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Post by JTull 007 on May 28, 2014 2:00:43 GMT
But Ian responded to general positive reviews and hard core fan acceptance of Ryan? Thanks to fans like us that have expressed our satisfaction with TAAB 2 and the live shows, we can now take credit for having influenced Ian Anderson and the future of Tull.
The music is where it all begins and then the performers who make it special. Ryan Rocks!
Thanks to Remy for posting this wonderful interview.
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Post by maddogfagin on May 28, 2014 8:06:11 GMT
goo.gl/ZODgTKInterview with Ian Anderson : "I will rest the name Jethro Tull and spend my last years in my solo career" Excellent interview Remy. It's always the fans who ask the important questions - the media reporters always ask the same old questions which IA and co must be fed up with answering. Thanks to Tomás Catalán and IA for the interview
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Post by Tull50 on May 28, 2014 19:47:39 GMT
Thank you, Remy, that IS a good interview...but tell...does it still look like all the Spanish dates are just 'best of' or do you get any all Homo plus best of concerts? If the 'best of only' shows include some Homo cuts, what will they be? Here would be my wish list: Enter, Cold, Engineer, Turnpike, Browning, PFA,....man, this is tough ! Liked the interview too... ...interesting part about Ryan.......Ian wasn't going to have him along, so Ian will never admit to having a vocal issue. I must say I thought Ian's voice on the recent H.E gig was not bad, but it is still a big issue for a lot of punters who have not turned up to gigs. It is possible that Ian is giving more importance to the music that the voice, or perhaps thought save a salary... I think there is no every chance that they play HE, maybe some songs... Albert (Tullianos president) and me had the opportunity to speak with the director of the Festival de Pedralbes Mr Martin Perez, I was very critical with Mr Martin Perez (Albert was more diplomatic, for that reason is the president of Tullianos ) and I have the impression that Mr. Martin Perez is not learned what he had bought, the problem is that there is a promoter (Robert M.) that has sold the concert "The Best Of Tull" for all Spain concerts, and Ian Anderson usually respects its contracts to the maximum, making it difficult to know which will be the set-list We hope that in the next occasion Mr. Martin Perez is better advised. Surely there will be a concert HE + "The Best Of" next year or at the end of this...
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Post by Tull50 on May 28, 2014 20:01:35 GMT
goo.gl/ZODgTKInterview with Ian Anderson : "I will rest the name Jethro Tull and spend my last years in my solo career" Excellent interview Remy. It's always the fans who ask the important questions - the media reporters always ask the same old questions which IA and co must be fed up with answering. Thanks to Tomás Catalán and IA for the interview Well Graham you are right, yesterday I spoke with Tomás and is very proud of the interview, is a radio and website relatively young (about 2 years) and told me than for he also was a surprise, it's the most important interview that he has done so far. Young fans tend to do best interviews, I imagine they are still fighting for something, while the most renowned journalists limited to always ask the same things ... they live of your past. I sent the link of this post to Tomás, and will be moving your thanks. I'm sure he'll be happy
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Post by Tull50 on Jul 10, 2014 20:26:26 GMT
Jethro Tull: Living two pastsblogs.publico.es/davidtorres/2014/07/10/viviendo-dos-pasados/July 10, 2014 By David Torres Google translator: On Tuesday night, in the Madgarden festival in the gardens of the Complutense, Ian Anderson umpteenth doctorate honoris causa. The ceremony was attended by a diverse audience ranging from six to 80 years, through every conceivable age, chronological catalog also flourished on the stage itself, where the venerable Anderson rubbed shoulders with several generations of musicians and, least three kids bent on touching beards. Jethro Tull, rather than a band, is a religion that is held every year and many parents take their children to shoulder and grandfathers to grandsons hand to begin in the Gospels of Aqualung, that complex and brilliant blasphemy. In an interview where it probably messing journalist, Anderson said now traveling with his name rather than that of the eighteenth century a farmer because he wants people to know before they die. Absurd. I can not imagine a single fan, though fools or novice who is, who knows the heart, brain and soul of the band is this Scottish mountebank almost 70 years, Wizard of flute and acoustics, exceptional lyricist and own inexhaustible melodic imagination. Looks like he's winking at the scene of Armageddon, in which scientists are evaluating the group of miners who will sacrifice himself to save the Earth from a meteor and suddenly Steve Buscemi says: "What really drives me nerves are those people who believes that Jethro Tull is the name of the group leader. "Evaluator then replies, "Who is Jethro Tull?" The answer shone in the soft twilight of July chords Living in the past, a generational anthem, like so many other songs of Anderson, has acquired different meanings, perspectives, and ironies glosses over the course of decades. Living in the past are all because, as Faulkner warned, the past is still happening. But Tuesday night, from the enchanted gardens of the Complutense, there was a doubling of the time and it happened that all unrepentant fans of the band began to inhabit two pasts: the one we are going to hand all the time and that trembled trapped in amber pure music. Halfway through the concert sounded the imperial scale Too old to rock'n roll, too young to die, the audience chanted with retrospective nostalgia, and so long after hearing it was like seeing a rise hull ship plagued algae, barnacles, scab and mussels, only older and more beautiful. I blinked for a moment and the weather was fluctuating in a quantum trap: a guitar was not masterful, shrewd and Martin Barre fat, but a youngster Florian Ophale strummed with the same power and brazenness of the old squire. John O'Hara on keyboards and David Goodier on bass covering the hollow of the various avatars of the band through the decades, while the drummer, Scott Hammond imperturbable herded horses with a sound somewhat crude but spotless, taking that each song is an almost indecipherable mood swings, rhythm and atmosphere riddle. Well past eleven thirty at night, alcoholic piano Locomotive Breath (forbade the unholy song Francoism in Spain and usually the farewell concerts) you originally launched by train rails. I closed my eyes and there I was again Ian Anderson, as if it were immortal, striking leaps and bounds, putting the flute in the crotch in shameless phallic reference, raising it to his mouth and throwing spit scales one after another, as if it were easy. Usually as himself, this year has remedied all that really misses him: the voice, f**ked in a lot of records, with the presence of a singer who doubles on vocals and replaces it in the high phrases. Ryan O'Donnell's appearances were like echoes of an Elizabethan minstrel, a dancer, a nude that Anderson clone in 70 to 80 full American track between turns, jumps and somersaults are doing. But last night we had public medium above, below or beside our own ghost, twice was listening to Jethro Tull nine years ago at the Riviera, 15 years ago, in another life. Song to song, chorus to chorus, chorus to chorus, Anderson conjured all those shadows of the past like the Pied Piper leading his mice by the labyrinth of time useless.
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Post by maddogfagin on Jul 11, 2014 9:23:39 GMT
www.actualidadmusica.com/2014/07/08/ian-anderson-jethro-tull-soy-yo/Ian Anderson: "Jethro Tull me"Alex Socco, July 8, 2014The soul of Jethro Tull , Ian Anderson , launched in April ' Homo erraticus 'eighth solo album, confessed that at 67 he does not regret anything he has done, except the name of the group, which "has prevented "that people know your name. Anderson is the author of almost every issue of Jethro Tull, so we want that in the last years of his career people know your name and not that of "a farmer of the eighteenth century who invented the lawn mower," he said in an interview. "I should go to jail for stealing identity," joked singer, songwriter, flautist and Scottish guitarist that appeared this week in different cities of Spain and recalls the great successes of Jethro Tull, band created in 1967 and will continue " there ", while he lives, because Jethro Tull says, is he and the musicians he touches, which were a total of 28 different throughout his 45 year career, which has released 30 albums, including them 'Aqualung' and 'Thick as a Brick', which received a resounding success in the first half of the seventies. Throughout its history, the band has gone through jazz, "blues", folk, "art rock", electronics and even the "heavy metal", but Anderson describes his music as "progressive rock" that moves away from "traditional American rock" and welcomes more "eclectic" forms, with influences from classical music, folk, jazz and ethnic music. "My music is aimed at people who like the unusual, people who are bored straight music, with complex and detailed letters." The artist thinks his music is unique and is considered a "privileged" because in four decades "has not arisen any other rock band that has an internationally known flutist. "I have my place in the world" defined. For him, the success of the band remains "quality" as the flute is something "difficult" and requires a great technique.
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Post by Tull50 on Jul 11, 2014 20:36:23 GMT
www.actualidadmusica.com/2014/07/08/ian-anderson-jethro-tull-soy-yo/Ian Anderson: "Jethro Tull me"Alex Socco, July 8, 2014The soul of Jethro Tull , Ian Anderson , launched in April ' Homo erraticus 'eighth solo album, confessed that at 67 he does not regret anything he has done, except the name of the group, which "has prevented "that people know your name. Anderson is the author of almost every issue of Jethro Tull, so we want that in the last years of his career people know your name and not that of "a farmer of the eighteenth century who invented the lawn mower," he said in an interview. "I should go to jail for stealing identity," joked singer, songwriter, flautist and Scottish guitarist that appeared this week in different cities of Spain and recalls the great successes of Jethro Tull, band created in 1967 and will continue " there ", while he lives, because Jethro Tull says, is he and the musicians he touches, which were a total of 28 different throughout his 45 year career, which has released 30 albums, including them 'Aqualung' and 'Thick as a Brick', which received a resounding success in the first half of the seventies. Throughout its history, the band has gone through jazz, "blues", folk, "art rock", electronics and even the "heavy metal", but Anderson describes his music as "progressive rock" that moves away from "traditional American rock" and welcomes more "eclectic" forms, with influences from classical music, folk, jazz and ethnic music. "My music is aimed at people who like the unusual, people who are bored straight music, with complex and detailed letters." The artist thinks his music is unique and is considered a "privileged" because in four decades "has not arisen any other rock band that has an internationally known flutist. "I have my place in the world" defined. For him, the success of the band remains "quality" as the flute is something "difficult" and requires a great technique. Ian Anderson: "I'm Jethro Tull and therefore still exists"www.cubasi.cu/cubasi-noticias-cuba-mundo-ultima-hora/item/29617-ian-anderson-jethro-tull-soy-yo-y-por-eso-sigue-existiendoSame publication with a different title... In another place and another time I would have been burned at the stake for posting this, regardless of whether these were words of Ian Anderson with its link
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Post by steelmonkey on Jul 11, 2014 21:30:55 GMT
They burned guys at the stake for saying the world is round, too...and revolves around the sun...actually, I am more sure about Ian=Tull than all that astronomy stuff....they probably DID fake the moon landing at a Disney studio.
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Post by Equus on Jul 12, 2014 8:45:22 GMT
They burned guys at the stake for saying the world is round, too...and revolves around the sun...actually, I am more sure about Ian=Tull than all that astronomy stuff....they probably DID fake the moon landing at a Disney studio. Absolutely! And I have heard that they were persuaded by a monkey on wheels...
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Post by maddogfagin on Jul 12, 2014 9:07:00 GMT
I didn't know you were a wizard - I doff my hat
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Post by Equus on Jul 12, 2014 9:09:15 GMT
www.actualidadmusica.com/2014/07/08/ian-anderson-jethro-tull-soy-yo/Ian Anderson: "Jethro Tull me"Alex Socco, July 8, 2014The soul of Jethro Tull , Ian Anderson , launched in April ' Homo erraticus 'eighth solo album, confessed that at 67 he does not regret anything he has done, except the name of the group, which "has prevented "that people know your name. Anderson is the author of almost every issue of Jethro Tull, so we want that in the last years of his career people know your name and not that of "a farmer of the eighteenth century who invented the lawn mower," he said in an interview. "I should go to jail for stealing identity," joked singer, songwriter, flautist and Scottish guitarist that appeared this week in different cities of Spain and recalls the great successes of Jethro Tull, band created in 1967 and will continue " there ", while he lives, because Jethro Tull says, is he and the musicians he touches, which were a total of 28 different throughout his 45 year career, which has released 30 albums, including them 'Aqualung' and 'Thick as a Brick', which received a resounding success in the first half of the seventies. Throughout its history, the band has gone through jazz, "blues", folk, "art rock", electronics and even the "heavy metal", but Anderson describes his music as "progressive rock" that moves away from "traditional American rock" and welcomes more "eclectic" forms, with influences from classical music, folk, jazz and ethnic music. "My music is aimed at people who like the unusual, people who are bored straight music, with complex and detailed letters." The artist thinks his music is unique and is considered a "privileged" because in four decades "has not arisen any other rock band that has an internationally known flutist. "I have my place in the world" defined. For him, the success of the band remains "quality" as the flute is something "difficult" and requires a great technique. "...confessed that at 67 he does not regret anything he has done, except the name of the group, which "has prevented "that people know your name. Anderson is the author of almost every issue of Jethro Tull, so we want that in the last years of his career people know your name and not that of "a farmer of the eighteenth century who invented the lawn mower," he said in an interview." - Ian Anderson Yes Anderson! That's what I thought! Finally, finally, finally... This is what it's all about... It's not because of the "respect" for Martin... It's not because of the sad, sad theft of the name of poor old Jethro Tull, who has suffered because of this hideous crime of name stealing... Turning in his grave since This Was... Dear Mister Anderson! Tell us the truth... why not? You deserve the recognition! This really turns me off... Tell us the truth... I understand that you want people to acknowledge what you've done... I think you deserve it... (Still love you...) but this Martin thing... really...
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Post by Tull50 on Jul 12, 2014 21:19:56 GMT
Only a small Druid's apprentice
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Post by Deleted on Nov 14, 2014 13:31:54 GMT
Google translated: geschrieben von Dirk IAN ANDERSON & Orchester: Nicht mehr viele Tickets übrig! www.burnyourears.de/news/41181-ian-anderson-orchester-nicht-mehr-viele-tickets-ubrig.htmlFriday, 14 November 2014 IAN ANDERSON & orchestra: Not many more tickets left! Rock legend meets classic bombast: JETHRO TULL's Ian Anderson in a world premiere with the Wuppertal Symphony Orchestra and the Kantorei Barmen-Gemarke - two thirds of all tickets already gone, especially for the Saturdays show it is running out. If rock veteran Ian Anderson (JETHRO TULL) guesting in the historic town hall Wuppertal to write there, together with the Wuppertal Symphony Orchestra and the Kantorei Barmen-Gemarke music history. For the first time in the history of the highly renowned rock musician, there is a such an extraordinary musical connection. And who would not want to miss this unique event, should not hesitate long. Even now, half a year before the events, about two-thirds of all tickets are sold out. Especially at the Saturday show there could be quickly close. About 120 musicians in a class will be on stage at the event. For choir and orchestra are specially arranged scores and written notes. The choir scores are now nearing completion - many weeks of work are already behind the arrangers. Never before has occurred Anderson with a choir. In this case, the Scot has had anything but a monotonous career. The 67-year-old (known for songs like "Locomotive Breath" or "Songs From The Wood") is a multi-instrumentalist. In particular, the flute, whose playing he taught self-taught, became the trademark. In his songwriting rock music, jazz, blues, folk and world music merge into one. Anderson, who has by his haunting facial expression and gesture recognition, never completed his classical training, yet it comes in his career again and again to projects with orchestras and classical musicians. In April, he will be the first time on a stage with a choir. On one, which still can be seen to do so because the historical city hall Wuppertal is not only among the most beautiful in Europe, but also to the best acoustic world. Perfect conditions for a very special evening.
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Post by Deleted on Nov 27, 2014 18:52:07 GMT
Couldn't get a decent translation: plus first link wouldn't work... Konzert von Jethro Tull in Bonn Ian Anderson dreht fleißig am Rad der Zeit Erstellt 26.11.2014 www.ksta.de/bonn/konzert-von-jethro-tull-in-bonn-ian-anderson-dreht-fleissig-am-rad-der-zeit,15189200,29162028.html Die legendäre Rockband Jethro Tull gastierte in der Bonner Beethovenhalle. 1300 Besucher in der recht gut besuchten Halle erlebten in den ersten 45 Minuten die besondere Mischung aus Konzert und Musical. Von Stefan Lienert Bonn. Ernest T. Parritt sehnte sich nach Querflöte und Whisky. Das teilte er den Medizinern in einem Schweizer Sanatorium mit. Eingeliefert wurde er dort aufgrund seiner Wahnvorstellungen. Er behauptete, in verschiedenen Epochen gelebt und so hautnah verschiedene Stationen der britischen Vergangenheit mitbekommen zu haben, beispielsweise als Siedler-Nomade in der Jungsteinzeit, Schmied in der Eisenzeit, christlicher Mönch oder Eisenbahn-Ingenieur während der industriellen Revolution. Nachdem die Ärzteschar sein Zimmer verlassen hatte, nutzte er die Gelegenheit, holte schnell die Flöte aus dem Schrank hervor, verschwand aus dem Zimmer – und betrat mit seinem geliebten Instrument nur kurz nach diesem filmischen Einspieler die Bühne der Beethovenhalle. Ab diesem Zeitpunkt war er allerdings wieder der Alte – Ian Anderson, der ehemalige „Jethro Tull“-Frontmann. Verrückte Geschichtsstunde Parritt als sein Alter Ego ist jedoch in Teilen das aktuelle Solo-Album „Homo Erraticus“ zu verdanken. Auf Basis seiner Erlebnisse, die er in Texten festgehalten hat, konnte Gerald Bostock, das dritte „Ich“ von Anderson, die Songs schreiben. Sie standen im ersten Teil des Konzertes im Fokus. Auf der großen Leinwand im Hintergrund verdeutlichten Bilder und Filme diese verrückte Geschichtsstunde, dazu übernahm der Schauspieler und Sänger Ryan O'Donnell die Rolle Parritts und schlüpfte auf der Bühne in entsprechende Kostüme. 1300 Besucher in der recht gut besuchten Halle erlebten in den ersten 45 Minuten die besondere Mischung aus Konzert und Musical. Mit dem „Doggerland“, jener zusammenhängenden Landmasse zwischen den britischen Inseln und Kontinentaleuropa, die während der Weichsel-Eiszeit existierte, beschäftigte sich der Opener. Bei „Heavy Metals“ ging es um Herstellung und Verwendung von Schmiedeerzeugnissen. Noch vor der Pause begannen Anderson, O'Donnell, Keyboarder John O'Hara, Bassist David Goodier, Gitarrist Florian Opahle und Drummer Scott Hammond die musikalische Zeitreise mit den bekanntesten „Jethro Tull“-Nummern. Als die ersten Klänge von „Too old to Rock’n’ Roll, too young to die“ erklangen, gab es Szenenapplaus. Immer wieder drehte sich fortan das Zeitrad. Nichts verlernt Nach der Unterbrechung blieb es als erstes am 25. April 1969 stehen – dem Erscheinungsdatum von „Livin’ in the Past“. Dann folgten „Sweet Dream“, „Critique Oblique“ oder auch „Songs from the Wood“. Dass der Rockvirtuose an seiner Querflöte nach fast 50-jähriger Musikgeschichte, die er mit der Progressive-Rock-Band schrieb, nichts verlernt hatte, bewies er im Finale – beim Welthit „Locomotive Breath“. + Ian Anderson begeistert in Beethovenhalle mit Jethro-Tull-Klassikern Die Lokomotive zieht noch immer www.general-anzeiger-bonn.de/bonn/kultur/Die-Lokomotive-zieht-noch-immer-article1505209.html
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Post by steelmonkey on Nov 27, 2014 22:10:57 GMT
Looks like the Germans are now getting full or near full HE.
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Post by Deleted on Nov 28, 2014 17:37:22 GMT
google translate: Viernes 28 de noviembre del 2014 | 07:14 Diez discos de rock progresivo en vivo que debes escuchar Bandas como Genesis, Yes, King Crimson y Pink Floyd alumbraron grandes obras grabadas en directo. Acá unas muestras de ello Friday November 28, 2014 | 7:14 Ten progressive rock albums live you must listen Bands like Genesis, Yes, King Crimson and Pink Floyd lit great works recorded live. Here some samples of it elcomercio.pe/luces/musica/diez-discos-rock-progresivo-listas-musica-noticia-1774569?ref=portada_home8. Jethro Tull - "Bursting Out" (1978) "Bursting Out" was recorded at various locations in Europe, during the tour of the band Ian Anderson in support of the album "Heavy Horses". It is a compendium of the great songs that, until then, Jethro Tull had placed in his discography. On this album can be seen the band a great time playing with great intensity and proposing more force than was perceived in their studio albums. Highlights include songs like "Aqualung", "Cross-Eyed Mary", "Hunting Girl" and "Thick as a Brick".
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Post by Deleted on Dec 1, 2014 17:53:43 GMT
Magier mit der Querflöte KONZERT Ian Anderson bietet das Beste von "Jethro Tull" www.mittelhessen.de/lokales/region-wetzlar_artikel,-Magier-mit-der-Querfloete-_arid,387498.html Ian Anderson, der Magier der Querflöte (links), mit Gitarrist Florian Opahle beim Konzert in der Rittal-Arena. (Foto: Lademann)
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Post by JTull 007 on Dec 1, 2014 20:08:08 GMT
Magier mit der Querflöte KONZERT Ian Anderson bietet das Beste von "Jethro Tull" 8-|TULL Link Ian Anderson, der Magier der Querflöte (links), mit Gitarrist Florian Opahle beim Konzert in der Rittal-Arena. (Foto: Lademann) Region Wetzlar 8-)Magician with the flute CONCERT Ian Anderson offers the best of "Jethro Tull" Wetzlar. He can do it yet - like a stork standing on one leg, play fantastic flute, the beat of rock music on stage herumstaksen as said Stork and dance like a dervish: Ian Anderson, the last remaining original member and permanent frontman founded in 1967 British Folk Rock band "Jethro Tull".
Ian Anderson, the magician of the flute (left), with guitarist Florian Opahle during his concert at the Rittal Arena. (Photo: Loading man)
Since there is no longer this, the 67-year-old virtuoso rock masterpiece comes from it, a loyal companions touring band under its own name. The (with seats) concert on Sunday at the Rittal Arena offered yet time for recaps: So were 1400 fans look forward to the re-hearing of the hits of "Jethro Tull".
Anderson turned back and the wheel of time in the history of his homeland. The first part of the concert was dedicated to his latest concept album "Homo Erraticus". Two of his alter ego came into play: In the movie on the video screen, the audience was moved to 1928. In a Swiss sanatorium doctors have patients Ernest T. Parritt (Anderson) sedated, the confused claimed after a riding accident to have witnessed the British history in past lives. But Parritt is too scratched, calls for Flute and whiskey to tell the people in front of the stage his experiences.
The allegedly processed Gerald Bostock, main character of the 2012 Anderson's concept album "Thick as a Brick 2", with Parritts manuscript lyrics. So Parritt grabs the flute from the bedside table and comes as a person Anderson on stage, surrounded by musicians in white coats. With folk rock sounds starts a history lesson in glacial "Doggerland", a former landmass between the British Isles and continental Europe, starts good 8000 years ago.
During a vagrant wandering on the canvas through time and changing images illustrate the events that sings Anderson - vocally and scenically supported by the young and charming singer Ryan O'Donnell - from the perspective of various historical characters.
A journey through the history of Britain and the best of the past at the end
As a blacksmith Iron Age, Christian monk or railway engineer, he sings, as the processing of iron has also paved the way of weapons production ("Heavy Metal"). To cultural influences through to the Americanization of the Company ("Enter the uninvited") is as much as to the worship of "saint" - whether Jesus or Che Guevara ("Puer Ferox Adventus").
The excerpt from "Homo Erraticus" resembled with its mix of word, song, music, the visual interaction and a musical concert liable. Friday Night Knitting Club, the text-heavy songs from the heard of "Jethro Tull" known sound from verschwurbeltem prog rock, folk and classical influences. Striking and not so easy to replace are the times delicate, sometimes wacky antics Anderson's flute. He is good. Only the vocals age has become a say more. Always on his toes supportively he seems to want to snap the high notes literally. Well, that O'Donnell is to the side.
And then the time with "Jethro Tull" up and mitgewachsenen fans had come: They greeted enthusiastically before the break, the classic "Too old to rock'n'roll, to young to die" and "Bourrée" (after Bach).
After that, the best of-round continues: But if "Living in the past", "Sweet Dream", "Songs from the wood" or "Aqualung" - a seated concert at "Jethro Tull" it would previously have probably not given. It was not until the closing "Locomotive Breath", fans gathered in front of the stage. And who "please sit down" because muttered, now reaped only a tired smile.
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Post by Deleted on Dec 2, 2014 14:11:54 GMT
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Post by Deleted on Dec 4, 2014 14:00:56 GMT
Google translate: www.rollingstone.de/reviews/alben/article668092/jethro-tull-war-child-the-40th-anniversary-theatre-edition.htmlJethro Tull 4 Stars War Child - The 40th Anniversary Theatre Edition Chrysalis Elegant re-release of energetic seventh Jethro Tull album 1974 had Jethro Tull, the band around flutist and singer Ian Anderson, for now fed up of over 40 minutes long songs. After "Thick as a Brick" and "A Passion Play", which have been successful, were misunderstood by critics and audiences, however, the British turned to shorter songs again on "War Child". Without a larger concept, however, was not from Anderson again, he wrote on the album Songs based, a screenplay for a black-humored movie should work on inter alia, John Cleese of Monty Python. However, it failed Anderson, producers gain for the strip, in which a young girl after her death on religious figures (God, St. Peter, Lucifer) is true, all of which are represented as torn areas. The idea of "War Child" bring out as a companion piece to the film and soundtrack album including a double, had died. The "40th Anniversary Edition Theatre" gathered on two CDs for the first time all present recordings from this time and can thus imagine how "War Child" was originally planned. With short, often straight songs, the original studio album is very reminiscent of the bluesy early phase of Jethro Tull. Since there is an entertaining title track and opener, the gorgeous Dadaist "Sealion" and the rocker "back-door Angels" with outstanding guitar solo by guitarist Martin Barre Tull. In between are the typical Anderson acoustic folky pieces. On "Aqualung" mostly only musical interludes, these are now grown on "War Child" to equal songs between all the hard tones. "Ladies" begins as a gentle ballad about, but ends with an interesting Waltz Part. "Skating Away On The Thin Ice Of New Day" is a picturesque folk number with wonderful allegories in the lyrics. By Jethro Tull for quite unusual instrumentation with saxophone, accordion and strings as well as experimenting with various sound effects, is "War Child" certainly one of the richest and most unusual albums in the discography of the band. The second CD finally provides deep, detailed insights into the archive. So come ten tastefully orchestrated classical numbers from the soundtrack to the film that never came. In addition to some B-sides and alternate work-in-progress versions, there are "What Today Tomorrow" and a differently arranged version of "War Child" three previously unreleased audio files to hear for the first time with "Good Godmother". Two DVD's filled to the brim with excellent successful Surround mixes of Porcupine Tree frontman Steven Wilson (who is also responsible for the new stereo mixes) round out the musical package. The oversized digipack includes top of that a 80-page booklet with an informative essay, track-by-track connotations of Ian Anderson, lyrics and rare photos. For fans of Jethro Tull a fantastic package that could well make Rediscovered this usually somewhat underrated album. We are giving away two copies of the special edition of "War Child - The 40th Anniversary Edition Theatre". Who wants a win it, send an e-mail with his name and address and the subject line "Tull" to gewinnen@rollingstone.de. Listen to War Child by Jethro Tull? ▶ Now at JUKE.
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Post by Deleted on Dec 5, 2014 20:37:12 GMT
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Post by Deleted on Feb 27, 2015 17:51:02 GMT
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Post by Tull50 on Feb 27, 2015 21:23:52 GMT
Little translation for Tull mention: Neil Young, Elastic Man. "Whitten was the head of Crazy Horse, essential for electrical apotheosis of Young ingredient. McDonough portrays them as inepts, musically limited, but doomed to follow the intuitions of Neil, who constantly test new studies and production methods. They are free to record on their own, but suggest that successive punctures are nothing without the genius of Young. And vice versa? McDonough is a believer in apocalyptic symbiosis of Canadian and friends Californians. Such is his fervor for Crazy Horse who refuses to interview other bands also backed Neil, from efficient Booker T. & The MG's to the grunge Pearl Jam, which seems that he viscerally hate ("Jethro Tull without flute" is his little description for Seattle's group)." I hope you will understand a little better than with Google. Any other doubt ask me.
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Post by Deleted on Feb 28, 2015 19:04:20 GMT
Little translation for Tull mention: Neil Young, Elastic Man. "Whitten was the head of Crazy Horse, essential for electrical apotheosis of Young ingredient. McDonough portrays them as inepts, musically limited, but doomed to follow the intuitions of Neil, who constantly test new studies and production methods. They are free to record on their own, but suggest that successive punctures are nothing without the genius of Young. And vice versa? McDonough is a believer in apocalyptic symbiosis of Canadian and friends Californians. Such is his fervor for Crazy Horse who refuses to interview other bands also backed Neil, from efficient Booker T. & The MG's to the grunge Pearl Jam, which seems that he viscerally hate ("Jethro Tull without flute" is his little description for Seattle's group)." I hope you will understand a little better than with Google. Any other doubt ask me. ?? apocalyptic symbiosis of Canadian and friends Californians. - ?? Bernie? Do you identify ??
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Post by steelmonkey on Feb 28, 2015 21:15:08 GMT
It's a shark tank out there.
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Post by Deleted on Feb 28, 2015 21:53:11 GMT
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Post by maddogfagin on Mar 1, 2015 9:52:00 GMT
Shifty looking characters but then I suppose it's all part of the marketing for the programme
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Post by Deleted on Apr 17, 2015 16:41:29 GMT
Ian Scott Anderson: "Piaccio a tutti, il rock è eterno" - di ANDREA MORANDIGoogle translate: Ian Scott Anderson: "I enjoy all the rock is eternal" The historic flutist of Jethro Tull offers a double feature: in the first part plays songs from his CD "Homo Erraticus", the second hit of the band Forty-four years after the release of Aqualung and splendor of the seventies, he is always there, with his flute and a backpack, ready for yet another tour. But Ian Scott Anderson, leader of Jethro Tull and a place in the Olympus of rock, do not ask to play the part of the legend, just can not. "I have prepared a show curated also from a visual standpoint, you'll see - explains, anticipating the concert tonight at Linear Ciak - A little 'experience at the bottom I have, no?". Stainless Scottish, born in 1947, Anderson will make a show divided in half: the first part with the pieces from the last disc, Homo Erraticus, lasecondaconlevecchie hit of his beloved Tull. There is a song that loves to sing more? "There are many, and most of the repertoire of Jethro Tull. If I had to pick unaalloradico Locomotive Breath. Perchée often last on the ladder and I know that six minutes later I'll be sitting in the dressing room, quiet, to have a beer fresh." He started playing over fifty years ago, the Blades, the first group of 1962. What does go on the stage today for her? "When I go to Russia or South America, and pull out the identity card from his jacket, over there it says that my profession is musician. So play for me is also a job. But it is a nice job, and always fun exciting, I wont change even with that of the Prime Minister. " In 47 years since the first album, "This Was", today at his concerts, there are, however, only nostalgic, but many young people are rediscovering the Jethro Tull. Why? "Well, there's still a lot of people who love Beethoven despite being dead for almost 200 years, no? In theory the great art, including music, should be eternal. No, I'm not too surprised to see young people at my concerts. Often then they are in the front row, while the older they are at the bottom, as close as possible to the bathroom. " What do you think of the music scene today? Better or worse than when it started? "Then there were still things to invent, to create, but today was done almost everything. The rock has evolutionary limits, can not change shape over time, then continues to be reworked, but eventually the ingredients remain similar. A bit 'like Oasis a few years ago, they were also a good group, but most of their arrangements were by the Beatles discography, was not original material. " What is your relationship with our country? "I've always loved the Italian public, with Spanish and South Americans are warm and passionate. One thing I do not understand though is how a people so vital, strong and passionate to eat boring food like pasta. We English, on the contrary, we are boring as people, but we have more food spicy, peppery, especially. When you are in the kitchen, for me the pasta is just a starting point, then I lay so many different ingredients that you do not would recognize. "
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Post by Deleted on Apr 28, 2015 17:57:14 GMT
Les mythiques studios d’Hérouville vont enfin revivreThe mythical Hérouville studios will finally revive Herouville. Castle Hérouville and equipped studios by composer Michel Magne film music will revive. Four of its professionals come to buy the site where were recorded mythical albums. (DR.)
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Post by Deleted on May 20, 2015 14:53:58 GMT
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