts "Ian Anderson Plays The Orchestral Jethro Tull". I had just met my dream. -That first tour with Ian was fantastic. What do you remember of those shows? Do you remember a story or some of your feelings to be playing every night with a rock legend? My first tour was for Italy. Anecdotes?? Many. I think it was the first night in my life I played with him when my pedalboard had a current problem. I was shaking but when I walked on stage everything was perfect. The energy that gives the scenery is amazing. No words can describe. To me that's the beauty of music, the power play with wonderful musicians. -After this tour you played flamenco with Armin Ruppel. Like flamenco? How would you rate this experience? Coming from an education in classical guitar or acoustic flamenco (music played with a nylon string guitar) have always been a part of me. Over the years, working on various projects Armin, I could improve my skills and expand my knowledge of the genre. Having attended a workshop with Al di Meola inspired me a lot in this regard. It's all in the fingers, is a guitar and two hands. No pedals, cables etc. ... It is a pure and intimate music making and has always been an important part for me as a musician besides sounding guitars and amps heaviest blaring. I think I feel at home in both worlds and I need both forms of play from time to time. Part 3 www.miusyk.com/florian-opahle-entrevista-exclusiva-miusyk-iii.htmlIn this third part of the interview was Florian Opahle reviews how TAAB2 recording and subsequent tour to promote the record. Giving us the details of this historic tour may well be the most interesting of this juicy interview. -Since then you've been playing with Ian Anderson. What's he like in the studio? Ian usually says that he has the song in your head that will not stop until you get exactly what you want in your group. Is that really or is more open to your ideas to record a song? When we recorded TAAB II in 2011 enjoyed the fact that most of the material we recorded together. That means that there were five people in a room together making music. This is the essence. The mere fact of the arrangements and the essence of the music produced in those situations is what has to captured on tape, CD or hard drive. Ian I admire their way of viewing the overall picture of a song, inspired by the way when he is the producer and how does extract the essence of a song and record it on a tape. I must also add that it gives me total freedom as far as guitar solos and improvisation relates. - How was the recording of TAAB 2? You were aware?, When guys were shooting, that would be a wonderful disc? We felt very good going to the studio every day to record and work. That's what I remember, I wanted to give the best of myself to contribute in the most honest and best end result. In short, some days were great. -This experience with progressive rock, with many changes of rhythm and melodies figured it would be somewhat difficult to record. Has this disk recording more complicated for you? We had time to get into the essence of each song, the ideas that underlay under each letter. Also we could sit every night and discuss how we could record a song, a poem or a melody. I can tell you that the process is not easy and you need a level of very high concentration and patience and practice a lot at home to play exactly the level you want to achieve. -After the release of the album began the tour that you are still doing. How was the process of learning you TAAB 1? How did you approach the disk and how were the trials? I started studying and I TAAB aprenderme even before we recorded TAAB 2. When I learned the first half of TAAB and I was able to sit down and play it without problems I let it go and concentrated on recording TAAB 2. In early 2012 I learned the rest of the album before we started rehearsals. Again I must say it was a very positive experience that opened my mind a lot and it's a learning approach to the progressive rock and especially learn how did all those little bits and bobs in the songs but as a group and rehearsing and all about to go on tour. Part 4 www.miusyk.com/florian-opahle-entrevista-exclusiva-miusyk-y-iv.htmlLast part of the interview so kindly replied Florian Opahle. In the same remarks how are the concerts, their feelings to play live and even send a message to his fans in Spain. -Concerts are intense and must be very hard to play both albums in full and focus on the other details. I imagine it can be relatively easy to get wrong and perhaps that something more serious look at the first part of the concert in the second. What do you think? It depends on the music, the sound of the room where touches on how you feel every night. The first part of the show is music continuously. No breaks. The mind has to be where the music. The second part allows you to relax a little more. There are small pieces recited by ejemplo.Si watch the concert in its entirety, I realize that is 2 hours. You may set an image but, believe me, I have a great time to be able to play on the show Ian Anderson plays TAAB 1 and 2. -You recently played in Spain and in Latin America. Do you think the audience is different in these countries? I do not know. The music is for the people and every audience is different. Sometimes notes his excitement and his cries, other times they are more quiet and enjoy. For me the experience has always been rewarding. I prefer not to a particular country. Every night is different. It depends of the moment and what happens at every concert. -Normally you play a lot every year. How is life on the road? Do you have time to do some sightseeing? Going to see a monument you mean? Yes, I usually do. Not every day or every other day but I always try to go see what interests me. Ian Anderson is now your main musical project but do you have plans for the future? Are you writing something for your own personal project? Aside from writing my own material usually work as a studio musician whenever I can. Right now the tour with Ian Anderson is the main thing and it put all my energy. -Finally, once again thanking your time and answers, a message for your fans Spanish? Yeah, thanks for the great response we usually have there. It is a great pleasure to play in Spain. Great Florian Opahle.
|
|
|
Post by JTull 007 on Mar 30, 2013 20:42:35 GMT
Excelente! Thanks for sharing this Remy. I would expect Florian not to concern himself with questions about Martin. His job is to do the best he can and not worry about the future. That's all Ian cares about.
|
|
tommie
Master Craftsman
Posts: 392
|
Post by tommie on Mar 30, 2013 21:46:46 GMT
First of all I luv Ian's music but his egotistical hyocrisy never ceases to amaze me. "most of rock is formulaic and predictable" Hello? This from a man who does the same shows in the exact same way over & over....even his 'leg stances' are programmed. He hadnt done anything new in 13 years til 'Brick 2' and even that is derivative of 'Brick 1'. Doesnt this guy ever shut up? He was doing retro/oldies shows for 13 years a la the Beach Boys so shut up already, just play, and get back to your hotel room and asleep by 30, old ,man.
|
|
tommie
Master Craftsman
Posts: 392
|
Post by tommie on Mar 30, 2013 21:53:19 GMT
that should be 11:30.
BTW, "derivative"? Do we HAVE to endure Aqualung and Locomotive... ending each show for the past 30 years? How bout a 'less derivative' surprise, like.say, "Lap of Luxury" or Rainbow Blues"?
|
|
|
Post by steelmonkey on Mar 30, 2013 21:58:33 GMT
That was the encore when i saw them last year, lap of Luxury and rainbow Blues...where you been man?
|
|
|
Post by maddogfagin on Mar 31, 2013 8:22:30 GMT
This is an interview conducted by David Lopez of Tullianos, something like a Q & A with Tullianos questions, and Florian answers He refuses to answer questions about Martin and future projects (2014) Cheers Remy. A great read. Thanks for posting ;D
|
|
|
Post by Teacher on Mar 31, 2013 10:48:43 GMT
Thanks Remy, that was a great interview with Florian!
|
|
|
Post by nonrabbit on Mar 31, 2013 11:40:47 GMT
First of all I luv Ian's music ... This from a man who does the same shows in the exact same way over & over....even his 'leg stances' are programmed...... He hadnt done anything new in 13 years til 'Brick 2'...... I sorta agree with you Tommie, old chap, well at least in the bit's I've highlighted ;D Your post got me thinking about spontaineity through the years in Ian's performance. I can't really comment on recent ones as I'm marooned on an island however some that I've seen (utube) - prior to TAAB2 - seem a bit samey, concert after concert even his patter and jokes didn't change. Was a performance always repeated, action for action, word for word or can anyone give good examples of Ian, or others, ad libbing or deviating from the set - or was it not allowed?
|
|
|
Post by nonrabbit on Mar 31, 2013 11:42:26 GMT
Great interview Remy Thanks
|
|
tullist
Master Craftsman
Posts: 478
|
Post by tullist on Mar 31, 2013 13:56:30 GMT
Very minor deviation,show I was at about 10 years ago, Ravinia Park, outside Chicago, place that seats 3 to 4 thousand I am guessing in the pavillion, but probably close to 20 thousand out on the lawn, and thundering down rain. After the first couple songs Ian thanks them for their perseverence or somesuch, and then says that in sympathy, when he gets back to the hotel, he is going to strip completely naked and sit out on the balcony all night. Did not exactly remember it, was playing the show the other night, one I really enjoyed, 2 friends who had not seen Tull in awhile were not as impressed.
|
|
tommie
Master Craftsman
Posts: 392
|
Post by tommie on Mar 31, 2013 19:56:16 GMT
thanks, NonR and Steel........and Steel, you always crack me up with ur responses haha. The one time i DID actually hear Ian say something diferent (& I totally dug it, b/c it was EXACTLY the way I felt)........about George W (Asshole, Devil) Bush was in 2008 at Jones Beach when he very seriously referred to "that madman in the White House". I forget exactly what context it was in, but it was def in refence to US's Iraq debacle, etc.
|
|
|
Post by steelmonkey on Mar 31, 2013 23:05:49 GMT
The thing is...when you do see/hear something different...it's probably not a good thing....it's an unplanned deviation from finely tuned script and anything off those rails probably piss ian off more than it's worth for the slight variation.
|
|
|
Post by JTull 007 on Apr 1, 2013 0:20:41 GMT
I've heard Ian say several somewhat controversial things too. In 2003 at Wolf Trap, he made reference to a Cardinal Law from Boston that was leaving the U.S. after a scandal. "In December, an embattled Cardinal Law finally resigned and boarded a plane for Rome." www.bostonmagazine.com/2012/10/archdiocese-catholic-church-rebuild-after-scandal/In this Aug. 2, 2002 file photo. Cardinal Bernard Law, of the Boston archdiocese of the Roman Catholic Church, pauses during testimony in Suffolk Superior Court in Boston.I believe this was an intro into "My God" at the time. Also about Arnold Schwarzenegger running for Governor of California became a punchline. He tends to use current events when needed to make a point.
|
|
|
Post by Tull50 on Apr 1, 2013 20:24:57 GMT
I want to thank all for your comments, and I' spent this to David, because of the Easter holidays and also some meeting with Tullianos, I could not respond to your comments before. The 2013 convention is coming and we have to start closing some themes.. Down with Jose Ignacio (Un Tal Jethro vocalist), Gabriela Guardiola (Tundra keyboardist), Paco Jimenez ( Covers guitarist) and other friends. David tells me that it is possible an upcoming interview with Ryan O'Donnell, We will keep you informed
|
|
|
Post by Tull50 on Apr 1, 2013 20:58:53 GMT
I agree that since 2000 the concerts became boring, but mainly because he has no new album during those years, on the other hand all the great bands have their iconic songs, if they do not play My God, Locomotive or Aqualung... then we would ask, why they not play ? A good friend tells me the set list of songs during these years is the largest in the history of Jethro Tull, repeating only 5 or 6 songs always, I will ask for more information about this. The subject of jokes and acting I agree it can be improved simply being more natural on stage, in this particular tour (TAAB) I think the show is mounted in a theater way , leaving little for improvisation
|
|