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Post by bassackwards on Oct 25, 2018 5:24:23 GMT
As far as I'm aware the first Mrs Anderson gets royalties and a credit on the various releases. I'm sure that is the case MD....just seems ironic that the biggest track in the Tull cat was not (lyrically) wholly his......quite astonishing really don't you think. And… No flute!
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Post by maddogfagin on Oct 25, 2018 15:36:03 GMT
I'm sure that is the case MD....just seems ironic that the biggest track in the Tull cat was not (lyrically) wholly his......quite astonishing really don't you think. And… No flute! Yes quite ironic but I reckon he'd decided to keep quiet in case he or Jennie got sued by the Aqualung company for royalties
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Post by smint100 on Nov 14, 2021 15:37:27 GMT
Ah yes, I remember my first Tull as though it were only yesterday . . .
In fact, it was October 1983 in a rather damp house in Southsea where I'd just started my degree in Biomolecular Science at Portsmouth Poly. I knew a guy who was already there and it was he who introduced me to Tull (along with many other things) via Songs From the Wood and The Broadsword and the Beast, both of which played into my long-standing interest in the medieval. They remain two of my favourite albums and bring back that sense of freedom of living away from home for the first time.
For me, JT/IA more than any other group, brings back very specific memories. We've had our differences of opinion over the years, but the highlights of their (still growing) catalogue trump pretty much everything else (although I reserve a special place in my life for my first single - Remember You're a Womble)
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