Super-High Quality Sound Listening For Everyone, is here
Jan 7, 2015 19:47:06 GMT
maddogfagin and JTull 007 like this
Post by futureshock on Jan 7, 2015 19:47:06 GMT
What happens when EVERYONE realizes they can get audio quality levels 10x, maybe 100x higher (or even far higher!), than that of MP3s or CD quality? People will expect it, demand it, it's going to shock them, pleasure them, evolve upwards what they expect out of music, why and how they listen to it, make them listen to more of it, alter how music artists think should be involved in the music creation and recording process. Previous releases that can be resampled at far higher rates, it will be demanded of "favorites". Alterations will be made to playing devices, listening will become a higher priority, demands on headphones and speakers of all kinds, listening environment setup and protection, the pure joy of music will become more of a focus.
I've recorded music and know the difference between 24/96, and then the lower sound qualities involved in CDs and even lower quality at MP3. Imagine recording at 32/192 and knowing the marketplace expects that, you're going to rethink what you can develop in music in order to make maximum use of that cosmic volume of audio quality, the spaciousness, relentless detail, capacity to involve mixing tones of all kinds at any level before washout and blurring happens, the entire composition and music/vocal creative field becomes revolutionary. Subtle elements become far more important. Harmony (of notes and instruments) becomes a field far more capable when combining things is not threatened by the limitations of so much compression and fuzzing of the music canvas and experience.
There have been a few major revolutions in music, such as going from 78 players with heavy thick needles, to the stereo record, bigger vinyl for bigger grooves, and the smaller, far lighter needle/arm system. Then came CDs, which immediately dropped audio quality in resolution, but improved audio by preventing scratches. But with CDs also came the issue of digital to analog conversion limits, sampling limits, file size and transfer limitations, compression causing fuzzing of the signal and loss of lots of subtle audio components. Then MP3s took the CD problems, magnified the loss in audio quality, but allowed portability, which was in a way a major gain, by ridding us of the problems involved with tape and CDs (taped audio lost quality with almost every play, relied on lots of mechanical parts which is where most of the electricity was drained.)
Watch this. First on the market, the testimonials are heavy duty, and surely other companies will follow. I want to hear MORE MORE MORE MORE MORE of this.
vimeo.com/90088183
I've recorded music and know the difference between 24/96, and then the lower sound qualities involved in CDs and even lower quality at MP3. Imagine recording at 32/192 and knowing the marketplace expects that, you're going to rethink what you can develop in music in order to make maximum use of that cosmic volume of audio quality, the spaciousness, relentless detail, capacity to involve mixing tones of all kinds at any level before washout and blurring happens, the entire composition and music/vocal creative field becomes revolutionary. Subtle elements become far more important. Harmony (of notes and instruments) becomes a field far more capable when combining things is not threatened by the limitations of so much compression and fuzzing of the music canvas and experience.
There have been a few major revolutions in music, such as going from 78 players with heavy thick needles, to the stereo record, bigger vinyl for bigger grooves, and the smaller, far lighter needle/arm system. Then came CDs, which immediately dropped audio quality in resolution, but improved audio by preventing scratches. But with CDs also came the issue of digital to analog conversion limits, sampling limits, file size and transfer limitations, compression causing fuzzing of the signal and loss of lots of subtle audio components. Then MP3s took the CD problems, magnified the loss in audio quality, but allowed portability, which was in a way a major gain, by ridding us of the problems involved with tape and CDs (taped audio lost quality with almost every play, relied on lots of mechanical parts which is where most of the electricity was drained.)
Watch this. First on the market, the testimonials are heavy duty, and surely other companies will follow. I want to hear MORE MORE MORE MORE MORE of this.
vimeo.com/90088183