Post by tullist on Jan 28, 2012 18:21:01 GMT
sfist.com/2012/01/09/golden_gate_bridge_to_be_turned_int.php
This is something far out that I posted on Facebook yesterday. Really like that bit the paraphrasing goes no longer a hippie agitator to be arrested and taken away in handcuffs as apparently occured on 2 prior, doubtlessly less orchestrated attempts in the 60's and 70's, but now a hippie ICON. And as some of us, Bernie, know, the wind is pretty much always blowin like a mf up there, feels like gale force, probably because it is.
Here is something I also posted on Facebook of some relation off a wonderful album Jan Garbarek did in 77 called Dis which features a wind harp set high above the North Sea in Norway in a spot where "the wind shall blow forever more o" He plays his wood flute, tenor and soprano saxes on there with his Scandnavian ice tone, and, its pretty cool and very well recorded. My 35 y.o. ECM vinyl still sounds nearly new and full bodied.
youtu.be/meCGD1FPL-o
Still more points for the incredible institution that is the Grateful Dead. Forever "searching for the sound". My god the places on this planet Mickey has gone on his field trips taping the oddest $h1t in the world for years. And when I think of that guy the Dead used to waltz out between sets in 73-5, including the Wall of Sound year, Ned Lagin was his name, some MIT electronics wizard, for a sonic assault with the band that would have made Hawkwind and other space or kraut rockers of the time seem like grade school. I will bet a few Suzie Creamcheeses on acid got a good scare, definitely not the friendly everybody's pal Grateful Dead. But yeah, then they might have opened the second set with some cowboy tune. And it always made sense. Sort of.
This is something far out that I posted on Facebook yesterday. Really like that bit the paraphrasing goes no longer a hippie agitator to be arrested and taken away in handcuffs as apparently occured on 2 prior, doubtlessly less orchestrated attempts in the 60's and 70's, but now a hippie ICON. And as some of us, Bernie, know, the wind is pretty much always blowin like a mf up there, feels like gale force, probably because it is.
Here is something I also posted on Facebook of some relation off a wonderful album Jan Garbarek did in 77 called Dis which features a wind harp set high above the North Sea in Norway in a spot where "the wind shall blow forever more o" He plays his wood flute, tenor and soprano saxes on there with his Scandnavian ice tone, and, its pretty cool and very well recorded. My 35 y.o. ECM vinyl still sounds nearly new and full bodied.
youtu.be/meCGD1FPL-o
Still more points for the incredible institution that is the Grateful Dead. Forever "searching for the sound". My god the places on this planet Mickey has gone on his field trips taping the oddest $h1t in the world for years. And when I think of that guy the Dead used to waltz out between sets in 73-5, including the Wall of Sound year, Ned Lagin was his name, some MIT electronics wizard, for a sonic assault with the band that would have made Hawkwind and other space or kraut rockers of the time seem like grade school. I will bet a few Suzie Creamcheeses on acid got a good scare, definitely not the friendly everybody's pal Grateful Dead. But yeah, then they might have opened the second set with some cowboy tune. And it always made sense. Sort of.