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Post by maddogfagin on Jun 13, 2020 12:25:29 GMT
Classical Flutist Reacts: Jethro Tull - My God (Isle of Wight 1970) 14,870 views•Jun 12, 2020 Heline
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Post by JTull 007 on Jun 14, 2020 0:53:18 GMT
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Post by JTull 007 on Jun 25, 2020 0:48:42 GMT
LINK The flute was an alternative to being a small fish in an increasingly large pool, filled with several great guitarists Scotsman Ian Anderson is one of the most charismatic figures in rock history. With his presence of stage and peculiar voice in front of the band Jethro Tull,
He was successful especially in the 70s, calling attention for playing the flute in his performances. However, his success as a vocalist stems from a weakness recognized by Ian himself: he wanted to be a guitarist, but he couldn't be as good as Eric Clapton, he said at the time. So he opted for the flute. The curious thing is that Anderson learned flute from Jethro Tull himself. He had never played the instrument. He says that the shows with the band were his way of studying the flute while performing at the same time.
This shortened the famous "learning curve". Ian Anderson teaches us two lessons to apply in sales: (1) take advantage of your weaknesses and position yourself differently from your peers and (2) learn by practicing, because there is no better school than being at the front of the market.
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Post by maddogfagin on Jun 30, 2020 6:18:58 GMT
Flutist Reacts: Flute solos by Genesis, Focus and Moody Blues 12,789 views•Jun 26, 2020 Heline
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Post by JTull 007 on Jul 10, 2020 0:20:41 GMT
Alexander Shkut Fb LINK "Russian dancer Princess Meshcherskaya, who disappeared without a trace in Paris".
(Published in a Russian magazine at the beginning of the twentieth century). So, question: Who was the first?
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Post by maddogfagin on Jul 12, 2020 6:43:46 GMT
www.amazon.com/Modern-Flute-Concept-Floten-Workshop-Flote/dp/3795745225Modern Flute Concept (German) Paperback – July 1, 2011 by Dirko Juchem (Author) [google translation ] Jazz, rock, blues, bossa - improvisation & solo play - phrasing - jazz flute-beatboxing - flute heroes. the introduction of the flute into rock music by Ian Anderson (Jethro Tull) in the 70s and currently the breathtaking success of the flute as a "beatboxing" instrument. With "Modern Flute Concept" an instrumental method appears for the first time, which introduces the advanced flutist extensively into popurl music. So that you get into the right groove with ben, all songs on the enclosed CD were recorded as playback by professional studio musicians. Contents: Welcome to CD play, timing, Intonation Phrasierungzeichen Your first flute solo Blue Note and Blues-Scale Flute Sound-Get your Sound The Dorian scale Swing-Phrasing Humming-the "Jethro Tull-Sound" The dominant 7 chord and the Mixolydian scale double tongue flutter tongue Bending Moll-7 and Dominant -7 Improvisation with Dorian and Mixolydian Fall Off major triad and the pentatonic scale The quarter triplet improvisation: Dorian, Mixo and major chord relationships Improvisation to scale chords Triple tongue Get The Blues! The correct handling of jazz melodies flute and beatboxing The first beatbox song Classic Goes Jazz-Flute-Beatboxing The daily warm-up The be-chords & scales There's something on the ears discography The Dominant 7 Chord and the Mixolydian Scale Double Tongue Flutter Tongue Bending Minor 7 and Dominant 7 Improvisation with Dorian and Mixolydian Fall Off major triad and the Pentatonic Scale The quarter triplet improvisation: Dorian, Mixo and major chord relationships Improvisation to scale-own
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Post by maddogfagin on Jul 15, 2020 6:26:37 GMT
www.kerrang.com/13 BANDS WHO’VE MADE USE OF UNUSUAL INSTRUMENTSSaxophones, kazoos, accordions and more! Here’s a baker’s dozen of bands implementing non-conventional instruments Words: Paul Travers ---------------------- BLOOD CEREMONY – FLUTE In terms of rock music, the flute is most commonly associated with beardy prog-folksters Jethro Tull. Canadian witch-rockers Blood Ceremony take the woodwind to spookier moonlit woods, making it an integral part of their fantastically horror and occult-obsessed blend of doom metal and psychedelic rock.
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Post by ash on Jul 15, 2020 15:20:48 GMT
Bohemian Rhapsody - Queen - Flute and Piano Cover
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Post by maddogfagin on Jul 19, 2020 6:24:45 GMT
Classical Flutist Reacts: Roland Kirk - Serenade to a Cuckoo WHAT'S THAT GOING IN HIS NOSE?! 4,514 views•Jul 17, 2020
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Post by JTull 007 on Jul 20, 2020 2:15:38 GMT
Classical Flutist Reacts: Roland Kirk - Serenade to a Cuckoo WHAT'S THAT GOING IN HIS NOSE?!4,514 views•Jul 17, 2020 OMG !!! A NOSE RECORDER !!!
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Post by maddogfagin on Aug 2, 2020 6:31:10 GMT
Flutist Reacts: Jethro Tull - Boris Dancing (live from 2004) 8,685 views•Jul 31, 2020
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Post by ash on Aug 2, 2020 9:34:45 GMT
Flutist Reacts: Jethro Tull - Boris Dancing (live from 2004)8,685 views•Jul 31, 2020 Yep Ian is the master of note bending (glissando). You need and open hole flute to do this guy's
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Post by bunkerfan on Aug 3, 2020 6:55:39 GMT
You need and open hole flute to do this guy's I'll just take your word for that then ash
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Post by ash on Aug 26, 2020 16:10:31 GMT
Some flute from...well you can see
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Post by JTull 007 on Sept 18, 2020 0:16:14 GMT
Flutist Reacts: In The Grip of Stronger Stuff It's so EXCITING to see how a younger flautist reacts to Ian Anderson !!!
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Post by ash on Sept 19, 2020 9:05:45 GMT
I replied to her page today with "Heline It's a India bamboo bansuri made by Patrick Olwell , wooden Irish flute maker USA.He no longer makes those so the ones out there are very sort after. Ian has a fondest for Indian music and used it a lot on the JT Album Roots to branches"
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Post by nonrabbit on Sept 20, 2020 18:52:05 GMT
I replied to her page today with "Heline It's a India bamboo bansuri made by Patrick Olwell , wooden Irish flute maker USA.He no longer makes those so the ones out there are very sort after. Ian has a fondest for Indian music and used it a lot on the JT Album Roots to branches"Did she get back to you?
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Post by ash on Sept 26, 2020 16:26:36 GMT
I replied to her page today with "Heline It's a India bamboo bansuri made by Patrick Olwell , wooden Irish flute maker USA.He no longer makes those so the ones out there are very sort after. Ian has a fondest for Indian music and used it a lot on the JT Album Roots to branches"Did she get back to you?
She liked my comment.
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Post by nonrabbit on Sept 27, 2020 12:35:30 GMT
Did she get back to you?
She liked my comment. As I did yours.
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Post by ash on Oct 2, 2020 12:20:02 GMT
Check out page 22 of the National Flute Association online docs. Learning by Doing : By Ian Andersonlink
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Post by maddogfagin on Oct 20, 2020 15:39:23 GMT
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Post by maddogfagin on Oct 30, 2020 13:23:28 GMT
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Post by maddogfagin on Oct 31, 2020 17:53:32 GMT
www.roughtrade.com/gb/anaconda/sympathy-for-the-madmanLabel Seelie Court Genre 60s & 70s Artist Anaconda Released 16/10/20 Catalogue Number SCLP003 Post Arcadium psychedelic folk masterpiece, lost since 1969, just one original acetate LP exists,valued at £7000+, the LP has an intense pagan mood and deals with themes of alienation, notably in Outsider, it sounds very similar to Comus with flutes, violins but replaces the insanity of Comus with dark folked out melancholia. Short at 24 mins. Quite possibly the finest prog-folk lp ever made, with songwriting and lead vocal by Miguel Sergides who crafted the psych LP masterpiece by Arcadium. Accomplished and meticulous prog folk genius.
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Post by maddogfagin on Nov 4, 2020 10:59:06 GMT
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Post by ash on Nov 5, 2020 10:59:34 GMT
I have that but mine is the copy with no photo.
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Post by orion12 on Nov 10, 2020 6:27:35 GMT
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Post by maddogfagin on Nov 11, 2020 14:58:13 GMT
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Post by maddogfagin on Nov 14, 2020 15:01:38 GMT
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Post by maddogfagin on Dec 18, 2020 12:21:05 GMT
www.theglobeandmail.com/Canadian collective Badge Époque Ensemble elegantly proves the flute can funkBRAD WHEELER PUBLISHED DECEMBER 17, 2020 UPDATED 12 HOURS AGO In 1976, the British art rock band Jethro Tull and its flute-wielding front man Ian Anderson did something usually reserved for Popes, Beatles and Miracle Mets. They played New York’s Shea Stadium. The mysterious pull of the Tull eventually faded, though, and flute rock has yet to regain high status. The flute’s cred suffered a deep blow in 2004 with the release of the Will Ferrell screwball comedy Anchorman: The Legend of Ron Burgundy. The fire-blowing “jazz flute” scene was a cruel lampooning of the mild-mannered reedless woodwind. It has taken time, but the flute is making headway in overcoming its ignominy in pop culture and contemporary music. Earlier this year, the twerking, singing, rapping flautist Lizzo picked up three Grammy Awards. The melodious fluttering has been sampled and looped in recent big songs by hip-hop stars Future and Drake. More discreetly, the flute is fadding among the indie music crowd. Toronto’s light-rocking Luka Kuplowsky employs serene sounds on his sublime new album Stardust. Overseas and further underground, Quarantena, the new LP of electronic soundscapes from British producer-flautist Tenderlonious, is often danceable. In its gentle way, the trill is back. If there is a leader in this movement to rescue the flute from irony, it would be Max Turnbull and his funk-soul time travellers Badge Époque Ensemble. The Toronto collective first gained notice last year with its inventive interpretation of the George Harrison-Eric Clapton classic rock chestnut The Badge. The sprawling stand-alone single featured congas, the clavinet and, front and centre, flautist Alia O’Brien. The Edmonton native replaced the melodic vocal line of the original with her instrument, later stretching out for an elegant extended solo. For his part, Turnbull doesn’t see himself as someone on any quixotic mission to rebuild the flute’s reputation. Though not proficient in the flute himself, some time ago he conceived of making a medieval folk album with the flute as the lead instrument. “I liken what I’m doing to painting, and the flute is a very expressive brush,” says Turnbull, who used to work under the avant rock persona and nom de plume Slim Twig. “It’s a voicing that can be meditative and reflective, or it can be very exuberant.” The new album from Badge Époque Ensemble is Self Help, a seven-track excursion into seventies-styled mystery rock, with elements of psychedelia, pop, baroque funk and jazzy experimentation. Where the band’s self-titled debut album from 2019 is all instrumental, the new LP adds vocalists (including U.S. Girls singer-songwriter and Turnbull’s wife, Meg Remy) on three tracks. If there is a leader in this movement to rescue the flute from irony, it would be Max Turnbull and his funk-soul time travellers Badge Époque Ensemble. Jethro Tull’s Anderson once told an interviewer that his daughter had wanted to play the saxophone, but he encouraged her to play the flute, because “I think we have one lying around somewhere.” Something similar happened to Badge flautist O’Brien. Hoping to play the sax in the school band, she was disappointed to find that all the spots for the charismatic instrument were snapped up already. “I think people see the saxophone as more exciting,” O’Brien says. “But when I began playing the flute, I quickly realized there’s a whole flute world out there to discover.” While Anderson and Jethro Tull were the most committed to the flute, they weren’t alone. Great moments in flute rock can be found in the canons of Curtis Mayfield, Genesis, the Moody Blues and British folk rock adventurers Traffic. The Badge roughly compares to a funkier, less pastoral Traffic. And while Turnbull is inspired by the seventies music scene, he resists the “retro music” label when applied to his band and doesn’t see his enthusiasm for the flute as a flashback fashion. “I think we’re living in a time now where music is at an ahistorical period,” he explains. “There’s an emulation of the ’70s, ’80s and ‘90s all happening at once, all vying for people’s attention.” Rather than a flute rock revival, then, what we’re experiencing is a continuing requiem for an underrated instrument. The next time instrumental solos are doled out, the guitarists, keyboardists and saxophonists should not be so presuming. The flautists have their hands up and something to say. Great moments in Flute Rock Jethro Tull’s Locomotive Breath: An excellent advertisement for the flute’s more percussive and gritty capabilities. Traffic’s Freedom Rider: From 1970′s John Barleycorn Must Die, Chris Wood’s extroverted solo makes Will Ferrell’s flute-based shenanigans in Anchorman look understated in comparison. Canned Heat’s Going Up the Country: The flute, sounding like the meadow-set flight of an unconcerned butterfly. Heart’s Crazy on You: Bet you didn’t know guitarist Ann Wilson could play the flute. Jefferson Airplane’s Comin’ Back to Me: According to singer Marty Balin, the haunting Surrealistic Pillow classic was created under the influence of “primo-grade marijuana.” Very believable. Chicago’s Colour My World: Walter Parazaider performs the frilly solo, the ultimate in middle-school slow-dance accompaniment at the turn of the seventies. Curtis Mayfield’s Freddie’s Dead: From the 1972 Super Fly soundtrack, the flute has never been funkier. link
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Post by maddogfagin on Jan 1, 2021 7:42:17 GMT
Rhayader · Camel
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