Hopefully any outakes will include some live concert recordings with Mick Abrahams as this is part of the Tull history not very well archived except for the written word and the BBC Radio recordings, both official and on bootleg.
Oh and I won't tell anyone OK ?
As much as I would love some live tracks from the Abrams line-up. I really doubt anything exists apart from the BBC sessions. Even the Ministry of information does´t list any audience recording of this short-lived incarnation of the band. Let´s hope at least for some studio outakes.
I don't think the technology was around at the time ('68) to record Tull Mk 1 concerts as if I recollect correctly, cassette recorders had only just been made available to the general public and the one I first bought was absolute rubbish and subsequent portable ones not that much better.
As for outtakes it would be a pleasant surprise to hear them but . . . magnetic tape was expensive back then and also prone to badly degrade over the years so it's quite likely any bad takes were recorded over and any old magnetic tape consigned to the nearest skip after a few years.
It does, in hindsight, make Derek Lawrence's preferred use of acetates, instead of tape, now seem to be the best decision he made and one would like to think that Warners have attempted to raid the library at Abbey Road to try and find the Candy Colored Rain recordings.
As much as I would love some live tracks from the Abrams line-up. I really doubt anything exists apart from the BBC sessions. Even the Ministry of information does´t list any audience recording of this short-lived incarnation of the band. Let´s hope at least for some studio outakes.
I don't think the technology was around at the time ('68) to record Tull Mk 1 concerts as if I recollect correctly, cassette recorders had only just been made available to the general public and the one I first bought was absolute rubbish and subsequent portable ones not that much better.
As for outtakes it would be a pleasant surprise to hear them but . . . magnetic tape was expensive back then and also prone to badly degrade over the years so it's quite likely any bad takes were recorded over and any old magnetic tape consigned to the nearest skip after a few years.
It does, in hindsight, make Derek Lawrence's preferred use of acetates, instead of tape, now seem to be the best decision he made and one would like to think that Warners have attempted to raid the library at Abbey Road to try and find the Candy Colored Rain recordings.
Graham, not sure what you mean with no technology for recording available at the time...do you mean soundboards done only via casettes? I trust the AND fanzine post. So if DAvid Rees mentions some outakes, we must be confident that there will be some studio ones at least.
There are also one or two obscure festivals that were aired on TV. It will be nice to have some sort of visual document of the Abrahams line-up, even as a short clip with no audio as background of the companion DVDs menus like the Led Zeppelin DVD.
I don't think the technology was around at the time ('68) to record Tull Mk 1 concerts as if I recollect correctly, cassette recorders had only just been made available to the general public and the one I first bought was absolute rubbish and subsequent portable ones not that much better.
As for outtakes it would be a pleasant surprise to hear them but . . . magnetic tape was expensive back then and also prone to badly degrade over the years so it's quite likely any bad takes were recorded over and any old magnetic tape consigned to the nearest skip after a few years.
It does, in hindsight, make Derek Lawrence's preferred use of acetates, instead of tape, now seem to be the best decision he made and one would like to think that Warners have attempted to raid the library at Abbey Road to try and find the Candy Colored Rain recordings.
Graham, not sure what you mean with no technology for recording available at the time...do you mean soundboards done only via casettes? I trust the AND fanzine post. So if DAvid Rees mentions some outakes, we must be confident that there will be some studio ones at least.
Sure you would have thought that the major festivals where Tull played circa '68 would have had some capability to record the individual acts from the master soundboard but none have surfaced in the last 50 years - even the Pathe news report film from Hyde Park was silent probably as any sound added would have been a short piece by the commentator with dubbed pre-recorded music.
The small clubs and back rooms in pubs would not have had a sound mixing facility, at least here in the UK, as I know for a fact having visited quite a few during that period as it would have been up to the individual artist/group to balance their own sound and output. Cassette recorders were in their infancy and a large reel to reel recorder taken into a club, say the Marquee, would have been so obvious as to render the person with the recorder ejected straight away.
If, and it's a big if, any Tull performances in '68 with Mick Abrahams, were recorded then someone has kept them under lock and key for the last 50 years. Apart from the BBC Radio 1 recordings, both official and unofficial, other opportunities to record the band were either missed or lost which is a shame.
A short anecdotal story: a friend of mine from the early to mid sixties had an elder brother who would regularly record groups such as the Beatles, Stones, Who, Yardbirds etc off the radio in pre Radio 1 days when the only "pop" music was aired by the BBC Light Programme and Radio Luxembourg, appalling though the atmospherics for Luxembourg were. He had a large and expensive reel to reel recorder and had accumulated loads of tapes and all in good quality even though they would have been recorded from the medium wave and not VHF. I now appreciate he was a pioneer in this aspect and where those tapes now are is unknown, most probably dumped years ago, but I'd like to think that they do exist somewhere just waiting to be discovered.
So Dave may be correct in stating that there are some outakes and others of the Tull fraternity confident that early concert recordings may exist either from audience recordings or rudimentary mixing desk tapes.
There are also one or two obscure festivals that were aired on TV. It will be nice to have some sort of visual document of the Abrahams line-up, even as a short clip with no audio as background of the companion DVDs menus like the Led Zeppelin DVD.
There are also one or two obscure festivals that were aired on TV. It will be nice to have some sort of visual document of the Abrahams line-up, even as a short clip with no audio as background of the companion DVDs menus like the Led Zeppelin DVD.
Britain's first large-scale free outdoor concert, including Roy Harper, Jethro Tull, Tyrannosaurus Rex & Pink Floyd, in that order.
Tull set included: Cat's Squirrel, Serenade To A Cuckoo, Stormy Monday, Dharma For One
Studying the above image it seems that three people were filming cine footage or photographing the event. Seems the Pathe film was shot by an audience member, just out of shot, behind the guy in the striped top, bottom right. There is also someone taking photographs top right and another audience member standing at the edge of the stage, bottom left, taking cine footage.
While I wait for my big horse set to arrive, here´s some exciting news posted by Steve Hoffman forum Sgene:
SW This Was remix (stereo + 4.0) will be released in November. There is also a 3CD set planned for May called 50 for 50 including best of, live tracks and EP tracks
"This was", translated "this era", is the first album by the legendary British group Jethro Tull, led by the Scottish Ian Anderson, who currently proudly carries on the solo myth. "This was" is a brilliant title: it represents "what they were" before their best known albums, absolute masterpieces such as "Aqualung", "Stand Up", "Thick as a brick", "Passion play" and the list would be still long. But it is also "what was" the music then while that progressive was born to which Anderson and partners also contributed in a fundamental way. What turns 50 is a folk-rock work with not indifferent splashes of blues and jazz. Hard rock can also be glimpsed. It is, in short, what would soon become prog.
"This was" is perhaps not an easy album, but it is a masterpiece. Starting from the cover, an idea by Terry Ellis and Ian Anderson created by Brian Ward, which depicts the complex in hobbit or goblin version (homage to the Celtic roots of Great Britain) complete with dogs. Or it's just a photo in which the then very young - Anderson at the age of twenty - are made up as if they were a hundred, a thousand years older. In short, "This was", right from the cover. Just this remains one of the most striking of the entire history of rock, a terrain, the visual, on which the British band has given much albeit at times (magnificent, for example, those of "Aqualung", "Thick as a brick" and "Minstrel in the gallery", less beautiful some others).
However, in "This was" Anderson's flute represents one of the many novelties: it is not a foreign body but gives the various genres explored that nobility in more. And the touch of the "Pied Piper" is heard in a legendary record, which has some very difficult peaks to match. From "My sunday feeling" to "Beggar's farm", from "Serenade to a cuckoo" by Roland Kirk to "Dharma for one". To get to the traditional "Cat's squirrel" and "A song for Jeffrey", which has as its protagonist the friend and member of the group, Blackpool musician Jeffrey Hammond, to whom will be dedicated other songs like "Jeffrey goes to Leicester square" and "For Michael Collins, Jeffrey and me".
Among the protagonists of the latter also Collins, who is not the Irish patriot, but one of the US astronauts who participated in the ' To celebrate fifty years of career, started with "This was", two collections are out, as well as a tour that will touch various Italian cities including Rome on July 19, Milan on 23 and Florence on 24. I Jethro Tull still have many fans around the world, many of them in Italy and these concerts will therefore be a nice gift.
Tracklist [CD1] 1. My Sunday Feeling (Steven Wilson Stereo Remix) 2. Some Day The Sun Won't Shine For You (Steven Wilson Stereo Remix) 3. Beggar's Farm (Steven Wilson Stereo Remix) 4. Move On Alone (Steven Wilson Stereo Remix) 5. Serenade To A Cuckoo (Steven Wilson Stereo Remix) 6. Dharma For One (Steven Wilson Stereo Remix) 7. It's Breaking Me Up (Steven Wilson Stereo Remix) 8. Cat's Squirrel (Steven Wilson Stereo Remix) 9. A Song For Jeffrey (Steven Wilson Stereo Remix) 10. Round (Steven Wilson Stereo Remix) 11. Love Story (Steven Wilson Stereo Remix) 12. A Christmas Song (Steven Wilson Stereo Remix) 13. Serenade To A Cuckoo (Take 1) [Steven Wilson Stereo Remix] 14. Some Day The Sun Won't Shine For You (Faster Version) [Steven Wilson Stereo Remix] 15. Move On Alone (Flute Version) [Steven Wilson Stereo Remix] 16. Ultimate Confusion (Steven Wilson Stereo Remix)
[CD2] 1. So Much Trouble (BBC Sessions) 2. My Sunday Feeling (BBC Sessions) 3. Serenade To A Cuckoo (BBC Sessions) 4. Cat's Squirrel (BBC Sessions) 5. A Song For Jeffrey (BBC Sessions) 6. Love Story (BBC Sessions) 7. Stormy Monday (BBC Sessions) 8. Beggar's Farm (BBC Sessions) 9. Dharma For One (BBC Sessions) 10. A Song For Jeffrey (Original Mono Mix) 11. One For John Gee (Original Mono Mix) 12. Someday The Sun Won't Shine For You (Faster Version) [Original Mono Mix] 13. Love Story (Original Mono Mix) 14. A Christmas Song (Original Mono Mix) 15. Sunshine Day 16. Aeroplane 17. Blues For The 18th 18. Love Story (1969 US Promo Single Stereo Mix for FM Radio Airplay) 19. US FM Radio Spot #1 20. US FM Radio Spot #2
[CD3] 1. My Sunday Feeling (Original Stereo Mix) 2. Some Day The Sun Won't Shine For You (Original Stereo Mix) 3. Beggar's Farm (Original Stereo Mix) 4. Move On Alone (Original Stereo Mix) 5. Serenade To A Cuckoo (Original Stereo Mix) 6. Dharma For One (Original Stereo Mix) 7. It's Breaking Me Up (Original Stereo Mix) 8. Cat's Squirrel (Original Stereo Mix) 9. A Song For Jeffrey (Original Mono Mix) 10. Round (Original Stereo Mix) 11. My Sunday Feeling (2008 Remastered Version - Mono) 12. Some Day The Sun Won't Shine For You (2008 Remastered Version - Mono) 13. Beggar's Farm (2008 Remastered Version - Mono) 14. Move On Alone (2008 Remastered Version - Mono) 15. Serenade To A Cuckoo (2008 Remastered Version - Mono) 16. Dharma For One (2008 Remastered Version - Mono) 17. It's Breaking Me Up (2008 Remastered Version - Mono) 18. Cat's Squirrel (2008 Remastered Version - Mono) 19. A Song For Jeffrey (2008 Remastered Version - Mono) 20. Round (2008 Remastered Version - Mono)
[DVD] 1. My Sunday Feeling (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 2. Some Day The Sun Won't Shine For You (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 3. Beggar's Farm (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 4. Move On Alone (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 5. Serenade To A Cuckoo (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 6. Dharma For One (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 7. It's Breaking Me Up (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 8. Cat's Squirrel (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 9. A Song For Jeffrey (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 10. Round (Steven Wilson 4.1 Surround Sound Mix in DTS and Dolby Digital) 11. Love Story (Steven Wilson 5.1 Surround Sound Mix in DTS and Dolby Digital) 12. A Christmas Song (Steven Wilson 5.1 Surround Sound Mix in DTS and Dolby Digital) 13. My Sunday Feeling (Steven Wilson Stereo Remix 96/24) 14. Some Day The Sun Won't Shine For You (Steven Wilson Stereo Remix 96/24) 15. Beggar's Farm (Steven Wilson Stereo Remix 96/24) 16. Move On Alone (Steven Wilson Stereo Remix 96/24) 17. Serenade To A Cuckoo (Steven Wilson Stereo Remix 96/24) 18. Dharma For One (Steven Wilson Stereo Remix 96/24) 19. It's Breaking Me Up (Steven Wilson Stereo Remix 96/24) 20. Cat's Squirrel (Steven Wilson Stereo Remix 96/24) 21. A Song For Jeffrey (Steven Wilson Stereo Remix 96/24) 22. Round (Steven Wilson Stereo Remix 96/24) 23. Love Story (Steven Wilson Stereo Remix 96/24) 24. A Christmas Song (Steven Wilson Stereo Remix 96/24) 25. Serenade To A Cuckoo (Take 1) [Steven Wilson Stereo Remix 96/24] 26. Some Day The Sun Won't Shine For You (Faster Version) [Steven Wilson Stereo Remix 96/24] 27. Move On Alone (Flute Version) [Steven Wilson Stereo Remix 96/24] 28. Ultimate Confusion (Steven Wilson Stereo Remix 96/24) 29. My Sunday Feeling (Original 1969 US stereo mix 96/24) 30. Some Day The Sun Won't Shine For You (Original 1969 US stereo mix 96/24) 31. Beggar's Farm (Original 1969 US stereo mix 96/24) 32. Move On Alone (Original 1969 US stereo mix 96/24) 33. Serenade To A Cuckoo (Original 1969 US stereo mix 96/24) 34. Dharma For One (Original 1969 US stereo mix 96/24) 35. It's Breaking Me Up (Original 1969 US stereo mix 96/24) 36. Cat's Squirrel (Original 1969 US stereo mix 96/24) 37. A Song For Jeffrey (Original 1969 US stereo mix 96/24) 38. Round (Original 1969 US stereo mix 96/24)
Post by schubertmachiavelli on Aug 29, 2018 14:43:30 GMT
Ordered. It's gone down to £30.63 as at 3.40pm today, so that's more than reasonable — with the promise of going even lower as is Amazon's policy. Sounds awesome. Excited now!
Ordered. It's gone down to £30.63 as at 3.40pm today, so that's more than reasonable — with the promise of going even lower as is Amazon's policy. Sounds awesome. Excited now!
Shame they've never fixed the typo - 0th Anniversary Edition
Jethro Tull, release 'This Was - 50th Anniversary Edition' for the fiftieth anniversary of the band's debut album
To celebrate the anniversary of the English band 's debut album captained by Ian Anderson , "This Was" (1968), Jethro Tull is preparing to release a deluxe version of three CDs and three DVDs of the disc, coming out for Rhino next 9 November with the title "That Was: 50th Anniversary Edition". The box set, remixed by Steven Wilson, includes rare recordings and new mixes.
Post by schubertmachiavelli on Aug 30, 2018 10:20:09 GMT
Would have been super, but in all reality, what's actually out there? Does anyone know?
Unless I'm proven wholly, damnably wrong, I can't imagine there's much, if anything.
Any significant amount of professional footage (with or without sound, even that's not a given) for a band this early on in their career would be down to pure luck; they'd certainly not be preoccupied with hiring film crews to record gigs just yet. By comparison, there's no extant visual footage of the Jimi Hendrix Experience for approximately five/six months into their existence, and even then, it's only two songs, as it was filmed for a Dutch music news show. By the same kind of timeframe in Tull, Mick Abrahams had departed and Tony Iommi, however briefly, was in — and that footage is of course widely, commercially, available elsewhere. And beyond that — at least in my head — any footage with Martin has one foot in the Stand Up era, and not a piece with this release. That's to say nothing of that old enemy of the box set completist: clearance issues and fees!
As for audience recordings, again, I compare with other bands of the same era. Look at the relatively low quality and useable brevity of the footage Led Zeppelin secured when Jimmy Page asked for fans to send in their home footage for inclusion on their 2003 DVD, and that was at a time Zep were very well-established: apply that logic to promising newbies 'Toe' in 1968 and quite frankly, scant seconds of Super 8 footage taken from a distance of 200yds (old money!) away from a stage at, say, Sunbury (I'm not saying that exists!), isn't really gonna cut it, especially if there's no sound accompaniment. Lovely seventies music fans neither wanted, nor often could afford film cameras, much less any with sound; no holding cameras aloft for the duration with these folks.
Would have been super, but in all reality, what's actually out there? Does anyone know?
Unless I'm proven wholly, damnably wrong, I can't imagine there's much, if anything.
Any significant amount of professional footage (with or without sound, even that's not a given) for a band this early on in their career would be down to pure luck; they'd certainly not be preoccupied with hiring film crews to record gigs just yet. By comparison, there's no extant visual footage of the Jimi Hendrix Experience for approximately five/six months into their existence, and even then, it's only two songs, as it was filmed for a Dutch music news show. By the same kind of timeframe in Tull, Mick Abrahams had departed and Tony Iommi, however briefly, was in — and that footage is of course widely, commercially, available elsewhere. And beyond that — at least in my head — any footage with Martin has one foot in the Stand Up era, and not a piece with this release. That's to say nothing of that old enemy of the box set completist: clearance issues and fees!
As for audience recordings, again, I compare with other bands of the same era. Look at the relatively low quality and useable brevity of the footage Led Zeppelin secured when Jimmy Page asked for fans to send in their home footage for inclusion on their 2003 DVD, and that was at a time Zep were very well-established: apply that logic to promising newbies 'Toe' in 1968 and quite frankly, scant seconds of Super 8 footage taken from a distance of 200yds (old money!) away from a stage at, say, Sunbury (I'm not saying that exists!), isn't really gonna cut it, especially if there's no sound accompaniment. Lovely seventies music fans neither wanted, nor often could afford film cameras, much less any with sound; no holding cameras aloft for the duration with these folks.
And to add a few points to your excellent summary of video/audio recordings: equipment was bulky, unreliable and therefore stood out a mile unlike today's iphones etc.
Had Tull been a German band they would have been featured on music TV shows almost every week as they seemed to take rock bands a little more seriously - you just have to listen to some of the BBC's so called replacement (Radio 1) to the offshore stations to hear how in '67/'68 behind the times they were. There were exceptions of course, John Peel, Pete Drummond etc., but mostly the BBC's monopoly meant we were treated to Des O'Connor, the Northern Dance Orchestra with Sheila Buxton and Nicholas Parsons et al.
Radio Caroline soldiered on for a while after the Marine Offences Act, Radio Northsea International briefly flew the [pirate] flag and Radio Luxembourg had "Kid" Jensen.
Post by schubertmachiavelli on Aug 30, 2018 15:07:51 GMT
Thank you, most kind.
As you've mentioned, yes, radio was definitely where it was at for music programming in the UK in the sixties, for (what we'd now call) 'classic' rock acts. In this regard, Tull haven't done too badly by the BBC, for one, in comparison with a lot of other contemporary acts whose appearances at Maida Vale and beyond have since gone the way of most of Patrick Troughton's era of Doctor Who…
The quality of the Tull book/box sets released since Aqualung in 2011 speaks volumes (no pun intended) for the high standard of bonus material that has been made (and preserved!) over the years for the band. When you consider that there's only ever been one 'proper' Beatles live album (certainly only one official one) released in 55 years and even then Giles Martin had to pull some impressive digital prestidigitation to filter out the screaming to a posh-bootleg level of acceptability… we're much better off with Tull.
Looks like another addition to the Tull bookshelf section. As far as I can tell, the only unfamiliar cut is 'Ultimate Confusion"....I'm expecting an instrumental ?
As you've mentioned, yes, radio was definitely where it was at for music programming in the UK in the sixties, for (what we'd now call) 'classic' rock acts. In this regard, Tull haven't done too badly by the BBC, for one, in comparison with a lot of other contemporary acts whose appearances at Maida Vale and beyond have since gone the way of most of Patrick Troughton's era of Doctor Who…
The quality of the Tull book/box sets released since Aqualung in 2011 speaks volumes (no pun intended) for the high standard of bonus material that has been made (and preserved!) over the years for the band. When you consider that there's only ever been one 'proper' Beatles live album (certainly only one official one) released in 55 years and even then Giles Martin had to pull some impressive digital prestidigitation to filter out the screaming to a posh-bootleg level of acceptability… we're much better off with Tull.
Now thinking along the alternative time line idea, Mick Abrahams has suggested in the past that "Ahead Rings Out" was his original vision of how Tull should have progressed. Now had this turned out to be the case, it's an interesting thought as to what the band's second album would have consisted of. Perhaps six off "Ahead . ." and six off "Stand Up" perhaps ?
Now thinking along the alternative time line idea, Mick Abrahams has suggested in the past that "Ahead Rings Out" was his original vision of how Tull should have progressed. Now had this turned out to be the case, it's an interesting thought as to what the band's second album would have consisted of. Perhaps six off "Ahead . ." and six off "Stand Up" perhaps ?
Oh, I like this game. I've played it before with Beatles solo albums; you can get a very tidy and thoroughly enjoyable impression of what a seventies Beatles album might have sounded like if you hive off the best tracks off each solo Fab album up till, say, 1973. But I digress.
Has Mick ever gone on record citing what 'musical differences' there were between him and IA? I'm not sure it's as simple as saying that he wanted Blues rock and Ian was going more folk/Prog, as Pig don't stick to the Blues rock template all the (new) day long either. Although I'm fairly sure he thought 'Fat Man' was about him.
marshall: Sheffield City Hall Friday 3rd May 2024 Seven Decades Tour. Nothing on Jethro Tull website.Spot me and claim a free beer.
Jun 14, 2023 16:16:58 GMT
theothertull: In Depth ‘A PASSION PLAY’: BEHIND THE DRAMA OF JETHRO TULL’S SIXTH ALBUM
Jul 13, 2023 17:13:30 GMT
char1: I received the: Record Collector Presents Jethro Tull" from the UK a few weeks ago..(I live in Virginia, USA) I absolutely love it!! So worth the $$! Will see him at Wolftrap, Vienna, VA next month!!
Jul 23, 2023 23:44:10 GMT
JTull 007: Well done Char1 !!! I wanted to see them again this year but it may turn out in Rocky Mount Virginia with Martin Barre. Have a GREAT TIME @ Wolf Trap
Jul 24, 2023 0:12:45 GMT
char1: Does anyone know how John is and is he able to play in the US now?? Thanks
Aug 19, 2023 17:31:25 GMT
JTull 007: John O'Hara was here for 2 shows so far. He must be relieved to be on the road again. No info about his temporary absence.
Aug 20, 2023 16:11:55 GMT
char1: Thanks JT!!! I was supposed to go to Wolftrap this week, but am too sick!! Very disappointed!!!
Aug 20, 2023 17:08:34 GMT
JTull 007: I hope you can recover soon. Temperatures could be very hot this week and outdoor venues can sometimes be overwhelmed.
Aug 20, 2023 17:28:06 GMT
shiney: anyone see Tull at Sunderland Top Rank 1972? Sure Ian Anderson said they were there for the promoter and he played Thick As Brick intro and Painter first time live...saw them Bay Hotel first time Whitburn 1969. anyone else?
Aug 26, 2023 16:57:13 GMT
salmon23: I have 8 cassettes tapes and a book Jethro Tull complete lyrics , need to off load my Dad passed away , few other items but haven’t found the time , this would be a start .
Sept 3, 2023 18:24:51 GMT
Jack -A- Lynn: Hey...i came just to say hello. I hope you are ok..
Oct 19, 2023 18:52:50 GMT
Jack -A- Lynn: There's noone...
Oct 19, 2023 18:54:56 GMT
wwwknave: I believe the key to the tin whistle used in the Whistle is the key of D
Dec 10, 2023 16:35:58 GMT
char1: A friend of mine has composed a 50 question, multiple choice quiz on Jethro Tull music. It's really great and I would love to share but I have NO idea how!! Could someone contact me via email: charchance1@gmail.com Thanks
Mar 7, 2024 18:07:45 GMT
rredmond: I would think the Questions forum would be okay But probably best in Humor, Games and Fun Thanks for sharing.
Mar 18, 2024 13:20:17 GMT
JT_fan1994: Jethro Tull could play anything: jazz, blues, classical, hard rock, Elizabethan folk. I like how every album sounds different from the one before and after.
Apr 2, 2024 22:57:33 GMT
*
pv: Hi we were really looking forward to going to see them in London on 21 April I went to school with Ian(he wont remember I was a couple of years behind), unfortunately Sue and I cant make it so we have 2 tickets for sale £40.00 the pair tel 07931738507
Apr 3, 2024 12:25:31 GMT