|
Post by steelmonkey on May 6, 2013 23:39:14 GMT
I remember those happy, early days...boy did the titles mix me up.. My first 3 Tull albums: Brick, LITP then Aqualung... I filled in the earlier records while waiting for A Passion Play. My then earnings allowed me about one record album a week...imagine my surprises: Benefit was not the rest of the benefit concert hinted at on LITP. Stand Up was not live either ( sounds like a title for a live album, no?) and This Was was not a retrospective...rather a first offering.
|
|
hipflaskandy
Journeyman
OK - this was a while back!
Posts: 223
|
Post by hipflaskandy on May 7, 2013 8:31:15 GMT
Love 'Stand Up' - treasure my vinyl copy! - play my CD version often. Deffo in my top five Tull fave albums ever! I too, place 'Benefit' slightly above it, though it's a real close call!
|
|
|
Post by elberto on Oct 6, 2013 18:45:46 GMT
Any chance to see a new vinyl edition just like the recent collector's editions of TAAB, Aqualung and Benefit?
|
|
|
Post by journeyman on Oct 13, 2013 8:41:23 GMT
When vinyl record shopping (which I do much less often than I used to) I was surprised to see half of the Stand Up albums had the pop-up fold out ripped out of them.
Much like most TAAB albums had the connect-the-dots filled in...
|
|
|
Post by maddogfagin on Nov 23, 2013 17:39:58 GMT
To celebrate this 1,000 Number ones: A chart historywww.bbc.co.uk/news/entertainment-arts-24989044Last Sunday, Lady Gaga scored the 999th UK number one album, with her brazen pop opus ARTPOP. Early sales figures suggest she'll be replaced at the chart summit on Sunday with Robbie Williams and Jake Bugg the early contenders for the 1,000th number one. As the landmark approaches, we look at the records that paved the way, starting with the UK's first ever chart topper, in 1956.I thought I'd find the charts for 1969 here in Blighty and celebrate Stand Up. 9 August 1969 1 Jethro Tull; Stand up 2 Jim Reeves; According to my heart 3 Soundtrack; 2001 space odyssey 4 Ray Conniff ;His orchestra his chorus his singers his sound 5 Elvis Presley; Flaming star 6 Tom Jones; This is Tom Jones 7 Massed Welsh Choirs; Cymansa 8 Val Doonican; World of Val Doonican 9 Glenn Miller; Best of Glenn Miller 10 Moody Blues; On the threshhold of a dream 16 August 1969 1 Jethro Tull; Stand up 2 Jim Reeves; According to my heart 3 Elvis Presley; Flaming star 4 Ray Conniff; His orchestra his chorus his singers his sound 5 Val Doonican; World of Val Doonican 6 Soundtrack; 2001 space odyssey 7 Massed Welsh Choirs; Cymansa 8 Tom Jones; This is Tom Jones 9 Blodwyn Pig; Ahead rings out 10 Soundtrack; Oliver 23 August 1969 1 Jethro Tull; Stand up 2 Elvis Presley; From Elvis in Memphis 3 Jim Reeves; According to my heart 4 Ray Conniff; His orchestra his chorus his singers his sound 5 Massed Welsh Choirs; Cymansa 6 Val Doonican ;World of Val Doonican 7 Soundtrack; 2001 space odyssey 8 Mantovani; World of Mantovani 9 Elvis Presley; Flaming star 10 Soundtrack; Sound of music 30 August 1969 1 Elvis Presley; From Elvis in Memphis 2 Jethro Tull; Stand up 3 Jim Reeves; According to my heart 4 Val Doonican; World of Val Doonican 5 Ray Conniff; His orchestra his chorus his singers his sound 6 Elvis Presley; Flaming star 7 Mantovani; World of Mantovani 8 London cast; Hair 9 Soundtrack; Oliver 10 Tom Jones; This is Tom Jones 6 September 1969 1 Jethro Tull; Stand up 2 Elvis Presley; From Elvis in Memphis 3 Jim Reeves; According to my heart 4 Ray Conniff; His orchestra his chorus his singers his sound 5 Johnny Cash; Johnny Cash at San Quentin 6 Mantovani; World of Mantovani 7 Val Doonican; World of Val Doonican 8 Soundtrack; Oliver 9 Elvis Presley; Flaming star 10 Seekers; Best of the Seekers 13 September 1969 1 Jethro Tull;Stand up 2 Val Doonican; World of Val Doonican 3 Jim Reeves; According to my heart 4 Soundtrack; Oliver 5 Johnny Cash; Johnny Cash at San Quentin 6 Elvis Presley; From Elvis in Memphis 7 Ray Conniff; His orchestra his chorus his singers his sound 8 Mantovani; World of Mantovani 9 Various; World of hits vol 2 10 Nice; Nice 20 September 1969 1 Blind Faith; Blind Faith 2 Bob Dylan; Nashville skyline 3 Nice; Nice 4 Jethro Tull;Stand up 5 Johnny Cash;Johnny Cash at San Quentin 6 Soundtrack;Oliver 7 Val Doonican; World of Val Doonican 8 Gene Pitney; Best of Gene Pitney 9 Elvis Presley; From Elvis in Memphis 10 Ray Conniff; His orchestra his chorus his singers his sound 27 September 1969 1 Blind Faith; Blind Faith 2 Johnny Cash; Johnny Cash at San Quentin 3 Jim Reeves; According to my heart 4 Rolling Stones; Through the past darkly 5 Ray Conniff; His orchestra his chorus his singers his sound 6 Val Doonican; World of Val Doonican 7 Various; World of hits vol 2 8 Bob Dylan; Nashville skyline 9 Jethro Tull; Stand up 10 Seekers; Best of the Seekers
|
|
|
Post by maddogfagin on Aug 2, 2014 7:55:31 GMT
45 Years Ago: Jethro Tull Comes Into Its Own with ‘Stand Up’by Eduardo Rivadavia August 1, 2014 10:02 AMultimateclassicrock.com/jethro-tull-stand-up/Through it’s not their first album — that would be ‘This Was,’ from the year before — ‘Stand Up’ represents the moment when Jethro Tull was born. Released on Aug. 1, 1969, this project found Ian Anderson molding the band’s sound to reflect his personal, highly original and idiosyncratic musical vision. Before, Anderson had collaborated more extensively with now-departed guitarist Mick Abrahams on ‘This Was,’ and even had a brief partnership with Black Sabbath guitarist Tony Iommi, in early ’69. As Anderson began to fully assert his leadership, however, Jethro Tull headed down the path towards progressive rock greatness. Indeed, a single listen to ‘Stand Up’ is enough to marvel at its confident eclecticism, one that saw Anderson taking inspiration from numerous sources: Led Zeppelin for the post-blues heavy rock riff-crunch of ‘A New Day Yesterday,’ ‘Nothing is Easy’ and ‘For a Thousand Mothers’; Roy Harper for the eccentric folk stylings of ‘Look into the Sun’ and ‘Fat Man’; and everything at once on ‘Back to the Family’ and ‘We Used to Know.’ Elsewhere, there were even more exotic experiments in classical (the beautifully scored ‘Reasons for Waiting’; Bach’s rearranged ‘Bouree’) and world music (see ‘Jeffrey Goes to Leicester Square,’ where Anderson plays a Russian ‘Balalaika’). New guitarist Martin Barre, who’d eventually become the only consistent member of Jethro Tull’s ever-evolving lineups over the years, joined a standing rhythm section of Glenn Cornick and Clive Bunker in creating this whirlwind of sound. Through it all, the only consistent threads were Anderson’s quirky, elliptical lyrics, distinctive vocal affectations (worlds away from his tentative croon on ‘This Was’) and, of course, his ever-more present flute — which soon became a signature part of the Jethro Tull legend. Fans responded, sending Jethro Tull to the top of the U.K.’s album charts for the first time. ‘Stand Up’ also reached the American Top 20, signalling a new era of creativity and success. Seven straight Tull albums, beginning with this one, would reach at least gold-selling status in the U.S.
|
|
|
Post by maddogfagin on Sept 26, 2014 8:58:30 GMT
|
|
Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Oct 10, 2014 15:22:03 GMT
Interpolation (Replayed Sample) of Multiple Elements Jethro Tull Bourée from Stand Up - Island 1969 Johann Sebastian Bach's Bouree in E Minor - Johann Sebastian Bach Bouree in E Minor - Not on Label 1707 www.whosampled.com/sample/99733/Jethro-Tull-Bour%C3%A9e-Johann-Sebastian-Bach-Bouree-in-E-Minor/ Other songs that sampled Johann Sebastian Bach's Bouree in E Minor: Heartbreaker (Live 1971) by Led Zeppelin (1997) Classico by Tenacious D (2006) Rock Your Socks by Tenacious D (2001) Drivin' Bachwards by Bakerloo (1969) Sample chain found! Songs that sampled Jethro Tull's Bourée: Daughter of the Sun by Blood Ceremony (2011)
|
|
|
Post by nonrabbit on Dec 8, 2014 10:24:38 GMT
The very very first advert for Stand Up found in a weird - very weird underground magazine (see if you can guess) which is now online - more later got to dash .......to feckin work i57.images obliterated by tinypic/i4jsr8.jpg[/IMG] got even more excited when I saw an advert for an interview in the 1969 issues with Ian Anderson turned out - yes you guessed the other Ian - he even had a band doing Blues music then too.
|
|
sherwood
Prentice Jack
" And when I am called by my right name, i am Guy of Good Gisbourne"
Posts: 14
|
Post by sherwood on May 14, 2015 19:33:55 GMT
After purchasing Songs From the Wood,this sixteen year old spotty freak,(the year being 1981)I decided to further my education of all things Tull,by spending my hard earned weekend job cash on the wonderful gatefolded record of Tull's Stand Up,that was proudly on display in my local store. The owner,Kev,was a Jethro Tull fan;a big fan!It was he who recommended me to start with Songs From The Wood (a nice beginning i think!)."Try Stand Up next",he said."It's very different from Songs From The Wood!.Very bluesy.I know you'll like it!"That was an understatement!It blew me away!Thirty-odd years later it's still the one Jethro Tull album that I repeatidly go back to!It's my no.1Jethro Tull album,and contains my no.1 Jethro Tull track,which is We Used To Know.10/10.No equal.
|
|
|
Post by elberto on Oct 18, 2015 9:07:21 GMT
From Steven Wilson Remixes Facebook Page: www.facebook.com/swremixes?fref=nf"While not confirmed, it's most likely the next Tull project will be to stop at 1976 for now, and go back to 1969 to remix the band's second album Stand Up."
|
|
|
Post by maddogfagin on Oct 18, 2015 9:09:28 GMT
From Steven Wilson Remixes Facebook Page: www.facebook.com/swremixes?fref=nf"While not confirmed, it's most likely the next Tull project will be to stop at 1976 for now, and go back to 1969 to remix the band's second album Stand Up." Now that is good news. Thanks for posting elberto
|
|
|
Post by schubertmachiavelli on Oct 18, 2015 9:09:18 GMT
Apologies if this has gone up elsewhere, but it appeared on my FB feed this morning. A progress report from Mr Wilson regarding the remix/reissure programme: <a href=" <script>(function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_GB/sdk.js#xfbml=1&version=v2.3"; fjs.parentNode.insertBefore(js, fjs);}(document, 'script', 'facebook-jssdk'));</script> ">link</a> www.facebook.com/swremixes?fref=nfStand Up's time in the sun is due! Songs From The Wood postponed (although we know it's in the pipeline, don't we?)
|
|
1971roadrunner
Prentice Jack
I got a toothache, going to see Dr. Bogenbroom.....I'm on my way 3 cheers for Dr. Bogenbroom!
Posts: 44
|
Post by 1971roadrunner on Nov 16, 2015 13:19:36 GMT
Found 2 of these albums in the TRASH...what ails people to throw this thing of beauty in the garbage??!!!
|
|
1971roadrunner
Prentice Jack
I got a toothache, going to see Dr. Bogenbroom.....I'm on my way 3 cheers for Dr. Bogenbroom!
Posts: 44
|
Post by 1971roadrunner on Nov 16, 2015 14:28:55 GMT
Is it just me who gets a little choked up at Reasons for Waiting? I have no idea why. It's such a beautiful tune, they just dont make 'em like this anymore.
|
|
|
Post by maddogfagin on Jan 26, 2016 14:50:22 GMT
whiplash.net/01.26.16 | Reviews of CDs and DVDs | Jethro Tull | + Jethro Tull: The beginning of a new phase of the bandReview - Stand Up - Jethro Tull By richely fields The text is the author's opinion, not the Whiplash.Net or editors. whiplash.net/materias/cds/237479-jethrotull.htmlI was strolling at the mall in Belo Horizonte-MG, when an intermittent sound had gathered in the environment, something splendid, coming from inside a record store, the band regaled my ears with good music doses was amazing JETHRO TULL and its the legendary song "THICK AS A BRICK" I entered the room and immediately asked the attendant album "THICK AS A BRICK" and even said he was exhausted. The sound influenced me to want to buy another album of JETHRO TULL and found some I've ever had including the "AQUALUNG" essential disc for rock history, the most important of the band, the first "THIS WAS" sound taken from Blues "WAR CHILD" very good, looks like a movie soundtrack, mixing circus themes with the war and that was when the counter was surprised by the album "STAND UP" until the moment unknown to me, the attendant came and said, knew this disc is the first with guitarist MARTIN BARRE, ready'll take! The first song on the album follows the bluseira line "THIS WAS" excellent "A NEW DAY YESTERDAY", with more dynamism and a great entry riff. "JEFRREY GOES TO LEICESTER SQUARE" excellent introduction, a transcendental song. "Bourée" based on the composition of "J.SEBASTIAN BACH" and arrangements of the band starts with a line down spectacular and for the full field of Flute "IAN ANDERSON". "BACK TO THE FAMILY" has the same essence of the disc slot, perfect and this is lysergic vocals. "LOOK INTO THE SUN" the guitar expresses the catharsis of the soul and the senses of perception, soon enters the music, there completely perfect. The preferred album. "NOTHING IS EASY" logic is the reason, so we are disc musical ode, guitar, flute, drums and bass crashing all, demonstrating the power of the instruments. "FAT MAN" open space take all classroom objects, because everyone, even those who purses his forehead, will DANCE. Blame it on CLIVE BUNKER and IAN ANDERSON, very cool music. "WE USED TO KNOW" the guitar back to give the air of grace, this music now more than corpolenta "LOOK INTO THE SUN" MARTIN BARRE flawless in his solos, solidifying his debut with refinement. "REASONS FOR WAITING" this folk ballad comes down to how much this band lives up to the title of big band of rock, at the end of the second part of the rhythmic change is superlative in addition to the orchestral arrangements in Part Three masterful. "A THOUSAND FOR MOTHERS" hard rock takes over finalizing this magnanimous album. We see the beginning of a new phase of the band and an audible primordia of what was yet to come, the classic AQUALUNG. Just to highlight, then I bought the album "THICK AS A BRICK" and he came with a newspaper. sh.Net.Rocksite on Facebook
|
|
|
Post by nonrabbit on Mar 5, 2016 18:19:00 GMT
I'm a bit confused. According to wiki or however wrote it (couldn't find anything elsewhere) it says this about the cover art; " The design of the album started with a visit to New Haven, Connecticut, during a concert tour in late February 1969. Under the direction of producer Terry Ellis, the band met a woodcarver named James Grashow who followed them for a week in order to properly represent them in wood. The resulting gatefold album cover, in a woodcut style designed by Grashow, originally opened up like a children's pop-up book, so that a cut-out of the band's personnel stood up—evoking the album's title. Stand Up won New Musical Express's award for best album artwork in 1969." However when I was reading Graham's post, Neil Smith's name came up and I found this in Tullpress dated 1969 ( the drawing might be earlier)- a cartoon caption drawn by Neil Smith - I think it looks similar or did everyone draw groovy pics that way then? If he copied Grashow and the drawing was done after the album cover, then it was a pretty good copy. i68.images obliterated by tinypic/bge4d1.gif[/IMG] Anyone able to tell Miss Marple that she's wandering down the wrong road?
|
|
|
Post by nonrabbit on Mar 5, 2016 18:43:53 GMT
It's a day of confusion between bits of songs and album art. Here is more work by James Grashow The Yardbirds Live i65.images obliterated by tinypic/1z5r7up.jpg[/IMG] Artwork i63.images obliterated by tinypic/2ywzcpd.jpg[/IMG] website jamesgrashow.com/index.cfmLooks like Neil Smith probably copied it from the original?
|
|
|
Post by JTull 007 on Mar 5, 2016 21:25:35 GMT
It's a day of confusion between bits of songs and album art. Here is more work by James Grashow website jamesgrashow.com/index.cfmLooks like Neil Smith probably copied it from the original? That makes sense. There may be some who were inspired to re-create the style for special reasons.
|
|
|
Post by nonrabbit on May 27, 2016 13:07:27 GMT
Goes without saying in Tullworld but nevertheless might be worth an explanation for the lucky newbie music aficionado who picks up a copy of Stand Up for the first time that the lyrics of the songs beautifully and accurately reflect what was happening to Ian (and the others) around that time. 1969 – just moved to the exciting and swinging capital city from the provincial small town and the comfort of home and a decent meal on the table. Although London was an exciting place to be then – it came at a cost both emotionally and financially. Well at the start anyway! Little snippets of the lyrics reveal this and some require an explanation for those who weren’t around then or lived in more ‘exotic’ places. We Used To Know Remembering mornings, shillings spent Made no sense to leave the bedElectricity was paid via a meter usually kept in the Hallway. The coinage used was a shiny shilling. i68.images obliterated by tinypic/j8gyl0.png[/IMG] Here's a one minute video of Tony Hancock who plays an amateur radio enthusiast who receives a mayday call from a yachtsman in distress and has to 'feed the meter' I reckon the wallpaper and the curtains would have been the same as Ian's bedsit. www.bbc.co.uk/programmes/p007vf8m
|
|
|
Post by maddogfagin on May 27, 2016 14:23:02 GMT
I'm always reminded of this verse from Jeffrey Goes To Leicester Square when ever I hear or see someone on TV being used as an expert witness and stating "the bloody obvious" on some kind of TV news programme. It also applies to all the frauds on TV, usually bit part actors and actresses passing themselves off as expert cooks - you can tell them a mile off by their smug smiles and insincere looks to camera as if to say "you mean you've never cooked custard this good ?" I guess you know who I'm talking about, especially if you live in the UK "Bright city woman Where did you learn all the things you say? You listen to the newsmen on TV You may fool yourself but you don't fool me I'll see you in another place, another time You may be someone's, but you won't be mine"
|
|
|
Post by nonrabbit on Jun 1, 2016 14:39:46 GMT
Referring to our mystery of the album cover, the woodcutter and Neil Smith's drawings it would appear that Neil did indeed copy from the original woodcutters work. The woodcutter in question was a chap named James Grashow whom the band met in New Haven while on tour in 1969. The bands manager,the dashing Mr Ellis contacted the woodcutter one dark night at his cottage in the woods. He instructed the woodcutter/artist to fashion the album cover from a log that Mr Ellis had found by the side of the highway in order to create the album cover. It's rumoured that the sum of three American dollars changed hands that night. i68.images obliterated by tinypic/17bqq9.jpg[/IMG] There is something that may or may not be common knowledge among Tull fans and is rather odd. Ian's character on the cover has an extra finger - useful for a flute player. i68.images obliterated by tinypic/2ivo112.jpg[/IMG] en.wikipedia.org/wiki/James_Grashow
|
|
|
Post by jackinthegreen on Jun 1, 2016 22:19:31 GMT
One of the best album covers ever, I have the original of course, because I am an old git, but it is very much the worse for wear, but I have the tapestry...... ......in mint condition.... The original album cover design is just superb, and the guy should have been well rewarded.....
|
|
|
Post by maddogfagin on Jun 2, 2016 8:08:17 GMT
One of the best album covers ever, I have the original of course, because I am an old git, but it is very much the worse for wear, but I have the tapestry...... ......in mint condition.... The original album cover design is just superb, and the guy should have been well rewarded..... A worthy companion piece to the Stand Up cover - the US songbook for This Was and Stand Up.
|
|
|
Post by rockodyssey on Jun 15, 2016 17:01:54 GMT
Post #2 from my Tull Odyssey:
STAND UP (1969)
One of my goals with these posts is to answer some of the questions that I've always had about music I love, but have never been bothered to investigate. So Stand Up, sends me to the intellectual scratching post that is the internet to relive the itch of "What is a bourée?". My guess would have been some exotic dish, probably prepared in a pestle and mortar, but it is much simpler than that, it is a gavotte-like dance and Anderson's instrumental here is a version of Bach's E Minor Bourée which was originally written for the lute. It's quite telling that Anderson was openly taking inspiration from classical music and traditional instruments. His version on the flute is compelling, and he's unafraid to improvise a rock song out of it. For this album Abrahams had been replaced by Martin Barre, who carried on throughout the rest of Tull's career. I was going to claim that that made This Was something of a false start, and maybe this is the first Jethro Tull Album, but This Was is a good album and tells you lots about where Anderson was coming from. The blues framework is now overlaid with lots of heavier rock sounds. I think the thing that grabbed me about Jethro Tull when I first heard them was that they seemed to define that time on the cusp of the sixties and seventies better than anyone else. I'm of an age where I was a very small child at that time, so my memory and experience of what was going on in the world was drawn in very broad strokes. Hearing 'Folk rock' later in life pushed buttons for me and evoked shabby young men with beards, pottery, macramé and brown décor, which is what the late sixties and early seventies in Britain was all about wasn't it? Jethro Tull always had a ribaldry about them too. Here it's 'Fat Man', which today would probably be banned, or at least cause a minor twitterstorm (which is worse) for being insensitive to the obese. Anderson's view is that fat men are stereotyped as being "just good fun" and are not able to get a woman, he'd rather be a thin man thanks. It's a great song and even The Beatles could have learned something about effective use of Indian instruments in a rock context. Spotify includes 'Sweet Dream' (and loads more) which was a single but not on the album and carries a fair amount of menace. The artwork on this is great too. It looks like it has been drawn by Maurice Sendak and was indeed intended to have the look of a children's book, with some kind of complex pop-up arrangement going on I believe (so that the band would 'Stand Up'). Also, another one that could be coloured in during a boring Webex meeting on a Wednesday afternoon.
|
|
argentull
Journeyman
Live Detective
Posts: 239
|
Post by argentull on Jul 19, 2016 13:13:34 GMT
Remixed Stand Up withg nice extras comming out in Oct/Nov courtesy of SW and IA!
|
|
|
Post by schubertmachiavelli on Aug 24, 2016 15:28:18 GMT
…and here's your first glimpse of it. The Elevated Edition. www.levykauppax.fi/dvd/jethro_tull/stand_up/CD 1 (All stereo remixes by Steven Wilson) 1- A New Day Yesterday 2- Jeffrey Goes To Leicester Square 3- Bouree 4- Back To The Family 5- Look Into The Sun 6- Nothing Is Easy 7- Fat Man 8- We Used To Know 9- Reasons For Waiting 10- For A Thousand Mothers Associated Recordings 11- Living In The Past 12- Driving Song 13- Bouree (Morgan version) Previously unreleased Original 1969 stereo single mixes Only released in Japan and on a US FM radio promo 14- Living In The Past stereo) 15- Driving Song (stereo) BBC Sessions Mono, previously released on the 2010 Collector’s Edition 16- A New Day Yesterday 17- Fat Man 18- Nothing Is Easy 19- Bouree CD 2: Live at The Stockholm Konserthuset 9th January 1969 1- Introduction 2- My Sunday Feeling 3- Martin’s Tune 4- To Be Sad Is A Mad Way To Be 5- Back To The Family 6- Dharma For One 7- Nothing Is Easy 8- A Song For Jeffrey 9- To Be Sad Is A Mad Way To Be First show version – different lyrics Original 1969 mono single mixes 10- Living In The Past (mono) 11- Driving Song (mono) Radio Spots Previously released on the 2010 Collector’s Edition 12- Stand Up Radio spot # 1 13- Stand Up Radio spot # 2 DVD (Audio & Video) 1- Steven Wilson remixes in 96/24 PCM stereo and DD/DTS 5.1 surround 2- 96/24 flat transfer of Stand Up original stereo master tapes from 5th June 1969 3- 96/24 flat transfer of original 1969 mono & stereo mixes of Living In The Past & Driving Song Video footage from Stockholm 1969 To Be Sad Is A Mad Way To Be Back To The Family
|
|
|
Post by jimtheoldbie on Aug 25, 2016 2:39:22 GMT
Wonderful news! Stand Up was the very first LP I ever purchased as a lad (with paper route money, heh), so it has a special place in my heart. Can't wait to hear the 5.1 surround mixes - I've greatly enjoyed Steve Wilson's other efforts.
Great forum by the way.
- Jim
|
|
|
Post by maddogfagin on Aug 25, 2016 7:38:04 GMT
Wonderful news! Stand Up was the very first LP I ever purchased as a lad (with paper route money, heh), so it has a special place in my heart. Can't wait to hear the 5.1 surround mixes - I've greatly enjoyed Steve Wilson's other efforts. Great forum by the way. - Jim Thanks Jim. Those were the days when you walked into a record shop, bought the lp or single you were after and also ended up with a few others which you saw in passing. Buying vinyl with paper money with the records in racks etc - great days. Hello from all of us here at the Forum btw.
|
|
|
Post by maddogfagin on Aug 25, 2016 7:56:44 GMT
…and here's your first glimpse of it. The Elevated Edition. www.levykauppax.fi/dvd/jethro_tull/stand_up/Original 1969 stereo single mixes Only released in Japan and on a US FM radio promo 14- Living In The Past stereo) 15- Driving Song (stereo) Interesting to know if the above stereo promo mixes were taken from master tapes or dubbed from vinyl copies of the original single. In the vinyl form it's quite a rare record and seldom comes up for auction on ebay (other auction sites are available)
|
|