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Post by maddogfagin on May 11, 2022 5:28:25 GMT
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Post by maddogfagin on May 10, 2022 16:49:13 GMT
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Post by maddogfagin on May 10, 2022 16:46:21 GMT
Jethro Tull - Locomotive Breath (Live-HQ)
Gilded Entertainment Group 117K subscribers
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Post by maddogfagin on May 10, 2022 11:23:33 GMT
The problem with concerts when taped by radio stations is that the recordings either have to be "padded out" or edited to fit the station schedule. Thus in cases such as above some poor trainee has to find any song to fill the airplay time slot or edit the applause or as has happened a couple of time, the song/songs themselves. OK bootleggers will do the same but at least we have the recordings whether or not the songs are from the correct original source. Yes, I can see why they do it . In the case of "Supergroups" though, its given authenticity because venues and dates are quoted, yet as we discussed its just not accurate. I also dislike it when a cover has a photograph from a totally different era. I have a bootleg also from 82 , and the sleeve notes state that "this is the debut of 17 year old Alexander Barre on guitar"...Alexander doesn't exist of course, someone has heard IA during the stage patter introduce Martin as " 17 year old Alexander Lancelot Barre, he even has the same haircut as his dad" That joke is lost with the passage of time and becomes more disinformation. Maybe it just doesn't matter really? Yet it bothers the Tull "Anorak" in me And this is the bootleg this piece of fake Tull news comes from.
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Post by maddogfagin on May 10, 2022 5:42:51 GMT
Pierre Dury.
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Post by maddogfagin on May 10, 2022 5:34:42 GMT
www.independent.com/2016/10/13/jethro-tull-rock-opera-consciousness/Jethro Tull: A Rock Opera with a ConsciousnessSinger Ian Anderson Talks Bringing Topical Subjects Into Greatest-Hits Set at Arlington Theatre By Indy Staff Hundreds of years ago, a man named Jethro Tull was born in Berkshire, England, growing up to reform agriculture with the invention of the seed drill and the horse-drawn hoe. On Wednesday, October 19, Ian Anderson, leader of the late ’60s band that took the name of that English agriculturalist and quickly became one of the most respected progressive rock acts of all time, will come to the Arlington Theatre with band in tow to present Jethro Tull: The Rock Opera, a spectacular greatest-hits set that reimagines the band’s catalog through the character of the historical Tull with a narrative performance involving contemporary themes of climate change, overpopulation, and new technologies. Anderson said he doesn’t necessarily find the man Jethro Tull to be especially compelling and indeed hardly knew who Tull was when the band’s agent decided upon the name in 1968. It wasn’t until recently, in 2014, that Anderson felt inspired to read up on Tull and his professional achievements. “It was an interesting surprise to find that Jethro Tull’s life just embodied lots of little elements that suggested to me an immediate relationship with songs I had written over the years, most of which were of the very well-known in the Jethro Tull repertoire,” Anderson said in a recent interview with The Santa Barbara Independent. The idea of a narrative performance, with songs slightly amended and rearranged to address pressing modern themes, came to Anderson over the course of a two-hour car journey through the rolling hills of Northern Italy. This is no history lesson, though — fans can expect a rocking performance of the legendary band’s songs, with topical detail coming secondarily. “I’m there to entertain, not educate; issues of climate change, population growth, immigration, feeding a hungry planet — I’m bringing these topics into an entertainment form, and maybe will get people scratching their heads and thinking a bit, or thinking about the groceries they buy,” he said. Sure, the subjects are rather dark, but Anderson and his band have never been ones to stray from the serious stuff: Look to songs such as “Aqualung,” which addressed homelessness “and our ability — or inability — to deal with the moral circumstances when confronting people who are much worse off than we are,” he said, and “Locomotive Breath,” with its notions of the consequences of runaway population growth. Nor is this political proselytizing; it is music as an imaginative mirror, a refraction of reality through which the real can be seen. Certainly, Jethro Tull the band’s reputation has been built around the thoughtfulness and intelligence of the lyrics — the resistance to the usual pop-format subjects of “I love you, you love me, or you no longer love me because you’ve buggered off with the neighbor,” Anderson said. “Our job is to paint pictures for people and let them figure it out; we offer them a different viewpoint, a different spectacle, perhaps in a way they didn’t view it before,” he continued. “We’re not supposed to be politicians, activists, and agitators; there are those who do, and they often end up with an egg on their face, like Mr. Sting with his rainforest and Bono with his do-gooding and vast wealth hidden in tax-avoidance schemes across the world.” Offstage, Anderson is still feeding his “endless passion for learning,” whether it be studying the religious demographics of the countries the band visits or reading “rather more philosophical stuff … about the more mysterious and imaginative side of who we as a species are,” he said. The fast and vast knowledge trove of the Internet has replaced the “dusty, dreary library” of his youth, and he is very grateful for the bottomless amounts of information available. So if you, too, enjoy your music with a side of philosophy and social commentary, this Rock Opera will be the one for you: Your feet will be happy from tapping and your brain happy for the food-thought.
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Post by maddogfagin on May 9, 2022 15:54:31 GMT
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Post by maddogfagin on May 9, 2022 15:48:28 GMT
Jethro Tull to Perform at PhilharmoniePublished on Tuesday, 26 Apr 2022 12:25 by KH Kultopolis announced Ian Anderson and Jethro Tull, one of the most successful and consistent progressive rock bands, will perform in Philharmonie Luxembourg on Thursday 29 September 2022 at 19:30. The show will primarily be a musical journey back to the wedding days of Prog Rock, i.e. in the early years of Jethro Tull. But of course there are also excursions to later successful albums such as "Benefit", "Aqualung", "Thick As A Brick" or "Passion Play". There will be a repeat of many of the British band's well-known hits. In February 1968, Ian Anderson and his fellow musicians appeared on stage for the first time under their name Jethro Tull, which shortly afterwards had a worldwide reputation. That was in the legendary London Marquee Club, birthplace of many international music acts. The fan base grew quickly, Jethro Tull quickly became a permanent guest at festivals and regular guests in concert halls. There was success from the very first album “This Was”. Along the way, the band wrote music history with their unmistakable style and the way they tell stories in their songs. Last but not least, Ian Anderson's flute playing has burned itself into everyone's memory and is still a distinctive recognition element of the Tull pieces today. The line-up has changed a lot in the years since their debut, but somehow Jethro Tull has always been Ian Anderson first. Although he uses his own name in connection with Tull's performances and repertoire, the Jethro Tull brand endures to this day. As a writer, producer, flutist, singer and occasional guitarist, Anderson typically performs with the band in 80 to 100 shows each year in many countries around the world. 54 years after the foundation, after more than 30 albums with more than 50 million units sold, Jethro Tull are always a guarantee for excellent stage shows and first-class live qualities. The band currently consists of: Ian Anderson (flute, acoustic guitar, harmonica, vocals), Joe Parrish-James (guitar), Scott Hammond (drums) John O'Hara (piano, keyboards and accordion) and David Goodier (bass guitar) . Tickets for the seated concert are available in advance from luxembourg-ticket.lu, in the Grand Théâtre Luxembourg, tel.: 470 89 51, neimënster, tel.: 262 052 444 and via www.kultopolis.com
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Post by maddogfagin on May 9, 2022 5:43:48 GMT
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Post by maddogfagin on May 9, 2022 5:40:01 GMT
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Post by maddogfagin on May 9, 2022 5:30:20 GMT
UN FLAUTO SU UNA GAMBA SOLA: IAN ANDERSON E I JETHRO TULL ,puntata n.18 del 6/2/2022 per BR12 505 views Feb 5, 2022
FAUSTO FABRIZIO 54, 4 29 subscribers
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Post by maddogfagin on May 8, 2022 16:20:15 GMT
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Post by maddogfagin on May 8, 2022 12:25:43 GMT
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Post by maddogfagin on May 8, 2022 12:04:07 GMT
"Crossfire", "Protect and Survive", "Bungle in theJungle" (at least) were recorded on the 1980 "A" tour. They didnt feature in the 1982 tour anywhere. Hate it when concerts from different eras are mixed together The problem with concerts when taped by radio stations is that the recordings either have to be "padded out" or edited to fit the station schedule. Thus in cases such as above some poor trainee has to find any song to fill the airplay time slot or edit the applause or as has happened a couple of time, the song/songs themselves. OK bootleggers will do the same but at least we have the recordings whether or not the songs are from the correct original source.
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Post by maddogfagin on May 8, 2022 11:51:34 GMT
Ian Anderson & Lucia Micarelli - Mo'z Art Medley 538,173 views April 19, 2010
hclee 8.91K subscribers
SPIRITS OF MOZART, A Concert of WIENER MOZARTJAHR 2006, Vienna Radio Symphony Orchestra, Live from Vienna 14 Jan 2006
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Post by maddogfagin on May 7, 2022 16:51:24 GMT
Jethro Tull - "Supergroups in Concert" - 1982 Radio Show - Stuttgart, Germany (audio) 453 views Aug 5, 2021Carlo Zakers 1.32K subscribers 0:00 - The Clasp 4:00 - Hunting Girl 9:17 - Fallen on Hard Times 13:43 - Pussy Willow 18:20 - Broadsword 23:35 - One Brown Mouse 27:20 - Seal Driver 32:55 - Weathercock 37:24 - keyboard solo 41:15 - Sweet Dreams 45:45 - Songs From the Wood 49:45 - Crossfire 53:50 - Heavy Horses 1:01:11 - Protect and Survive 1:06:55 - Pibroch (Instrumental) 1:13:51 - Bungle in the Jungle 1:17:57 - Aqualung 1:26:12 - Minstrel in the Gallery 1:30:35 - Locomotive Breath 1:33:25 - Jam 1:35:35 - Fisherman's Reel 1:38:00 - Watching You, Watching Me incredible versions, and recordings, of some of the best songs from the 1982 "Beastie" Tour! 4-28-82 Stuttgart, Germany Including confusingly, songs from the previous tour! www.discogs.com/release/16227046-Jethro-Tull-Supergroups-In-ConcertRecorded: 28. April 1982 at Oberschwabenhalle Ravensburg, Germany 29. April 1982 at Sporthalle Böblingen (near Stuttgart), Germany 30. April 1982 at Stadthalle Freiburg im Breisgau, Germany it's not specified, which track is from which concert
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Post by maddogfagin on May 7, 2022 16:32:37 GMT
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Post by maddogfagin on May 7, 2022 16:18:50 GMT
Hello. I was looking back at the lyrics of certain songs on SLOB and i really wonder what "Little Flower Girl" is about ? Somebody told me today it wa sinspired by a famous painitng but µi don't know more... Some lines are a bit weird... as if the narrator liked little girls a bit too much... Down at the church the flower girl sits. Legs innocent, apart. I make the picture puzzle fit to start your heart. Painted sister stopped beside. A word upon her saintly lip. Perhaps admonishing the child inside the open slip. I don't know where she might go when she runs home at night. It's for the best: I wouldn't rest when I turned out the light. No little flower girl singing in my troubled dream just an old man's model in a pose from a magazine. I have touched that face a dozen times before. And I have let my pencil run. Laid down washes on a foreign shore, under a hot and foreign sun. My best sable brushes drift the soft inside of her arm. Her chin I tilt, her breasts I lift. I mean no harm. I close the door. She is no more until the next appointed hour. Northeastern light push back the night: painted promises in store. No little flower girl singing in my troubled dream just an old man's model in a pose from a magazine. Down at the church my flower girl sits. Legs innocent, apart. I make the picture puzzle fit to start your heart. My golden sable brushes drift the soft inside of her arm. Her chin I tilt, her breasts I lift. I mean no harm. I mean no harm. I mean……
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Post by maddogfagin on May 7, 2022 10:38:57 GMT
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Post by maddogfagin on May 7, 2022 10:35:19 GMT
I managed to buy this on ebay this morning (with picture sleeve) for the princely sum of £4.99 (including postage) so I am a 'happy bunny' today! Nice one - enjoy
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Post by maddogfagin on May 7, 2022 6:44:09 GMT
stones-stories.over-blog.com/2019/06/scott-hammond.htmlRock and Roll StoriesUn immersion dans le monde du Rock et des Rolling Stones Scott Hammond Publié le 25 Juin 2019 Scott Hammond (born 4 June 1973) is an English freelance drummer. He plays with Ian Anderson (the leader and frontman of British Rock band Jethro Tull) and has also toured with Jethro Tull itself. He has been described as a "Jazz drummer with rock influences". Early years Hammond was born in Bristol, England, UK. He started to learn the drums when he was 14 years old and later studied at The City of Leeds College of Music for three years, and also with Dave Hassell for two years. Ian Anderson Since April 2010 Hammond has primarily been touring internationally with Ian Anderson, rock flautist of Jethro Tull. Recordings with Ian Anderson have included "Thick As a Brick 2" album (released in April 2012) - the sequel to Jethro Tull's 1972 album "Thick As A Brick". Hammond's touring with the band has included the "Thick As A Brick" 2012/13 world tour, the 2014/15 Homo Erraticus world tour, Jethro Tull - The Rock Opera and currently Jethro Tull's 50th Anniversary tour in 2018. Jethro Tull In March 2011 Hammond toured with Jethro Tull in Ireland. This tour featured Martin Barre on guitar, David Goodier on bass, John O'Hara on keyboards and Ian Anderson on flute, guitar and vocals. From 2017 he is in a new line-up of Jethro Tull. Hammond said in an interview: "I wouldn't describe myself as a prog rock drummer although it's obviously a part of what I do. My rock roots are based in bands like Deep Purple although I have always enjoyed listening to Jethro Tull's "Minstrel in the Gallery" since I was a teenager." Freelance career The majority of Hammond's working life has been jazz and funk based. He plays very regularly with his own band JINGU BANG and also with the jazz organ trio The Hopkins-Hammond Trio. Other artists he has worked with include Ruth Hammond, Bruce Dickinson, Greg Lake, Justin Hayward, Tina May, Gilbert O'Sullivan, Herb Geller, Bobby Wellins, Pee Wee Ellis, Phil King and Limahl. More recently Hammond has featured on four albums by UK based trumpeter Ben Thomas with The Edge project. Discography 2002 : Denny Ilett : Calling The Children Home : Studio Album : Nugene 2002 : Ruth Hammond : All The Good Things : Studio Album : Tenterhook Records 2006 : Gary Bamford : JADJ : Studio Album : Kintu Records 2006 : The Forster King Band : Keep The Music Playing : Studio Album : Unsigned 2007 : Ilya : Somerset : Studio Album : CDBY 2008 : Azhar Saffar : Out There : Studio Album : 33 Jazz 2009 : Phil King : They Come And They Go : Studio Album : Ragtag Records 2009 : The Edge : We All Fall Down : Studio Album : mtheart 2011 : The Edge : Dark Scrawls] : Studio Album : safehouse 2011 : Colman Brothers : Another Brother : 7" single : Wah Wah 45s 2011 : Colman Brothers : Colman Brothers : Studio Album : Wah Wah 45s 2012 : Ian Anderson : Thick As a Brick 2 : Studio Album : Chrysalis/EMI Records 2013 : The Edge : Within This World Within My Mind : Studio Album : Safe House 2014 : Ian Anderson : Homo Erraticus : Studio Album : Kscope 2014 : Ian Anderson : Thick as a Brick - Live in Iceland : Live Album : Eagle Records 2015 : The Edge : Dead Horses and Divorces : Studio Album : Safe House
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Post by maddogfagin on May 7, 2022 6:33:24 GMT
geostrehl
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Post by maddogfagin on May 7, 2022 5:41:03 GMT
Jethro Tull - "Supergroups in Concert" - 1982 Radio Show - Stuttgart, Germany (audio) 453 views Aug 5, 2021
Carlo Zakers 1.32K subscribers
0:00 - The Clasp 4:00 - Hunting Girl 9:17 - Fallen on Hard Times 13:43 - Pussy Willow 18:20 - Broadsword 23:35 - One Brown Mouse 27:20 - Seal Driver 32:55 - Weathercock 37:24 - keyboard solo 41:15 - Sweet Dreams 45:45 - Songs From the Wood 49:45 - Crossfire 53:50 - Heavy Horses 1:01:11 - Protect and Survive 1:06:55 - Pibroch (Instrumental) 1:13:51 - Bungle in the Jungle 1:17:57 - Aqualung 1:26:12 - Minstrel in the Gallery 1:30:35 - Locomotive Breath 1:33:25 - Jam 1:35:35 - Fisherman's Reel 1:38:00 - Watching You, Watching Me
incredible versions, and recordings, of some of the best songs from the 1982 "Beastie" Tour!
4-28-82 Stuttgart, Germany
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Post by maddogfagin on May 6, 2022 16:27:38 GMT
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Post by maddogfagin on May 6, 2022 16:13:25 GMT
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Post by maddogfagin on May 6, 2022 11:32:22 GMT
Jethro Tull live audio 1992-05-02 London Jethro Tull Collection 2.27K subscribers
The second concert of 'A Little Light Music' tour with Jethro Tull at London Wembley Conference Centre on May 2, 1992. the live premiere of 'Life Is A Long Song' The stage banter is long, funny and interesting.
Set 1 0:00 Applause 0:23 1. Someday the Sun Won't Shine For You 3:55 2. Living in the Past (instrumental) 8:51 Introduction 10:15 3. Fat Man 16:46 Introduction 18:39 4. Rocks On the Road 25:23 5. Life is a Long Song 28:50 Introduction 31:09 6. Under Wraps (instrumental) 33:19 7. Nursie 35:47 8. Too Old to Rock n Roll 40:11 Introduction 42:24 9. One White Duck 44:41 10. A New Day Yesterday (incl. Kelpie) 52:31 11. Aqualung 1:00:13 Thank you, Interval announcement Set 2 1:00:51 12. From a Dead Beat to an Old Greaser 1:05:50 Introduction 1:07:16 13. Roll Yer Own 1:11:26 14. Look Into the Sun (instrumental) 1:14:58 Long Funny Introduction 1:19:22 15. A Christmas Song 1:22:12 Introduction 1:26:13 16. Said She Was a Dancer 1:30:19 17. Bourée (includes Bach's Double Violin Concerto, Soirée) 1:36:08 Introduction 1:38:33 18. When Jesus Came to Play 1:42:58 19. Pussy Willow (instrumental) 1:46:24 20. Jump Start 1:53:40 21. Locomotive Breath 1:58:52 Thank you, good night 1:59:32 Introduction 1:59:41 22A. Thick as a Brick 2:05:58 23. Cross-Eyed Mary 2:07:46 22B. Thick As A Brick (continued) 2:08:35 Applause
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Post by maddogfagin on May 6, 2022 11:20:36 GMT
As I read that we could create a thread to introduce ourselves and say "hello"... I'm giving it a try. I love Tull but i miss talking about them ... I wa sonce in another forum dedicated to thme when the internet started. But there were too many arguments a tone point.. I kind of forgot about it. I thought I could try to discuss and get more interesting exchanges in a forum again. and I found this... )) I've been a lover of Jethro Tull for 40 years this year. a little anecdote about how I discovered them :
I discovered Tull thanks to a review and a small interview with Ian in a rock mag called Rock & Folk in 1982, at the time when "The Broadsword & The Beast" was released. The journalist referred to th epast albums to, and liked the album very much.. I thought I might really like this. I also loved the sleeve cover... I loved the Middle-Age and Renaissance legends... bit sof music I had heard in movies... which were certainly a contemporary interpretation of the real music of those times.
It was a time when we still could ask to listen for a few excerpts in certain big shops in Paris and I asked to listen to some excerpts of this album and also "Aqualung". and it was more or less what I expected ! Strange for many Tull fans, probably, but I prefer "The Broadsword & The Beast", even though "Aqualung" is a very important album in rock history and one I like a lot as well.
I ended up at home this same day with... both LP's ! I loved them. and the rest is history. I saved my money to vuy records, and I tried to buy every Tull album quite quickly.
I saw Tull in concert for the first time only in 1987, and "only" four times, plus I also attended two concerts by Ian with an orchestra : in December 2005 in Amsterdam in the Netherlands and in Paris in 2006, I think .. I couldn't go to any Tull concert since then... Hopefully this coming Fall in Paris.
I sometimes wrote reviews and articles in some fanzines about Jethro Tull, even wrote a complete "story" circa 1994 in a very small fanzine that didn't sell many copies but well... long time ago.
and finally, last November, I could manage to meet briefly Ian Anderson in Paris for a too short interview... published with my review of The Zealot Gene in Koid'9 (quoi-de-neuf ? What's New ?) - a fanzine specialized in progressive rock, but not only. A dream come true, really ! )) All the best to you all.
Welcome to the Jethro Tull Forum marcm and thank you for posting your Tull History; much appreciated.
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Post by maddogfagin on May 6, 2022 11:10:47 GMT
Bizarre. How do I get to play!!? It's damn slow loading here but not on the youtube channel. See here on youtube youtu.be/YR7h9Ax4heQ
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Post by maddogfagin on May 6, 2022 8:09:24 GMT
Jethro Tull konsert Västerås 5/5 2022 4 views May 6, 2022
Jan Malmberg 99 subscribers
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Post by maddogfagin on May 6, 2022 5:43:41 GMT
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