|
Post by Catqualung on Aug 24, 2021 13:42:00 GMT
I hop that in 2022 they do a new book-like edition of TAAB for the 50th anniversary: I missed the 40th anniversary one, and it is the only one missing in my collection
|
|
|
Post by jackinthegreen on Aug 24, 2021 20:47:42 GMT
I hop that in 2022 they do a new book-like edition of TAAB for the 50th anniversary: I missed the 40th anniversary one, and it is the only one missing in my collection Can't see that happening mate, it's not that long since the book version came out really.....
|
|
|
Post by maddogfagin on Aug 26, 2021 6:09:33 GMT
|
|
|
Post by JTull 007 on Oct 19, 2021 0:40:05 GMT
JETHRO TULL: "THICK AS A BRICK INTERVIEW" with Ian Anderson, Martin Barre, Jeffrey Hammond, (2004)
|
|
|
Post by maddogfagin on Feb 21, 2022 17:22:43 GMT
wsau.com/2022/02/21/flipping-off-the-critics/Flipping Off The CriticsBy Tom King Feb 21, 2022 | 3:06 AM We continue our look back at the music of 50 years ago…… It was a pimp on the critics. Ian Anderson had not liked how critics had responded to Jethro Tull’s last LP “Aqualung” as a “concept LP”. He responded by writing and recording ‘Thick As A Brick”, released in 1972. The album art was designed like a newspaper, and the lead story was a fictional tale of a poem called ‘Thick As A Brick”, supposedly penned by an eight year old boy. Anderson had written the lyrics and most of the music for the LP which is dense and filled with his sparkling flute. Martin Barre delivers his signature excellent guitar work. The lyrics poke fun at the progressive rock music business and what Anderson called ” a bit of satire about the whole concept of grand rock-based concept albums”. It deals with topics like rebellion, war, sex, and life & death”. It’s not for the faint of heart. The album is one long continuous piece with snippets of music tying the songs together. You will definently need to listen to this more than once to get what’s going on. It went to #1 in the US…..despite critical slagging. Was it the high point of their career? That’s for you to decide….
|
|
|
Post by Budding Stately Hero on Feb 21, 2022 17:47:35 GMT
The home fire burning, the kettle almost boiling But the master of the house is far away
BUT, once we've grown up....
too much hurry ruins the body. I'll sit easy ... fan the spark kindled by the dying embers of another working day.
|
|
|
Post by Budding Stately Hero on Feb 21, 2022 17:59:47 GMT
I hop that in 2022 they do a new book-like edition of TAAB for the 50th anniversary: I missed the 40th anniversary one, and it is the only one missing in my collection The question is, which one of these "classic rock" albums will be paid attention to in 2072, when we are all gone? Imagine, there's flying cars, miniature cities floating on the ocean, people living on the Moon or Mars. I'm very curious to know, when my son, who was born in 2020, turns 52 in 2072, what album of his father's favorites is he going to be cranking on the day when he's seriously thinking about hiding the receiver when the switch broke 'cause it's old?
|
|
|
Post by maddogfagin on Feb 22, 2022 6:31:40 GMT
"Thick As a Brick" Turns 50 this Year - Ian Anderson Looks Back - Jethro Tull
Rock History Music
|
|
|
Post by thefarmer on Feb 26, 2022 11:06:07 GMT
wsau.com/2022/02/21/flipping-off-the-critics/Flipping Off The CriticsBy Tom King Feb 21, 2022 | 3:06 AM We continue our look back at the music of 50 years ago…… It was a pimp on the critics. Ian Anderson had not liked how critics had responded to Jethro Tull’s last LP “Aqualung” as a “concept LP”. He responded by writing and recording ‘Thick As A Brick”, released in 1972. The album art was designed like a newspaper, and the lead story was a fictional tale of a poem called ‘Thick As A Brick”, supposedly penned by an eight year old boy. Anderson had written the lyrics and most of the music for the LP which is dense and filled with his sparkling flute. Martin Barre delivers his signature excellent guitar work. The lyrics poke fun at the progressive rock music business and what Anderson called ” a bit of satire about the whole concept of grand rock-based concept albums”. It deals with topics like rebellion, war, sex, and life & death”. It’s not for the faint of heart. The album is one long continuous piece with snippets of music tying the songs together. You will definently need to listen to this more than once to get what’s going on. It went to #1 in the US…..despite critical slagging. Was it the high point of their career? That’s for you to decide…. I've been listening to this a fair bit lately,love it but I still struggle with it or at least I have started to struggle with it again. I got into Tull when I was 15 at the time of SFTW. Slowly bought their back catalogue saw them quite a few times didn't get round to buying TAAB LP until I was in my late 20s. (I was always happy with the wonderful Bursting Out version.) I had to get the get newspaper version, I wouldn't get the gatefold that seemed to be more common. Anyway,I never read about the album, the lyrics were always somewhat obscure about growing up , morals, life etc, I had to work it out for myself. Although not as obscure as many. Obscure in the sense of a linear story . ( Good art allows for interpretation by the listener)I always got the newspaper joke/spoof Gerald Bostock and all that although I gather since many thought he real! I saw JT around 8 times between '82 and 2009 but didn't see them again for quite a while after. I saw IA 2016 and that was the first time I heard him or anyone else say the whole thing was a joke. The opening lines always suggested the writer knew the lyrics were somewhat obscure and didn't care if the listener got it or not or the listener could make of it what he / she will. Only in recent years have I looked into it ( a combination of Ian's comment prompting me when I saw him and the internet which wasn't around when I was first listening to it) I had no idea TAAB was a response to public perception of Aqualung and opening lines now I see as relating to that. I don't think anyone would get that if listening to it in isolation years after the release , which is what I did. So the bit I struggle with now is how do the actual lyrics send up prog bands of the time? Is the obscurity , the general way they are written or anything more specific? Am I as thick as a brick?
|
|
|
Post by woodsongs on Feb 28, 2022 18:59:11 GMT
I love this album. I like all of the Tull albums, but if I could only take two to a desert island with me it would be TAAB and Songs from the Wood. (I would sneak a copy of A Passion Play under my coat as well!)
|
|
|
Post by Equus on Feb 28, 2022 22:47:02 GMT
I love this album. I like all of the Tull albums, but if I could only take two to a desert island with me it would be TAAB and Songs from the Wood. (I would sneak a copy of A Passion Play under my coat as well!) Great albums... Too me Thick As A Brick is more than A Passion Play... but that's just me... I listened to Thick As A Brick yesterday and as always it was absolutely stunning... Too me music is a combination of the listener, and what the listener is listening to... I believe that it is like a tuning fork... My personality, is one of the parts of the tuning fork, and the other is the music... If I love it, both parts are vibrating... That's what happens when I listen to Thick As A Brick... I am not so passionate about A Passion Play, but I would love to listen to A Passion Play like those who really, really, love it... So I'm not saying that those who love is is wrong... I'm just another tuning fork... I like A Passion Play, I think it's great, but to me, Thick As A Brick is the king... Love Songs From The Wood too... or as I like to call it: "With kitchen prose, gutter rhymes and divers songs from the wood."
|
|
|
Post by adospencer on Mar 1, 2022 7:06:13 GMT
I love this album. I like all of the Tull albums, but if I could only take two to a desert island with me it would be TAAB and Songs from the Wood. (I would sneak a copy of A Passion Play under my coat as well!) Great albums... Too me Thick As A Brick is more than A Passion Play... but that's just me... I listened to Thick As A Brick yesterday and as always it was absolutely stunning... Too me music is a combination of the listener, and what the listener is listening to... I believe that it is like a tuning fork... My personality, is one of the parts of the tuning fork, and the other is the music... If I love it, both parts are vibrating... That's what happens when I listen to Thick As A Brick... I am not so passionate about A Passion Play, but I would love to listen to A Passion Play like those who really, really, love it... So I'm not saying that those who love is is wrong... I'm just another tuning fork... I like A Passion Play, I think it's great, but to me, Thick As A Brick is the king... Love Songs From The Wood too... or as I like to call it: "With kitchen prose, gutter rhymes and divers songs from the wood." "Brick" was my route into Tull. Raised as I was on simplistic pop songs of the time, the first few spins confused me with its stop/ start rhythms and "nonsense" lyrics, Id never heard anything like it and I nearly gave up............. Then, it started to make sense, it spoke to me as nothing else musically ever had. I was just the right age in my mid teens to appreciate the sentiments expressed, that parents and adults generally don't have the answers, and everything we had read in books and believed in as kids might be no help either and we had to find our own way and how daunting that was! The fabulous melodies too began to take shape and from then on Tull was my band. I eagerly anticipated the release of "Play", which I have to say was a disappointment , I found it really hard work, complicated for the sake of it lacking in melody and hated the Sax (I still only visit it occasionally). "Songs from the Wood" was (and is) a masterpiece. For me it paints a picture of an English Summer brimming with Folklore and nature blooming. I can hear the birds singing and the Bees humming in my mind, its my favourite album.
|
|
|
Post by JTull 007 on Mar 4, 2022 2:05:18 GMT
Special Thanks to Daniele Massimi
|
|
|
Post by maddogfagin on Mar 7, 2022 6:33:33 GMT
www.ultimate-guitar.com/articles/features/10_timeless_rock_albums_that_are_turning_50_in_2022-12824810 Timeless Rock Albums That Are Turning 50 in 2022...and they still rock just as hard! Posted 11 hours ago Jethro Tull – Thick as a BrickRelease date: March 3 Label: Chrysalis/Reprise Due to its unconventional creativity, Jethro Tull kept being compared to prog-rock contemporaries even though Anderson simply did his thing without any intentions of creating high-brow musical statements of that sort. Similarly, the band's previous album "Aqualung" got crammed inside the "concept album" category by the critics, which provoked a bit of a "hold my beer" reaction in Anderson when he set out to write "Thick as a Brick". Simply put, it is a mock-concept album, whose covers claim it to be the musical adaptation of a prize-winning poem by the (fictional) child-genius Gerald Bostock. As the delightfully playful material from the record hints, Anderson must have had a blast while teasing the hell out of the concept album format (even the album's title could be taken as a cheeky comment on the general perception of concept albums being particularly "smart"), but nevertheless managed to deliver one of the best-loved concept albums to date, irony or not.
|
|
|
Post by maddogfagin on Mar 8, 2022 6:59:21 GMT
bobrtimes.com/a-parody-that-has-become-a-classic/131421/A PARODY THAT HAS BECOME A CLASSICTailor Stone | March 6, 2022 With Thick as a Brick, Ian Anderson set out to make a parody of concept albums which were fashionable in the early 1970s. This opus by Jethro Tull, which is celebrating its 50th anniversary, has become a classic and a reference in the field. Fifth studio album by the British band, Thick as a Brick was also intended as a reaction to music lovers who had called Aqualung a concept record. “I always said that Aqualungwas not a concept album, but a disc made up of various songs. There were three or four songs that represented the central element of this opus, but that didn't make it a concept album,” singer, flautist and guitarist Ian Anderson said in 2005. Aqualung mixed folk, blues, jazz and rock sounds that had nothing to do with the progressive rock of Emerson Lake & Palmer, Yes, Genesis, Pink Floyd, King Crimson and others. Ian Anderson had made it his mission to make the “concept album” of all concept albums. Launched March 3, 1972, Thick as a Brickwas accepted by progressive rock fans who were targeted by this satire. The album topped the charts in Canada and the United States. It reached number two in Germany, Italy and the Netherlands and number three in Norway. Thick as a Brick is a 44-minute long piece that was spread over two sides of a vinyl. The album was recorded in December 1971 at Morgan Studios in London. It is a series of collages of small segments of 3 to 5 minutes. “We did it fast and furiously. I arrived at rehearsals at lunchtime with what I had written in the morning. The guys were tackling it seriously and in line with what we had done the day before. After ten days, all segments were repeated. I think it took longer to make the cover than to record the album,” Anderson told Classic Rock magazine in 2016. A Newspaper The original cover of the vinyl version of the album unfolded to make the St. Cleve Chronicle and Linwell Advertiser, a 12-page paper journal. Chrysalis Records found the production costs for this unusual cover to be high. The fictional texts published in this journal were written by Ian Anderson, bassist Jeffrey Hammond and keyboardist John Evans. The lyrics to Thick as a Brick were on page 7. Thick as a Brick features a poem written by the fictional character of Gerald Bostock: an eight-year-old child who had received an award for his work before having it removed after saying a bad word on television. The cover story of the fictitious daily recounts this affair. Ian Anderson did not believe that this album, because of its very British humor, was going to be successful outside of Great Britain. “I imagine, somewhere, that the music must not have been too bad,” he said in a public interview in 2018, the day before a show at the Festival. d'été de Québec. Ian Anderson launched a follow-up to Thick as a Brick in 2012. A solo album where he is interested in a Gerard Bostock who has become an adult.
|
|
|
Post by maddogfagin on Mar 9, 2022 6:30:39 GMT
bestclassicbands.com/number-one-albums-1972-10-28-19/The #1 Albums of 1972: Each Has a Storyby Greg Brodsky Some of the stories grabbing headlines in 1972… The first hand-held calculator was introduced. Its price: $395. The Godfather had its premiere in New York City. Five men are arrested for burglarizing the offices of the Democratic National Committee in the Watergate office complex. George Carlin was arrested at the annual Summerfest in Milwaukee for saying the “Seven Words You Can Never Say on Television.” The first of M*A*S*H’s 256 episodes aired on CBS. And in music… Having a #1 album earned bragging rights for a label and, of course, the artist. It was a badge that could never be taken away, like having “Grammy Award-winner” in front of your name. Here’s a recap of 1972’s chart topping albums in the U.S., including many classic rock favorites, as determined each week by Record World; Seventeen different albums claimed the top spot this year, each had a story to tell. Several took years to rise to the top. Listings are in reverse order, saving the longest-running title for the end. Jethro Tull – Thick as a Brick (1 week)It just goes to show how much competition there was at the top. This brilliant parody of a concept album was Tull’s fifth studio effort. Released in March, it reached the top in the U.S. for just one week, on June 10, thanks to its FM radio popularity.
|
|
|
Post by maddogfagin on Mar 9, 2022 12:15:10 GMT
www.noise11.com/news/jethro-tull-thick-as-a-brick-turns-50-20220309Jethro Tull ‘Thick As A Brick’ Turns 50by PAUL CASHMERE on MARCH 9, 2022 The Jethro Tull classic ‘Thick As A Brick’ has turned 50 years old. ‘Thick As A Brick’ was the fifth Jethro Tull album. The album was a continuous piece of music spread over two sides telling the story of a fictitious eight-year old named Gerald Bostock. Ian Anderson of Jethro Tull credited the songwriting to Bostock. In 2012, Anderson created a sequel album focused on the adult Bostock. Anderson claimed that ‘Thick As A Brick’ was part satire, a send-up of Yes and Emerson, Lake & Palmer records, but regardless, it became a massive hit. The band members were Monty Python fans and the Python humour influenced the lyrics. In Australia and the USA, ‘Thick As A Brick’ was a number one album for Jethro Tull. It reached no 5 in the UK. The original artwork for the album featured a lavish full-sized 12 page newspaper called The St. Cleve Chronicle and Linwell Advertiser. It even had articles, competitions and advertisements. ‘Thick As A Brick’ was released March 3, 1972 in the UK and March 10, 1972 in the USA.
|
|
|
Post by maddogfagin on Mar 13, 2022 6:45:04 GMT
somethingelsereviews.com/2022/03/10/jethro-tull-thick-as-a-brick/How Jethro Tull’s Prog Parody ‘Thick As a Brick’ Instead Became a Prog ClassicMARCH 10, 2022 BY JIMMY NELSON Ian Anderson and Jethro Tull were ready to call bull$h1t on prog rock, years before the chattering rock press began to puncture its facade under the cover of digging the “authenticity” of punk. He felt their 1971 breakthrough album Aqualung had been unfairly categorized as a concept album, and chafed too at the idea that Jethro Tull was a progressive rock act at all. So, he set about writing a pomposity-popping caricature of every over-stuffed, time-shifting set-piece album of the time. Thick As a Brick was meant, it seemed, to incite as much hilarity as it did ruminations on where the whole genre was headed. Cheeky, often unintelligible themes (said to be an eight-year-old prodigy’s poetry-competition scribblings) were coupled with unique packaging (a mock newspaper with dry, Monty Python-esque stories like “Sand-Castle Man Calls It a Day” and “Mongrel Dog Soils Actor’s Foot”). Then there was their choice of musical construction: One continuous, sometimes seemingly free-form track, with the only original break arriving as listeners flipped over the old vinyl LP. Thick As a Brick arrived on March 10, 1972, and then – much to Jethro Tull’s imagined horror – promptly went to No. 1 in America. Turns out, even when they were trying to make fun of those extended noodling passages, Jethro Tull couldn’t help but add their own smart flourishes. The completed album stirred in not just the expected classical influences, but also jazz and (in what had become Tull’s calling card) no small amount of snarky folk. If anything, the band plays with more touch and finesse, but also more power, than it did even on the celebrated Aqualung. Credit goes, on first blush, to new drummer Barrie Barlow, a lighter touch who had replaced the hard-driving Clive Bunker after Jethro Tull’s initial four albums. But the attention to detail, willingness to follow rhythmic cross patterns, and general musical camaraderie is undeniable across the entire ensemble – something that’s underlined by the necessary form that these sessions took back then. Guitarist Martin Barre, bassist Jeffrey Hammond, keyboardist John Evan, Barlow and Anderson did much of the basic tracking for Thick As a Brick (and even some of the vocals and solos) in single takes, since stopping would require the group to go back to the very beginning of the lengthy piece. That gives the album this present, fizzy energy that’s often missing among typically layered, overdubbed prog efforts. In this way, Thick As a Brick, with its earthy, effects-free sensibility, sounds like little else from its own era. Too, that tabloid-inspired sleeve couldn’t have been more different than the magical fantasy worlds that often graced their contemporaries’ albums. Audiences may not have gotten all of the jokes, but they loved trying to sort out its many clues, anyway. Jethro Tull, and this may be the funniest part of all, ended up making one of the most distinctive prog albums ever – even as it tried to spoof the very idea.
|
|
|
Post by maddogfagin on Mar 20, 2022 6:41:40 GMT
Thick as a Brick at 50: Prog masterpiece or well-crafted joke? 34 views March 18, 2022
This Sonic Obsession 87 subscribers
Our music obsessives discuss the 50th anniversary of the March 1972 release of Jethro Tull’s Thick as a Brick. Was it one of the greatest prog rock albums of all time or just a well-crafted joke? Band leader Ian Anderson says the album started as a parody of prog rock bands like Yes and Emerson Lake and Palmer. It also started as “the mother of all concept albums” after Anderson says critics wrongly viewed the band’s previous album, Aqualung, as a concept album. Thick as a Brick sold millions of copies and vaulted the band to stardom. It is widely regarded as one of the greatest prog albums of all time.
|
|
|
Post by maddogfagin on Mar 23, 2022 17:12:31 GMT
https://www.reddit.com/r/turku/comments/thbn6o/jethron_thick_as_a_brick/
|
|
|
Post by maddogfagin on Apr 8, 2022 17:15:24 GMT
Jethro Tull 'Thick As A Brick' live studio performance, interview
angryprotein 9.84K subscribers
|
|
|
Post by jackinthegreen on Apr 9, 2022 0:43:28 GMT
Jethro Tull 'Thick As A Brick' live studio performance, interviewangryprotein 9.84K subscribers Good interview when Ian is relaxed and not taking the p... He is being real and it doesn't happen often in his interviews does it? The songs featured were nicely performed with Ian's vocals excellent, and Martin on the bass for a change was strange but it worked somehow.....although why is another question....
|
|
|
Post by jackinthegreen on Apr 9, 2022 0:54:59 GMT
The actual album when it came out and I bought it, I had never heard anything sounding so crisp and clear, from the first few bars, the acoustic guitar, flute and voice were so well produced...brilliant for that time. I didn't (and still don't) like the radio edit that stopped just before the action starts......
|
|
|
Post by adospencer on Apr 9, 2022 6:15:08 GMT
The actual album when it came out and I bought it, I had never heard anything sounding so crisp and clear, from the first few bars, the acoustic guitar, flute and voice were so well produced...brilliant for that time. I didn't (and still don't) like the radio edit that stopped just before the action starts...... Ive always loved those first few bars too, the flute sounds slightly in the distance giving it a sweet "ethereal " feel, which takes you to another world immediately. it never sounded better,( especially when compared with later albums where the flute became louder and somewhat bombastic to replace the fading IA voice) . I also love the fantastic Bass riff on "childhood heroes", the first time I ever noticed a Bass guitar play a counter melody of its own. A huge part of the thrill of that album is in my opinion that the mix balance and sound quality of the original was excellent it didn't need either a later remaster or a SW remix. We wouldn't buy the Mona Lisa and add a few brush strokes would we? The icing on the cake were the lyrics which ,dealing as they do with the difficulties of growing up , as a confused 15 year old I felt IA was speaking directly to me. It was my way into Tull. (Just the 50 years ago then! ) A magical album.
|
|
|
Post by Budding Stately Hero on Apr 9, 2022 11:36:13 GMT
The actual album when it came out and I bought it, I had never heard anything sounding so crisp and clear, from the first few bars, the acoustic guitar, flute and voice were so well produced...brilliant for that time. I didn't (and still don't) like the radio edit that stopped just before the action starts...... Ive always loved those first few bars too, the flute sounds slightly in the distance giving it a sweet "ethereal " feel, which takes you to another world immediately. it never sounded better,( especially when compared with later albums where the flute became louder and somewhat bombastic to replace the fading IA voice) . I also love the fantastic Bass riff on "childhood heroes", the first time I ever noticed a Bass guitar play a counter melody of its own. A huge part of the thrill of that album is in my opinion that the mix balance and sound quality of the original was excellent it didn't need either a later remaster or a SW remix. We wouldn't buy the Mona Lisa and add a few brush strokes would we? The icing on the cake were the lyrics which ,dealing as they do with the difficulties of growing up , as a confused 15 year old I felt IA was speaking directly to me. It was my way into Tull. (Just the 50 years ago then! ) A magical album. I concur with both of you. During the years surrounding Thick As a Brick's release, too many rock albums (with exception to the absolute few master recording geniuses in the business) were sounding muddy in their production. This album was exceptional as it packed a lot of music into such a short space, but still left enough room for the other instruments to breathe. No one instrument was "up front" and more dominant than the others as we have witnessed on most albums that were released during that time. Each musician was given his opportunity to shine and display what he could bring to the album. This album is a true showcasing of a "band". The unsung hero of the album is Robin Black. I would have loved to watch video of this man doing his job as, in my mind, the sound level setting on this album is one of the very few FLAWLESS gems in rock 'n' roll. We are talking about the days of analog, before it got easier. Simply put, this album set the bar for me on what great rock music should sound like. Since then, I have held a very high standard on what I consider to be great. As for the lyrics, I was twelve in 1978 when the album came walking into my house in a brown Sam Goody bag carried by my brother. I had NO CLUE what the lyrics were presenting to the listener at that age. However, we did use the term Thick as a Brick in the neighborhood whenever another neighbor was acting dumb. That term seemed to go around a lot in the 70's. Also, we had this basketball tournament on our street, and to the losing team we created this award for throwing the most "bricks" at the backboard. It was a white painted board made into a plaque with a red brick epoxied to it saying, "1976 Thick as a Brick Award". That was in the mid-70's before I knew anything about the LP. It would take at least fifteen years for me to begin to understand what he was talking about. I had to become a man before I understood childhood. Ian embedded real life's growth struggles into a canvas using more color than I had ever heard before or since. I would have loved to see this album put to a long-form video in the way of The Wall.
|
|
|
Post by JTull 007 on May 10, 2022 1:44:41 GMT
By Peter Smith... Happy 50th Anniversary to Jethro Tull 🎤🎸🎷🎹🎸🎹🎸🥁🥢 Thick As A Brick 🧱📰 Released May 10 1972 in the USA celebrating summer
|
|
|
Post by trainspotter on Jun 30, 2022 15:00:39 GMT
This is probably old news. I don't have any clue what's going on on Facebook. I am not on Facebook, and will never be... TAAB 40th anniversary edition CD/DVD/Book will be available again October 5th 2022. (In Norway - most likely rest of the world also...)
www.platekompaniet.no/cd/thick-as-a-brick-40th-anniversary-collectors-edition/TAAB 50th anniversary vinyl/newspaper will be available July 29th 2022. Trainspotter
|
|
|
Post by rredmond on Jul 13, 2022 22:28:15 GMT
This is news to me trainspotter! Thank you for sharing. And tell us how you really feel about facebook!
|
|
|
Post by JTull 007 on Feb 5, 2023 1:54:58 GMT
1972 Thick As A Brick Article Anderson Thickens The Confusion - Circus
|
|
|
Post by itullian on Feb 7, 2023 3:41:27 GMT
Just bought the new Thick as a Brick 40th Anniversary edition reissue!!! Its awesome. Thanks Ian!!!!!
|
|