|
Post by maddogfagin on Aug 16, 2012 11:27:16 GMT
Published on 16 Aug 2012 by 53slowmo
Seit 1967 machen Jethro Tull eine dem Maintream abgewandte Rockmusik ganz eigener Art, und das auch noch sehr erfolgreich. Mit Ian Anderson hat die Band einen Songschreiber, Sänger und Multiinstrumentalisten in Personalunion. Für den hohen Wiedererkennungswert der Jetho Tull Songs sorgt hauptsächlich, wenn auch nicht in diesem Lied, die Querflöte. Dafür gibt es in "Skating away on the thin ice of the new day" aber Akkordeon und Xylophon ... auch nicht eben alltäglich.
Bing Translator:
Since 1967, Jethro Tull make one the Maintream applied to rock music of all over its own kind, and the very successful. With Ian Anderson, the band a song writer, singer, and multi-instrumentalist has in personal Union. The flute provides the high recognition value of the Jetho Tull songs mainly, if not in this song. There are accordion and xylophone in "Skating away on the thin ice of the new day" but... also not just daily.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Aug 17, 2012 13:50:50 GMT
Google fun maybe..........translate For Ian Anderson, the panels are like catscjg.gazeta.pl/CJG_Katowice/1,104386,12322575,Dla_Iana_Andersona_plyty_sa_jak_koty.html - Objectively, I probably can be regarded as a rock musician, but I do not think of myself that way. Do not run this kind of life. I do not belong to any rock brigade - says legendary British musician Ian Anderson. August 24th will play a special concert in Zabrze. This will be his only appearance this year in Poland. Interview with Ian Anderson Marcin grandmother: - You have a very young voice. It surprised me so much that I thought that the phone received your manager or assistant. Ian Anderson - That's because yesterday I did not play any gig. My voice sounds better than two or three hours of singing. Anyway, I am usually good. I was young voice and a young mind. I like to get up early, not like most musicians. I try to get up every day around 6 am. In the morning I'm the most creative and productive. You get up at 6 am, even when you're playing a concert the night before? Yes, usually I go to around midnight, so the 6 to 7 hours of sleep quite enough for me. Apparently you do not like when your music critics belong exclusively to the genre of rock. My music is not commercial, I'm not part of the mainstream. You will not see me or the charts or in the Eurovision song contest. This is what I do, has more adventure, musically and lyrically. Sometimes it seems to me that he did not belong to any scene, or rock or pop. My instrument is a flute, and my words and sounds different from what they do everyone else. I always preferred the sound of electric music. Objectively, I probably can be regarded as a rock musician, but I do not think of myself that way. Do not run this kind of life. I do not belong to the association of rock musicians. I have friends there, does not have relationships with industry. Of course there are people with whom I play and some of them are my friends - sometimes we meet and eat something together. But I do not belong to any rock brigade. I do not go to parties, not socialized. You're not a rock star? For two hours in the evening focus attention on himself. But for the rest of the day will be just someone from the crowd. I like to be alone to travel, walk, eat. I like privacy. Thanks to this I have a chance to see a piece of places where I go, where I play. I was at your concert almost 20 years ago, played with Jethro Tull in Ostrava. I remember that zapraszałeś fans on stage, sadzałeś them on the couch, serwowałeś drinks. It seemed to me that, for your kind music scene is sacred. The scene is sacred. Because everything has to agree on it. There is no room for anything else. This is a very special place to work. It's a bit like "do not call me when I'm at work". I have my job and I want it well done, I have this comfort. The scene is a creative place to work. We want to know that every part of it belongs to us. That's why we do not want it on the photographers or cameramen. It is a holy place. 20 years ago thought otherwise? It was such a route. Then save up on stage where people could sit and listen and look at us closely, and even talk during the concert, it was interesting for us. Every album, every track is a little different design. For each try to approach in a different way. I do not like to repeat myself. The idea to invite people on stage, a form showing that you are a nice guy. But it once was. At present, the route I'm not nice, so no one invited onto the stage I'm not going. Of course, in addition to musicians from my band. That route very disciplined, even theatrical, with elements of audiovisual, actor and mime. It is a concrete structure, which strongly differs from most concerts that I played in recent years. It is rather a return to the 70s and concert-performances. The play, a musical theater. On stage there is no room for the audience. We want you to sit in their seats and allow us to have provided you entertainment. Coming to Polish with double lining in concert: Jethro Tull album "Thick As A Brick" of 1972 and issued on the 40th anniversary, a continuation of "TAAB2 - Whatever Happened To Gerald Bostock?". It was difficult to present on one stage song, which is divided into 40? This required much preparation, and in other areas of technology. We are trying to move some elements of the old show in a new time. This is not a simple matter. But I chose the best people. People for years have asked you, you back into history, "Thick As A Brick". Why did you wait so long? I have not got a good idea that would allow me to do this. I was not a meaningless, nostalgic trip back in time. I had no reason to do it. But suddenly it turned out that I know how to do it and why. I can make an album worthy of the year 2012 while connected to the original "Thick As A Brick". Once started, it went quickly. I wrote everything in two or three weeks. It was very exciting. But first it took me 40 years to find a way to do it. Whether after such a "return to the past," you say, "Thick As A Brick" is your favorite album by Jethro Tull? I have many favorite parts of records which are recorded. I would not be able to choose one favorite. Sooner around 5 or 6 CDs, which I like more than others. It's like asking which of my five cats, I like the most. Do not have answered, because one of the other four could hear it. I would be very, very bad. Playing with Jethro Tull entered a flute to rock instrumentation. You knew from the beginning that will fit in there? No, but I think it's worth a try. In fact, the flute was used previously on CD rock, but he held the role of ornament. I made him to be important just as an electric guitar. This was at least in the early Jethro Tull albums. It took 40 years and still really no one he repeated. I'm still the only one. And it does not necessarily mean that I'm so clever and original. Maybe he just does not fit the flute to rock? Ian Anderson Known throughout the music world as a flutist and vocalist of the legendary Jethro Tull, Ian Anderson in 2012 celebrating the 44th anniversary of his international career in music. Widely accepted as an artist, who introduced the flute to rock music, also plays many other instruments. Its characteristic beyond the concert (standing on one leg playing the flute), is one of the most important symbols and icons of the global rock. Born in Scotland, 65 years ago. He was 21 years old when he founded the group Jethro Tull. This is the second album, "Stand Up" from 1969 hit the top spot sales in the UK, but the real breakthrough was the album early 70s: "Aqualung" and "Thick As A Brick". After the release of Anderson and his team have gained the status of the global rock stars. To this day, they recorded 30 albums, selling them in more than 60 million copies gave over 3000 concerts in 40 countries around the world. In recent years, more and more frequently under his own name, not using sign Jethro Tull. Plays concerts with orchestras, string quartets and soloists. Performs both solo pieces, such as those from the repertoire of his famous group. This year's tour celebrates the 40th anniversary issue of the classic Jethro Tull album "Thick As A Brick". Perfectly polished concept-album of 1972 enrolled in rock music history for several reasons. The whole album is one 44-minute piece tells the story of a brilliant ośmiolatku, poet Gerald Bostocku. Cover unfolded changed into a newspaper (including the texts of Bostocku, but also a new album review by Jethro Tull). Everything was of course a fiction, a figment of Anderson. However, the effect was so great that for years persuaded the artist to return to the form of Bostock (whose character started to live its own life - today, for example, has a Facebook account). The musician let himself be persuaded only to the 40th anniversary of the publication of the original. This year, under his own name he released the album "TAAB2 - Whatever Happened To Gerald Bostock?" Which, by means of contemporary sounds and themes old story continues. Anderson says that this year's concerts, both made entirely of "Thick As A Brick". Besides, it has to play some of his favorite songs by Jethro Tull. August 24 will appear in Zabrze House of Music and Dance - this will be his only concert in Poland this year. Tickets cost from 120 to 260 zł. -----------------------------------------------------------------> mixonline.hu/Cikk.aspx?id=72085If Jethro Tull's, then Ian Anderson. The former and current gang members from flute guru now again to show what you know: the first blow from beginning to end 40 years ago made a live album, Thick As A Bricket. As this is over, the way he lies on the all-new second part, the Thick As A Brick has two. Will not be any. The band Jethro Tull, Luton in Britain was founded in 1967. The band name from a 18th century Gastroangol mezőgazdászról him. Music by Ian Anderson's singing style is unique, odd and unusual flute playing, characterized by a rather complex song construction. Their music - although at first only played a blues rock - classical, Celtic and rock art elements combine. Anderson, Jethro Tull, attributed to the unique sound that the band members had never used any drugs. Initial stages of their careers have been many examples, but later managed to create a unique, easily recognizable, but they develop a characteristic style. Thick As A Brick of the two plates on the first disc since 2003, Ian Anderson, all knowledgeable rettyintett when heard. No doubt masterfully prepared, enriched by a great-sounding progressive rock album, worthy of the past Jethro Tull material. The screening and other theatrical elements, supplemented by work in the following video offers a short line On 26 August, the Congress Center next to Ian Anderson, David basszrozik Goodier, John O'Hara and tipped tangóherflizik Florian Opahle on guitar and Scott Hammond on drums. Blood-edge, two-hour, two-part, supplemented by screening, totally enjoy the spectacular show, who goes there.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Aug 17, 2012 13:51:07 GMT
Google translate: In reality I have depression, I prefer fantasy kultura.sme.sk/c/6499973/z-reality-mam-depresie-davam-prednost-fantazii.htmlThick As A Brick is a Jethro Tull album of 1972. Its leader Ian Anderson wrote the lyrics over view of the world through the eyes of 8-year-old boy, the music consisted of a single trištvrtehodinovej songs cover looked like a newspaper. It worked out even came first in the American charts. The successful record, the continuation of a current tour, which on 25 August stops in Bratislava, we talked at the peak of the Olympics. When you played the album Thick As A Brick live once, it was a musical theater show. You now have in addition to the original album and the second part will look like a concert? "In Slovakia, it will complete a two-hour show, we play both albums dvadsaťminútovou break between them. Completely as they are written and recorded. We have a large video projection, and a lot of different movements on stage, it's more musical-theater production than a traditional concert. But I did not want it to be very literal and very parodic. The base is live music. The only question is, what with the lyrics. The big difference between the Czech and Slovak? It does not affect the people, when we have an interpreter into Czech? " Most Czech people are easily understood. "Excellent. The texts are in fact both of these albums is quite important and need to have someone to whom I can absolutely rely on them translate well. There are some toys and a variety of verbal allusions. Such a translator I am currently only in Czech. " The famous progressive rock bands of the seventies, which include Jethro Tull, focusing more on musical virtuosity, for you lyrics just as important? "Depending on the particular project. In the Thick As A Brick are the words with the music almost one to one, the other albums we we focus more on instrumental passages. I must admit that personally also belongs to the people who write music, mostly easy, but the lyrics are quite natrápia. Only rarely it comes quite spontaneously and quickly. But this album is the exception - very surprised how easy it was. " In the 70 monothematic years, it has several albums, the most famous of these is The Wall by Pink Floyd. None of them has continued. What do you persuade it to go? "Thirty-nine years, I've responded well. When you make a sequel? asked the fans, musicians, people from the publishing house, friends, but I stubbornly said it is not. I could not imagine it at all and I am more interested in new projects. Until two years ago in the fall I thought: Wait a second, the character of Gerald Bostock would nevertheless could return. What did the boy today, as an adult? What happened to him, what would be experienced in such a society as a man in middle age? As the fortieth anniversary approached this album again and everyone started asking questions, I knew what to do with it. " The first album is just one long song, why have you now decided to stack Thick As A Brick 2 from thirteen different songs? "When I thought about Gerald Bostock as a grown man, he attacked me for different types of destiny. Finally, I narrowed them to five characters: investment banker, a soldier in Afghanistan, gay priest and a small business owner. And these are the stories that are described in individual pieces of the new album. Each has its own music, so it's obviously a much richer sound than the first album. " Many people ask whether it's your solo recording, or still Jethro Tull. The official discography of the band is, but you reported it through the official website. So how is it actually? "A year ago, I asked Martin and other teammates, what are the plans for this year. Because they wanted the big tour to the fortieth anniversary of the band give their first project, I contacted other musicians. Each of them has ever played in Jethro Tull, so it's not my other band or solo project. It is true that I was the only original member of the old kit, but on the other hand, the entire original album Thick As A Brick, I composed myself. The music, lyrics, and I produced what is true about this project. You journalists and our fans have to decide where to put Thick As A Brick second My musicians, we also agree with management that he will graduate as a novelty Jethro Tull, with which we and concerts. " So the old Jethro Tull lineup is not yet past? The last studio album, you released in 2003. "Certainly not. I am tired of just sitting at home when Martin Barre unavailable. He now has a new band with which it makes its case. But by the way, we are talking about a joint tour - next year, only two of us, acoustically. Jethro Tull is the only brand, when you look at our history, you see it in many currencies. This band simply play those who have some musical ability and who have the right time. You know, the Internet and vats-that way now spreading rumors about our arguing against or for the end. We always have fun when you know that I play in a band slowly dead. People would rather believe than the fact empty chatter, just look at politics. Reality is never really did not, you are just out of her depression. I prefer fantasy. It's amazing when you can create your own imaginary world and invite someone into it. It's a great way to spend your life. Ideally, the more it will get paid well (laughs). " So you are never safe than sorry that you became a professional musician? "Never, I am completely happy man. My son in law is also an actor and not complain. It also has enough work to feed and entertain him. I realize that I am very lucky. Not everyone can be to succeed in life. " In England, just culminates Olympics, watching sports? "I did offer to speak there as a musician or carry the Olympic Flame and the canoe race. I love sports, but I am opposed to the Olympics organized by a country. In recent years we have received lessons - in Athens or in Vancouver to spend a lot of money and resulted in great losses to the city counts today. I do not just financial but also environmental and urban planning. I think it would be reviewed - the organization of the Olympic Games should always be divided into several nations. Internet and new media would be allowed to connect. This would also reduce costs and environmental impact. Olympic idea is not yet one of the city and a nation. " Hinders you that London is the third time the organizers? "Exactly. They were under some financial pressure by large corporations or what? The world is a lot of other places and other countries where the Olympics have not seen yet. It would be interesting to watch as the shooting competition from Germany, China, from swimming and athletics in Africa? I personally would certainly enjoyed more than two weeks experience in a crowded London with a collapsing transport. It could also be so that the country as a winner in the 100 meters given the opportunity to organize this competition for four years. I do not look as old frfloš, but still live in the 21 century. Such questions can be put. "
|
|
|
Post by nonrabbit on Aug 17, 2012 14:27:35 GMT
Most excellant speakings with the one called Ian pronounced "aye..an"
Too many goodies in those to pick out the best however full marks to the Czech interviewer for getting this;
"...... I am tired of just sitting at home when Martin Barre unavailable. He now has a new band with which it makes its case. But by the way, we are talking about a joint tour - next year, only two of us, acoustically..."
although it may have been wrongly translated;
.....Who the f*ck does Martin think he is!! ...we'll probably kiss and make up - as long as he brings that case back stuffed full of cash then I might think about the two of us stepping out next year, platonically..."
nonrabbit (in reality I prefer fantasy)
I'm pinching that one ;D
|
|
tullist
Master Craftsman
Posts: 478
|
Post by tullist on Aug 17, 2012 16:18:28 GMT
Pretty much delighted to see this, translation notwithstanding. Something I have long felt like a lone voice in the wilderness, observing that the only people who have named the end of Jethro Tull and the singular guilt of Ian Anderson therein are those in what I would think to be his most ardent fan base, the people who respond in Jethro Tull forums, (and in this case I would mark moving toward a majority of them)or speak of them on the internet in any capacity. say a review of TAAB2 on Amazon. Have seen this speculation on the character of Ian Anderson more than I can take and still be quiet, be it for his alleged guilt on this or that guy leaving the band, (as always, save for possibly the instance of Glenn Cornick, and there it was the method not the reason at fault)when fleshed out in the light of day a very different picture develops, or people ready to drum him out of the ranks had he not played in Israel. To me I regulary see a display of people's character in these rank assessments, and the stank ain't too good. Borrowing from sports parlance, may I issue a hearty in your face ace to his knowing detractors. "well i tried my best to love you all, all you hypocrites and whores."
|
|
|
Post by steelmonkey on Aug 18, 2012 20:26:32 GMT
A concert featuring just Ian and Martin....wow....plenty of potential, no ?
|
|
|
Post by futureshock on Aug 19, 2012 0:18:54 GMT
BRAINSTORMWATCH If Ian and Martin tour together doing acoustic works as either a duo or a very small band, then first, drop the drums. Don't need them.
Steve Martin just went out on tour with his bluegrass band and and they didn't use a drummer. Drummer not missed at all! It opens up all sorts of possibilities. Highly impressive evening! Don't miss them if they tour your way.
After that, a toss up which you drop next, either the bass or the keyboards but something has to give. If the guitarists are going to take the reins, then dropping the bass might make more sense, since keyboards offer so many possibilities and most acoustic halls just make the bass muddy anyway. If you drop the keyboard and keep the bass, the bass player becomes a liberated rhythm section and improviser, a nice counterpoint to the acoustic work, and far less of a simple chord and tempo keeper. If it's not going to sound muddy anyway.
Then invite three people up on stage to play those little egg-shaped shakers and stomp their feet. Sand-filled shakers are a nice touch and yet won't dominate a sound spectrum.
|
|
|
Post by maddogfagin on Aug 19, 2012 6:42:08 GMT
BRAINSTORMWATCH If Ian and Martin tour together doing acoustic works as either a duo or a very small band, then first, drop the drums. Don't need them. Steve Martin just went out on tour with his bluegrass band and and they didn't use a drummer. Drummer not missed at all! It opens up all sorts of possibilities. Highly impressive evening! Don't miss them if they tour your way. After that, a toss up which you drop next, either the bass or the keyboards but something has to give. If the guitarists are going to take the reins, then dropping the bass might make more sense, since keyboards offer so many possibilities and most acoustic halls just make the bass muddy anyway. If you drop the keyboard and keep the bass, the bass player becomes a liberated rhythm section and improviser, a nice counterpoint to the acoustic work, and far less of a simple chord and tempo keeper. If it's not going to sound muddy anyway. Then invite three people up on stage to play those little egg-shaped shakers and stomp their feet. Sand-filled shakers are a nice touch and yet won't dominate a sound spectrum. Rather have a full on Tull concert with both Martin and Florian in the band. Andy Gidding back on board in the Dave/Dee Palmer role (two keyboard players on stage) and so on. It'll never happen in a month of sundays but I can dream, can't I ?
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Aug 21, 2012 16:13:26 GMT
|
|
|
Post by maddogfagin on Aug 21, 2012 18:06:20 GMT
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Aug 21, 2012 20:25:09 GMT
Bu tütüncü bulunuyor satın almayacağım, bunu çizik Bu Jethro Tull değil
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Aug 27, 2012 22:36:59 GMT
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Aug 30, 2012 2:48:14 GMT
Google translate: Oh God! ;D The Rosenheim Florian Opahle toured with stars like Ian Anderson of Jethro Tull and with Greg Lake A guitarist is living his dream www.ovb-online.de/kultur/gitarrist-lebt-seinen-traum-2481040.htmlFlorian Opahle is a child of fortune: The 29-year-old Rosenheim plays guitar for Ian Anderson, the frontman of Jethro Tull. In the last ten years he has enjoyed a meteoric rise. The success he deserves hard because success is not only a bit of luck, but a lot of work and: Gratitude Music that was in Opahles family always been an issue. "My mom has been my rock songs sung during pregnancy," laughs the musicians, except the guitar dominates the piano and percussion. At age four, he attended the music school music education Rosenheim, tried out various instruments and chose the guitar. First, because he knew the instrument of her home. The father, self-taught musician, played it. Secondly, because he was from the first moment felt comfortable with the instrument. "About to remove the strings, that was awfully nice," recalls Opahle. Music, that was never a penalty for him, it was an offer. "Sure, my parents said, is not g'sandelt!" No problem for him: playing guitar, that meant Florian Opahle relaxation, a balance of school life. Over the years the program has been streamlined course: practicing eight to ten hours? Normally. At twelve, came the "bad brother", the guitar says: "That was just cool," smiles Opahle. Seen in retrospect, it was also very clever, because in classical guitar to get a foot on the ground, that's really difficult. "As you study for years and finally you ergatterst perhaps not even a career as a music teacher." Nevertheless, his training in classical guitar as well as a visit to the musical-European Ignaz-Günther-Gymnasium in Rosenheim and the advanced course in music come to him as a studio musician benefit over and over: "It has helped me the most diverse areas of rock, pop, blues, classical cover and film music. " The decision to earn a living with the instrument fell early. "Technically, I'm not too smart," admits the guitarist. His job demanded sacrifice from him Opahle gave up his career for his instrument and hobbies such as mountain biking and snowboarding. "You have to prioritize," he says. "I have to take good care of my hands." You are his capital. Today he turns a lap with the car, even if he do something else, switch off if he wants. Life as a guitarist in a band absolute top is strenuous, fast-paced and plays a lot on the tour bus, in hotel rooms, at airports. "But then you come home to Rosenheim, and the whole madness is gone," says the 29-year-old who has lived in London and Munich. Both are interesting, but not his, so Opahles judgment. "I'm a Rosenheim. I do not want to leave." His family has grounding on him. For over three years he has lived in a happy relationship. "You have to see is not always the emotional level just fits." Previously, he has also made bad experiences - even though: a life with him, with a musician is not easy. With the woman with whom Florian Opahle is now together, he could even get to have kids - but in five years. The earliest. Family, which are for Opahle not only his parents, his brother, his girlfriend, but, clearly, his fellow musicians, the crew of the band. "As you drive for hours through East Friesland, it is four clock in the morning, the blue hour. And suddenly you get the person who sits next to you, which you lead a great conversation closer." Then there are even deep friendships between men, although composed as they are actually quite rare. A unifying element is certainly the music: it is something that "goes deep inside," conveys a strong sense of life, emotions, freedom. "Music touches me - regardless of the genre I like everything from classical to rock.." Asked about calls Favourites Opahle the soundtrack for Inception, written by Hans Zimmer. The Country Music Gretchen Wilson or Jamie Johnson: Handmade, honest music it must be for him. Music with depth, with a statement. "Songs that you can listen to two or three times, and you will discover something new." Opahle for music is not a disposable item. "Clearly, there must be the same." Nevertheless, the idea of music as a pure commodity: As Opahle firmly pressed his lips together and closed his eyes. Far he opens it, he talks about his first meeting with Ian Anderson: Then played Opahle, 20 years old, in the band of Masha, the opening act for Jethro Tull. The composer of international hits such as "Locomotive Breath" handed him a CD in his hand. Whether he is the songs until the next morning "on it to create" could. Florian could: All night he practiced obsessively. It paid off: For nine years, the Rosenheim touring with the British, the current program is called: "Jethro Tull's Ian Anderson plays Thick As A Brick 1 & 2". "It's an incredible feeling to be with him on stage," says Opahle. At that time, 2002, that was a huge adrenaline rush, a whole new world. "Since I'm already freaked out shortly." But then come the defeats. "Then you realize who your friends are. You realize that the success you simply deserve." Despair, his bottom, Opahle knows these feelings. "Since one can ever take his guitar in the corner." Help does nothing. Toughness is the magic means by bite. Do not give up. And learn. About Ian Anderson: as he approaches the music. "He listens to me and says: '.. Playing some very little, only four notes are not always to the dictates of higher, faster, further follow'" Opahle likes to play with people from whom he can learn human or musical. On stage, he was already with Greg Lake, founder of King Crimson and Emerson, Lake & Palmer. Influenced in his playing was Florian Opahle Steve Lukather of Toto. He even bought a guitar with the signature of his idol. The Rosenheim top guitarist is posted not only of world stars, he also has his own recording studio, composed himself and the quite excellent: the "Triple Gold Award" were awarded for participation in Alexandra Stan's "Mr. Saxobeat - Acoustic Version". "One is always three minutes from the hit away," laughs Florian Opahle. Anyone who tries to put his feelings into music and it honestly is, he believes the 29-year-old has success. Claim of a musician is the constant search for the perfect concert. But this is a moment that is hardly to catch. Close and personal with this feeling Opahle was at a concert at New York's Beacon Theatre: "You play these five-minute solo spot and suddenly realize: People are dead silent and then all stand up and cheer for you" In a moment where time stands still. Different it feels when playing with Opahle Armin Ruppel: With him he takes on small stages, as in Rosenheim jazz club "Le Pirate" on. The owner Petra Rose gave him at the age of 16, the first chance to perform live there. An important step on the way to the professional musician. On a small stage play, which is a completely different situation, "People stand in front of you, less than 20 centimeters from you This is incredibly intimate." What remains the same: The musicians are in interaction with the audience. A concert is a togetherness, a give and take. "Because sometimes you do things that you yourself would not previously have thought possible." He goes on tour, Opahle rewinds now from some rituals: Fit new strings on his guitar. Pack - and little, for the weight requirements of the airlines are strict. In the case just fits the tour outfit: black dresses, bright red suspenders - a hard contrast to the man with the soft contours and pleasant, open face. The luggage also includes his favorite guitar, on which he played for 16 years, and a picture of his girlfriend. Farewell ceremony heard it, is at the pizza service to order a total calorie bomb - "which is perhaps due to that it is always easy so late" Florian Opahle has fulfilled a lifelong dream with his profession. Helped him have a deep faith, a very personal approach to God. Values such as loyalty, perseverance, honesty, loyalty, humor and earthiness. "You have to trust what, opportunities!" Advises the musicians. The most important thing is the gratitude. Happiness and success are not for him, of course. Grateful Florian Opahle especially his parents: They never forced him to music. A recommendation to the other places he highly recommends: "It's called playing music not torture.". Florian Opahle auf der Bühne mit Ian Anderson. Foto Martin Webb - Florian Opahle on stage with Ian Anderson. Photo Martin Webb Can you forgive me? (No!)
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Aug 31, 2012 17:45:58 GMT
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Sept 4, 2012 22:01:08 GMT
This is Aqualung, APP, Minstrel, Too Old, & Songs from the Wood. Exciting, eh. ;D
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Sept 11, 2012 13:37:54 GMT
Gooooooooooooooooooooooogggllllllllllllllllllllllllllllllllllllllle ttttttttrrrrrrrrrraaaaaaaaaaanssssssssssssllaaaaaate To be or not to be as thick as a brick ... www.cnnturk.com/2012/kultur.sanat/muzik/09/11/bir.tugla.kadar.kalin.olmak.ya.da.olmamak/676318.0/index.htmlIan Anderson is now regarded as one of us, Macka Small Farms park in the minds of a small scene, black bandana, who salvolar years of challenging physics scene, was figuring out the supply side flute and guitar. Thick as a Brick played from start to finish by a friendly audience listened with enthusiasm. (Description Akgüngör Cotton / Cnnturk.com) - 1970s progressive rock's golden decade. Good music, good musicians performed, as well as verbal as well as pop music composing kotarıldığı the most efficient work, a time when production of the timeless classics. There are a lot of very different on the rock and roll of 1972. Deep Purple's "Machine Head" 's, The Rolling Stones' Exile on Main St. on the "i, David Bowie, and" The Rise and Fall of Ziggy Stardust "then publishing, changing the face of music. Velvet Underground disbanding the group's mastermind Lou Reed "Transformers" and the album takes mükkemel day for everyone "Perfect Day" in the definition was doing. Pink Floyd entered the studio, which is one of the all-time great albums "Dark Side of the Moon" was playing u. Which is one of the most fertile years for music lovers on March 10 this year, the British band Jethro Tull album cover carried a newspaper page. 8-year-old Gerald Bostock'un his "Thick as a Brick" the spirit of the epic poetry of the period, generational conflict, the changing world and shot dem ethical values. This is a small man, of course, a giant of a fictitious character. Ian Anderson's genius, created by the theme of this little work is a cult giant man 44 minutes. In the intervening 40 years, the work of cult eskitemediği. Stolen album from start to finish Ian Anderson in 2012 Thick As A Brick Bostock'un precocious eight-year-old after a possible life (s) INI wrote. A new staff and inhalants "Thick as a Brick 2 Whatever Happened to Gerald Bostock?" 40'larını toppled by a small shared with the audience to shift the beginning of genius as an adult. Does not enjoy movies on how to proceed Obviously the first FIMI Thick as a Brick 2 was a bit dull next to the first one. Let us come to Turkey, with a hunger of years in the country in recent years, concerts, festivals, and is the scene of many musical events. Istanbul incoming, outgoing, do not incalculable. Sunday's Red Hot "Hank" who dovey Peppers on Monday witnessed another major musical event. Macka Small Farms park, a small scene, Ian Anderson, head black bandana, lightly oiled challenging year, but who are still on the stage salvolar physics, was figuring out the supply side flute and guitar. In contrast to the typical rock concerts, the average age is close to Ian Anderson, Jethro Tull With great pleasure a crowd of their peers and even more watched Ian Anderson. Thick as being there trying to talk about the history outlined above aim was to talk of a Brick'Ie. Gerald album from start to finish on a stolen Bostock'un continue after the strange and the familiar states have listened to the album. RHCP with the incomparable incomparable small but so friendly, even içebiliyorduk ekiptik and between you and me a beer. Ian Anderson, one of us Ian Anderson many times before in Istanbul, Ankara, and even listened to the fountain. One of the stars of the world is no longer one of us. Young musicians with the same sincerity and music, the stage will be an example to the kind of discipline. Yet even if we witness again, listen to the bored. Obviously, he loves us, bothering itself does not come every two years. War Front Aerial live audience for the first time in Turkey, Jethro Tull'ı, alandaydı with the kids yesterday. Who knows, maybe 10 years later, who knows, this time again, this time with their grandchildren and "A Passion Play" to come together to listen to. Jethro Tull'ın when it comes to music, you need not worry about time too. You missed the one where you do not even catch them. So remember, every picture tells a story don't it
|
|
|
Post by steelmonkey on Sept 11, 2012 16:01:39 GMT
You missed the one where you do not even catch them= in fact she wasn't there at all.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Sept 18, 2012 13:36:07 GMT
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Sept 19, 2012 13:23:37 GMT
Google translate cultura.panorama.it/musica/Jethro-Tull-il-ritorno-del-flauto-magicoJethro Tull: The Return of the Magic Flute The 6 Italian concerts of the band by Ian Anderson 19-09-201212:06 Jethro Tull: The Return of the Magic Flute Ian Anderson (Olycom) Tags: Jethro Tull Classic rock Tony Romano Forty years have passed since it was posted Thick as a Brick, the first real concept album of Jethro Tull. The album, a blend of rock, blues and folk with a strong connotation progressive appeared as a single track divided into two parts. The music of Ian Anderson came alongside the texts of the young poet Gerald Bostock, who won just eight years of a competition organized by the parish of St.Cleve. But in reality, Gerald was nothing more than the alter-ego of Anderson that, through the album, unleashes an attack on the gray English respectability. So far, the past On 2 April this year was released the sequel to the record, entitled Thick as a Brick 2. when Anderson asks, "but what happened to Gerald Bostock?" and describes five different scenarios for the protagonist became a man. A greedy banker, a gay homeless, a soldier, a preacher, evangelist or a common man? To celebrate one of the most important albums of his career, Ian Anderson returns to the stage with his Thick as a Brick 1 & 2 World Tour, presenting both albums in full in a unique spectacle. During the concert, behind the band, are shown unedited video shot by Anderson himself, that blend with the music. The tour, presented in Italy in May with two dates completely sold out in Turin and Milan, back in our country from November 30 to December 6 for six missed appointments. Here are the dates in detail: November 30: PADUA - Gran Teatro Geox December 1: TRIESTE - Palasport Chiarbola December 2: LUCCA - Teatro del Giglio December 3: ROME-Grand Theatre December 4: MODENA - Pala G. Panini Modena House December 6: PESARO - Exhibition Hall D Jethro Tull: Thick as a brick they didn't see me wink my eye.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Oct 20, 2012 16:46:37 GMT
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Nov 12, 2012 15:47:21 GMT
What do you do when the old man's gone - do you want to be him? And your real self sings the song. Do you want to free him?Google fu n translate: Go on, give it a try... ;D Jethro Tull Thick As A Brick - Special Collector's Edition CD+DVD[ Chrysalis/EMI ] ( 7½ stars) www.imperiumi.net/index.php?act=albums&id=13691“Really don´t mind if you sit this one out.” This sentence begins Jethro Tull's Thick As A renowned Brick by alkuperäisilmestymisestä has already past 40 years. The anniversary year, Ian Anderson published last Easter long kärtetyn a sequel to this mother of all concept boards called a work, and now six months later, Jethro Tull's original work has been published by Steven Wilson remixed special edition. In order to enjoy Thick As A Brick, visit is not necessary to know the background of the work, but the understanding of the background to facili-tate. After all, Thick As A Brick is the culmination of a series of misunderstandings. So listeners than many critics wrongly considered to Thick As A Brick precursor released Aqualung (1971) concept as a disk, whereas in reality only a small part of the album's songs your page the same themes. Tired of the critics' definitions of Jethro from Customs concept boards engages in progressive rock band, Ian Anderson decided not to produce the next album disappoint the band incorrectly categorizing the critics and the public. He would make all concept boards of the mother, which he parodies the genre of satire. The time was ripe for a plate half full for major works, a kind Yes and ELP made in the same year appeared in levyillään Close To The Edge and Tarkus. But in contrast to that time prog giants of Anderson's work does not consist of one-half of the plate meets the themed title song, but one, two half board from a shared track. Major Anderson elaborated on his work as a basis for a fictional story, according to which the Thick As A Brick was eight-year-old Gerald Bostock written a poem. Satiirisuutta work and kuvitteellisuutta underline Anderson put the newspaper album along the lines of the appearance of the news headlines and announcements downright pursusivat period characterized by the absurd humor of Monty Python spirit. Naturally, the disc cover the main front-page deal after all proudly displayed a picture with the story of Gerald Bostock, who was disqualified at the last minute from the local poetry competition, this caused a great avalanche of protest Following His television to life, growing up, God and the homeland a negative attitude towards the poem. It is certainly easier to shoot the biting criticism of the third person sheds as a unit to the first form, especially when it was written in an imaginary eight-year-old miracle child's point of view. Muddied further perplexed that the authors of the work was assigned, as well as Ian Anderson and Gerald Bostock, which certainly led many to believe that the latter was actually exist. Apparently, they assumed that some of the board praised by critics, who began to turn against Jethro duty, after they have occurred to him that Gerald Bostock existed. Abroad, the plate was not understanding it easier. Thick As A Brick, the nearest Finnish equivalent is "daft as a bush," contained enough clever sayings of English lyrics, that they went on the album cover and invented uutishupailujen phonetic jokes by many completely beyond comprehension. But musically, found the puck To echo around the world, bringing Jethro Customs of the first number one album in the United States. Merit, which, among other things, Jethro Tull's former manager Terry Ellis has since acknowledged rudely Aqualung ground work done achievement. In retrospect I may have been impossible to understand what a shock Thick As A Brick was a public board ilmestymisaikoina. Rock-side of the single track consisting of recordings when not previously been made. Plate element of surprise may not be able to crystallize better than anyone else Echolynin guitarist Brett Kull, who said, "When I was 15 years old I decided to become a mature period of Jethro Tull album purchase. Thick As A Brick jumped ethylene sheet stock in trade, as it was one of the few songs that I knew, so I bought it. The album front cover was a sticker that advertised the disk containing the hit song Thick As A Brick. Little did I knew that the song was much longer than the version played on the radio. Much longer ... " Musically, a few strong musical theme and variation up and play a fundamental Thick As A Brick could maybe start life concept boards parody, but it was far from a disposable joke. As a result, created a whole was, above all, controlled, and it will probably not have lasted the test of time, if it were hutaistu rimanalittavalla together and presented in a way. Despite the implementation of the chain-like Thick As A Brick was possible to disassemble, which stood out as the band's albums aiemmiltakin familiar features. Roy Harper from sounding opening theme introduced the band's folk-half, and formed a biting contrast kepeän sound and text between bitter. During the first three minutes after changing fast-paced theme sounded in turn furiously hyperventilating version of the Living In The Pastista and the subsequent slow, often recurring theme is phaseerattuine drums and guitar solo was not very far from the early days of Black Sabbath-unison solos atmosphere. But, of course, music was kantautunut some new features. John Evan Hammond organ had a more dominating presence and a new drummer, Barriemore Barlow accession of Jethro Tull's rhythms became more technical and detailed, which also raised the bar for other callers. Perhaps the startling feature of this raises the plate right-side of the dramatic final few minutes, with haikaillaan real-life comic book hero after another. Criticism of the conduct board, some long, drawn-solo sections may sound unnecessary pitkitykseltä in some places, but they still do not take too much attention to the work from strong sävelteemoilta. One essential part of the nature of Thick As Brick finishing starred Morgan-room sound studio to dryness, which makes Jethro Tull's call sounded more iskevämmältä. The extra gold plating and päällekkäisäänitykset band was also minimal, which gave the disc its very vigorously atmosphere. Thus, in 1972, but what about how the rings Steven Wilson re-mixed by Thick As A Brick 40 years later? When the old analogiäänitteiden the original multi-track tapes transferred to digital format, often overlooked, that the digital transfer is not included in the original analogilaitteilla induced after-effects such as mm. analogikaikua. Also remixed Thick As A Brick proves once again that there are some things that can not simply be able to replace and implement digital hardware. Steven Wilson reading Thick As A Brickiin obtained by the ordered lot of elements, which have been earlier editions of the plate hiding. Case, it is both good and bad points. New stereo mix is immediately noticeable how the bands have been changed and the overall sound has been expanded. Acoustic guitars are ringing more brighter and drums are brought to the surface, which makes it even percussion instruments sation boomy sounding. At the same time the bass to cover a wider range of frequencies. Here lies a new edition of the biggest dilemma: One of the biggest attractions of the original version were concealed in a narrow-scale, face-hitting against the basic Improper, whose influence on the listener was immediate and trapped in tight. When one adds to that particular song shares used in digital reverb is different from the ears of stabbing alkuperäislevytyksessä analogiefekteistä used, the end result leaves behind a very different impression than alkuperäislevytys. When some of the things the dynamics of change, it inevitably affects everything else. A new mix of the plate to dryness still sounds just become even stronger. It can not be disputed, however, that Steven Wilson made new mixes to be creative. Loudspeaker to another wandering phaseeratut drums in the first half of the work are also equally insightful solution than the right-side of the raised surface of the harpsichord, which has so far been consulted have versions seemed buried under the other instruments. The remixes of the time I realized that the 1970s, the first half of accurately identifying the instrument is then either guitar, Hammond organ, so since the Moog synthesizer, a tambourine, brought Wilson reading more explicit. If a new stereo mix of jättääkin places to be desired, Steven Wilson succeeds much better package, DVD, published in the 5.1 mixes, with spacious sound mixing and creative access to justice properly. And if the new mixes approaching the thought that it was paired with Ian Anderson last spring published by TAAB2 wafer, is also beginning to dawn on what Steven Wilson is applied to the world of sound discs: a package that combines the 40-year interval between recordings. New stereo and 5.1 mixes in addition to DVD is seeded in 1972 and a radio commercial version, which is advertised on the cover plate on the accounts of the original stereo mix flat transfer. To your ear, the latter sounds suspiciously published in 1997 remasteroinnilta. Doubt even more so in this particular DVD seeded "the original version of" the end is lacking Ian Anderson's last "yeah"-a phrase. Criticism can also make DVD's audio tracks for rotating the newspaper's website, which may be added to fill the screen is basically a good idea. Resolution tends to be only format to inadequate. This brings me to pack a visual overall look. Digipak-style DVD-size package implemented similar in appearance to the book and the solution seems quite compact. Digi-Pack in plastic overlap the defined CD's and DVD's, the set includes one hundred page book, which is divided into two parts clearly. The first half of the book is printed on rough paper yritelmä plant Thick As A Brick original newspaper notes the DVD covers to fit. Old fetishistic and vinyylinharrastajana I definitely think that the new layout was efficient solution would have been to postpone the package accordingly implemented newspaper notes, like the one involved in the 1997 first edition of remasteroinnin. 15 years ago this same edition of the legacy of the Ian Anderson, Martin Barre and Jeffrey Hammond Hammond interviews, albeit this time landed audiolta in a printed form. New supplements package provides mm. Dom Lawson's recent interview, the recording engineer Robin Black's Memoirs of a disc-making tiimoilta, as well as the time period from the promo and live photos, which are printed on high quality gloss paper. I would sincerely like to give almost perfect score musically strong classic board, but with the new implementation of the imperfections that do not have access. The package has a lot of good, but at the same time it leaves vaikutelmakseen that with a little more budget package could have made a rather glamorous as the audio visual side in terms of content. In any case, Thick As A Brick and Aqualung its predecessor appeared testify, that after the artists releasing their work from his hands, they no longer have a say in how the general public to understand and interpret the music. Thick As A Brick Jethro Tull at peak of progressive rock and theme boards to understood badly wrong, and the band was forced to continue for decades to fight desperately against the progressive stamping. Who would have thought that the long progressive rock epics teasingly gentle parody of the Thick As A Brick, visit the formation album, which, as paradoxical as it may seem, to define what should be the theme of the plates?
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Nov 30, 2012 15:25:19 GMT
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 13, 2013 16:15:47 GMT
Google translate: Jethro Tull al cubowww.elcomercio.com/diego_perez/Jethro-Tull-cubo_0_846515433.htmlJethro Tull cubed - Diego Pérez Ordóñez Sunday 13/01/2013 In Jethro Tull, one of the most exciting bands of all time, come together, perhaps uniquely and unrepeatable, abnormal amalgam of blues, Celtic folk music and symphonic rock / progressive so characteristic of the seventies. So, the lure of this group lies in its ease of set milestones in seemingly different worlds, and rivers to cross borders quickly and efficiently and do it with dignity and sophistication. You can always argue that Jethro Tull was never in the same category as his contemporaries (the Rolling Stones, the Beatles, Pink Floyd and Led Zeppelin), but anyway its iconoclastic soul is your greatest distinguishing factor. You can also argue that their music is pompous, exaggerated and excessive and that his recording career has been spotty. It is quite possible, within this logic that Jethro Tull is in a class by itself, for its unique character and distinctive: Try thinking for a moment, we're talking about a band that, in his own style, has no competitors or imitators of any kind. And, of course, is the flute of its leader Ian Anderson. I can think of no other band that has made a generous and notorious use of the flute as the main instrument, nor any case where, in times of electric guitar heroes (as Alvin Lee, Jimmy Page, Mick Taylor or Peter Green) flute has become the very symbol of a rock band, in a kind of brand regi strada and distinctive sound. In this Jethro Tull and Anderson, sometimes it becomes difficult to differentiate-s on rare birds: a flute in a rock setting, a Pied Piper of government in times of thunder and lightning of the Gibson Les Paul and Fender Stratocaster. If we follow Bikendi Gonzalez (Stories Rock): "Their common feature is the style of Anderson playing the flute, absolutely original, the influences are as disparate and include folk and baroque music, managing to coexist comfortably with the bell rock of Jethro Tull. Anderson's ability to link his flute to guitar passages projected the group header the British charts ... "And finally, of course, in the era of concept albums (albums that had, by way of history, a central theme) and symphonic rock (rock with complicated inspirations classical music) Jethro Tull became a band that liked to combine music with theatrical aspects, on stage. Especially Ian Anderson, who always seems to disguise as a beggar, with their coats that have seen better days and its frenetic interpretation flautística: Jethro Tull at times has a lot of anachronistic, to go against the grain of all time, vestiges of sounds, worlds and styles that no longer exist or that many already do not care. This content was originally published by newspaper El Comercio at the following address: www.elcomercio.com/diego_perez/Jethro-Tull-cubo_0_846515433.html. If you plan to use it, please credit the source and link to the original note of where you have taken this content. ElComercio.com It was a new day yesterday But it's an old day now.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 13, 2013 17:40:34 GMT
Google translate - Yikes! Cleaned! rocknroll.blog.leparisien.fr/archive/2013/01/13/jethro-tull.htmlJethro Tull still solid as a brick classic rock, flute, ian anderson, jethro tull, olympia, progressive Olympia, Sunday, November 18, 2012 For fans of progressive rock and even classic, "Thick As A Brick" is a monument. Number one at the time, in 1972, this album is the archetypal concept album: a story, and one song, divided into two parts due to vinyl record. Ironically, Jethro Tull had just designed to make fun of other groups fighters of his time, and work, Ian Anderson admitted, was intended as a parody. Moreover, "Thick As A Brick" basically means "con like a brick!" Bottom line, an absolute classic, often played in a shortened version, which continued to be a regular in the setlist of the group, all training programs. I do not think it was by cons played in its entirety during the tour that followed its release, in which case it was truly a world first to be able to appreciate it in its entirety and over the second part, interesting but much less significant, output last year. It all starts with a guy in blouse through the crowd (seated) with a trolley, and on stage. He was soon joined by a friend, and many who begin to sweeping, dusting, tidying, moving objects. Then they will be put in place, it is the musicians! Then starts a short film, which Anderson plays the role of a psychiatrist, who obviously follows the little Gerald, hero of "Thick ..." A few notes of music, and it's gone, the magic of the album works on stage! The work is returned to close the note, with occasional passages longer than the original, but with a true spectacle. Film projected behind the stage, with a curious recurring character, who wanders in diving suit, fins and bottles including through various landscapes, solo violin played by a young woman, baby beside her, disturbed just before a sudden Telephone (film of course), and then of course, Ian Anderson multiplies poses heron! classic rock, flute, ian anderson, jethro tull, olympia, progressive PHOTOS: DOM Incidentally he thought it more prudent not to interpret all the vocal parts, and so much the better, because only low point of the evening, sometimes his voice is really worth (he is 65 years old and apart it, shows an astonishing vitality). In its place is a Ryan O'Donnell did better than hold its own in the game Also an actor, he knows how to move on stage, and provides a perfect counterpoint scenic Anderson. Of all the new kids (no great alongside former master, not even Martin Barre), I also enjoyed the very good performance of the guitarist, German Floran Ophale, never left a little note to slip which shows that hard one is in the Tull and ELP or not at Genesis ... After a big fifty music, pause, and return to "Thick As A Brick II". Some viewers have the opportunity to take the cowardly heels, but the room remains busy even if the second part does not reach the level of the first. All songs on the album spend, even with movies, especially a beautiful presence of all musicians. It must be recognized that the bubble burst a little, but everyone is hoping for a classic finish. But it comes as the only reminder, and it is still the indispensable "Locomotive Breath", whose intro lasts for ages hopefully not, but Anderson bestows an ultimate long solo flute in front of spectators who left their seats and stormed the front of the stage! It is 21 h 45, two and a half hour show, intermission and less films here and there. Now expected to firm up the complete "Aqualung"! And for fans of Tull, I note that there have missed the box out last year by Chrysalis, on the occasion of the 40th anniversary of "Thick ...". It includes not only the remix album, but also new versions, remixed by Steven Wilson of Porcupine Tree, and a big booklet. It contains multiple interviews, including the Robin Black, sound engineer at the time. A must! and the worldwideweb turns you `way off-beam.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 24, 2013 22:29:51 GMT
Google translate;?? www.elporvenir.com.mx/notas.asp?nota_id=643117Genesis, Jethro Tull and Yes, in Mexican festival By: Notimex | El Universal, Thursday, January 24, 2013 The festival "Baja Prog 2013" held its third year, so it will bring great exponents of progressive rock both nationally and internationally. MEXICO. - Genesis, Jethro Tull and Yes are among the bands that will be part of the Progressive Rock Festival, which will take place in Mexicali, Baja California, from 3 to 6 April. The festival "Baja Prog 2013" held its third year, so it will bring great exponents of progressive rock both national and international, in a statement. The Progressive Rock Festival is the most important of America, and that is recognized around the world every year because they gather in Mexicali, the leading exponents of this genre that has millions of followers. The cast will participate in this event consists of Steve Hackett, Eddie Jobson, The Crimson ProjeKct, Cast, New Trolls, Three Friends, Galahad and Gran Turismo Veloce, among others. "We are very excited that the 'Baja Prog 2013' will be a great experience for fans of progressive rock", claimed the organizers of this festival, Javier Sanchez and Alfonso Vidales. It also added that invited various exponents of the genre of countries like the United Kingdom, Mexico, United States, Sweden, Canada, Chile, Costa Rica, Italy, Poland and Germany, so that attendees enjoy from 3 to 6 April , the best of progressive rock. The festival will feature two locations in Mexicali, Baja California, this is the Colonial Hotel and the State Theatre, both places will become for four days in the international progressive rock temples.
|
|
|
Post by steelmonkey on Jan 25, 2013 2:46:29 GMT
I might have to go to Mexicali for this if closer to home dates aren't spit up by the time this gets close.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 25, 2013 14:02:59 GMT
Google translate: ? Radio Ga-ga www.sports.ru/tribuna/blogs/sounds/414540.htmlSince 1970 production "Jethro Tull" was a great success in all countries, but with the disc of songs became more complex and profound that (despite the highest quality of musical material in those years) in 1973 led to a conflict with the critics of music publications, accusing the ensemble being too "fussy" and "cleverness." In response to this accusation - "Jethro Tull" only once tried to go back to the affordable and easy manner of presentation of the songs (disk 1974), but he rebelled listeners who expected the group further "serious" development. As a result, the view of fans musicians rightly taken as a basis, and the further production of the ensemble until 1980 consisted of high-art album with wonderful music, to imitate which is still not picked up. The proposed concert gives a fairly complete picture of this unique group.
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 29, 2013 15:36:59 GMT
|
|
|
Post by maddogfagin on Jan 29, 2013 19:16:01 GMT
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Jan 29, 2013 21:07:46 GMT
Big yeah!
|
|