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Post by nonrabbit on Nov 3, 2012 17:31:21 GMT
Hope we get the full works on DVD
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Post by nonrabbit on Nov 3, 2012 17:42:57 GMT
Nah B, it was just prior to that, the only time in the show when I made a loud sound, I think a single loud Hah! The waltz sequence I was already well apprised of with all the You Tube's I have watched. This move I would liken more to that dance those guys do in O Brother Where Art Thou when they are doin their song on the radio. Either the dance they were doin or Ians I know to be a certain cure for depression. It has to have been during that kind of dirge like moments prior to "The fading hero has returned to the night" It was exquisite odd so I finally could not contain myself. I get very nervous at a concert and have to keep thinking about sittiing very still and probably have my mouth taped in order that I don't start singing or mouthing the words up to the stage.
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Post by maddogfagin on Nov 4, 2012 9:21:42 GMT
" The original (album) was greeted with a lot of impatience and derision by some of the more hard rock, beer-drinking buddies ... which was disruptive and pretty disappointing ... I decided I would never do that again. When I do something as Ian Anderson rather than Jethro Tull, it gets me over that problem. The riffraff stay home and the people who come are usually supportive and more open-minded, which is what I want for this. "
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Post by steelmonkey on Nov 4, 2012 18:27:49 GMT
So we have to sit on each side of Patti at any gig she attends and hit her with the duct tape, as needed.
With the exception of festivals or summer outdoor gigs that are probably a part of a classic rock series...the 'riff-raff' have left Ian and Tull in their rear view mirrors a long time ago...Tull audiences know how to behave when Ian is presenting new and/or quieter work...the difference in audiences is not defined by the words on the ticket ( Tull vs Ian) but by the venue he books...he'll get his well-behaved audiences in nice, dignified, music hall venues...and he'll get drunken riff-raff in casinos and state fair arenas.....the Tull/Ian split is really about Ian needing younger, hungrier, available-devoted sidemen (Florian, Scott) sometimes vs the older guys who can slip into Tull mode a bunch of times a year (Doane, Martin).
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Post by nonrabbit on Nov 4, 2012 23:28:49 GMT
So we have to sit on each side of Patti at any gig she attends and hit her with the duct tape, as needed. With the exception of festivals or summer outdoor gigs that are probably a part of a classic rock series...the 'riff-raff' have left Ian and Tull in their rear view mirrors a long time ago...Tull audiences know how to behave when Ian is presenting new and/or quieter work...the difference in audiences is not defined by the words on the ticket ( Tull vs Ian) but by the venue he books...he'll get his well-behaved audiences in nice, dignified, music hall venues...and he'll get drunken riff-raff in casinos and state fair arenas.....the Tull/Ian split is really about Ian needing younger, hungrier, available-devoted sidemen (Florian, Scott) sometimes vs the older guys who can slip into Tull mode a bunch of times a year (Doane, Martin). Then there's the physical closeness of musician to audience. The last place I seen him was an old theatre with the audience looking up at the act. However there was a bit too much restraint bordering almost on indifference from the audience, well maybe not indifference more not having the energy to do anything. If you go to a comedy - you laugh! If you go to hear a musician - you sing! .............joking
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Post by Deleted on Nov 5, 2012 20:19:35 GMT
Ian Anderson Performs Thick as a Brick in DetroitIan Anderson Thick As A Brick tour November 4, 2012 By: N. Wrona www.examiner.com/article/ian-anderson-performs-thick-as-a-brick-detroit"I was here in '67," said a man, just before he was engulfed by the shuffling madness of the crowd. They poured into the Fox Theatre under the staggering lights of the marquee that read "Jethro Tull's Ian Anderson, Tonight at 8." And so, 40 years after the initial release of the 1972 album Thick as a Brick, listeners would have the chance to hear Part II, which Anderson composed and released this past spring, played in its entirety alongside the original Part I. Thick as a Brick II provides listeners with the fate of the central character that was introduced in the original album. Anderson focused on five plausible outcomes for the life of Gerald Bostick, whom we first met at the age of eight. The alternate endings, mimicking real life, allow listeners to choose their own ending, dependent upon what paths they envision Gerald taking. The evening opened with a short film which re-introduced Mr. Bostick. And then he was there, standing on the side of the stage. Waiting patiently for his role to begin, Ian Anderson escorted us through his progressive rock musical mystery. Anderson is a true showman, full of energy and tomfoolery. He stomped around like a rock and roll pirate, tearing the house down with his flute and enthusiastic performance, thereby successfully bringing the scenes of his rock opera to life. He did provide his audience with his trademark- he rocked the sh*t out of his flute, even obliging fans with the flamingo stance of standing on one leg while playing it. Anderson jumped around and led his band like the pied piper. There were five musicians accompanying Anderson, two of whom were childhood friends of the artist. Members included keyboardist and accordion player extraordinaire John O'Hara, bassist David Goodier, guitarist Florian Ophale, Scott Hammond on drums, plus special guest violinist Anna Phoebe who appears briefly 'live' via skype. The band was tight and totally in synch, even down to their choreography. The rock opera style event played out as such. Props were used sparingly, exaggerated facial expressions had their place. The inclusion of multi-media elements kept it from getting stale. The pace of the show itself never lacked. At one point it did get a little Tommy, but it was rescued by Anderson. He refused to allow Thick as a Brick to rest on its laurels. Incorporating multi-media, onstage antics, and throwing traditional theatrical elements into the show saved it from turning into the typical reunion tour. The musicians received a standing ovation as introductions ensued. After the final notes were played, Anderson led the band in a deep bow. That, too, was done with much bravado. They exited. After the long standing ovation, they returned, with Anderson following, shimmying back into place. Full steam ahead as the band ripped into the encore- "Locomotive Breath" screamed through the crowd, causing it to erupt. It was a full-throttle end to an ambitious show. The million dollar question is did Thick as a Brick II live up to Part I? In cases such as these, there is usually no contest, the original often fares better. Although word on the street- Woodward- is that "Part II is better." Surprise! Decide for yourself, check out Thick as a Brick Part I & Part II. A complete list of North American & European 2012 tour dates and venues listed here. www.j-tull.com/tourdates/index.html
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Post by Deleted on Nov 5, 2012 20:23:30 GMT
www.etonline.com/music/126535_Jethro_Tull_s_Ian_Anderson_Returns_to_Thick_as_Brick/Jethro Tull's Anderson Returns to 'Thick as Brick' By DAVID WEINER November 05, 2012 It was intended to be a bit of a spoof, actually -- a send-up of the pretentiousness of progressive rock. Four decades later, people are still taking Jethro Tull's Thick as a Brick seriously as a musical masterpiece, and Tull founder and frontman Ian Anderson has returned to his classic, twisted tale with a brand-new sequel album and tour. Ian took the time to talk to ETonline about his inspiration for writing an entire album from the perspective of a confused little boy named Gerald Bostock; why he finally decided to write Thick as a Brick 2; the sorry state of the music industry today -- plus his salmon farming days and his unique connection to The Walking Dead. The 40th Anniversary edition of Thick as a Brick will be available November 6 from EMI with a special set containing both Thick as a Brick and Thick as a Brick 2 on vinyl packaged with a special 72-page book containing new interviews, rare photos and tour mementos, and a reproduction of the complete, original St. Cleve Chronicle newspaper featured on the album cover. A 40th Anniversary Set containing the original Thick album remixed on 5.1 stereo CD and DVD along with the book is also available. Related: What's with 'The Walking Dead' and Jethro Tull? ETonline: How did the idea first come about for Thick as a Brick? Ian Anderson: I didn't want to make another album that just was Aqualung Part II, but do something different. It felt the right time to do something that was in part spoof, parody if you like, of the prog rock genre of the day, and partly was a serious endeavor to extend both lyric writing and music writing to a higher level of technique and detail than I'd done before. ETonline: What prompted you to write an album from the point of view of Gerald Bostock, an 8-year-old boy, and even credit the lyrics to him? Ian Anderson: Well probably there was a little bit of autobiographical stuff going on from my own school days and pre-school days, really. Definitely in the pre-teen years from seven to ten, that was a period when I suppose a lot of us get some ideas about things, which turn out quite often to be really quite horribly wrong, and we discover that in our mid-teens that we were just sold a lie, or we misconstrued certain notions -- perhaps of gallantry, bravery, responsibility. So yes, there's quite a lot of autobiographical little elements on Thick as a Brick 1, and as indeed on Thick as a Brick 2, a certain amount of the manifestations of Gerald as a grown up, I'm drawing upon my own experiences as well as experiences of friends, acquaintances, and putting together those different characters. ETonline: Since it was sort of meant to be somewhat of a satire of the pretentiousness of rock, do you look back in retrospect and take the first album pretty seriously? Or do you still see it more from the humor point of view? Ian Anderson: Well I think the whole point of the album was that they had to work on both levels. It had to be both parody and have an element of seriousness as well. And I tried to strike, back then, that right balance, and hopefully the performance today, that's the way we do it. There is an element of seriousness, as well as that slight fun-and-games, tongue-in-cheek element there too, so it's kind of important for me to have those things going on side-by-side, both with Thick as a Brick 1 and Thick as a Brick 2, which is more serious and less parody -- but still has its upbeat humorous moments and I try and balance out the serious, thoughtful bits with the more whimsical, amusing bits. It's part of trying to write with some light and shade, some dramatic content, a degree of entertaining complexity. Related: McCartney: Yoko Didn't Break Up Beatles ETonline: Is there a certain amount of freedom by not being limited by the two or three-minute song structure? And was it difficult to pull it off? Ian Anderson: There is a degree of freedom, but when I started off … I ran the restrictions of a vinyl album, and back then that's all we had. Nowadays, of course, we have various different forms of media and we don't have necessarily the same restrictions. You could shoehorn 80 minutes onto a CD if you want, but you can only shoehorn realistically about 25 minutes a side onto a vinyl album. … I'm not a vinyl fan. I loathe the stuff, but that doesn't mean that other people who do like it aren't meant to [be served by the format] -- just as I'm not a Christian, but every year I do charity concerts in churches and cathedrals for the benefit of those who enjoy being in those buildings, to be served by their notions of the Christian religion and the Christian God, so I'm an easy going guy, I'm just there to please. ETonline: I like that. You're equal opportunity to the Luddites as well as the high-tech. I was pleasantly surprised to know that Thick as a Brick 2 was even coming out. How long has this been kicking around in your head? From the moment you finished the first Thick as a Brick in '72, did you think you would ever be coming back to this? Ian Anderson: No, no. I was all determined for 39-40 years that I would never make a sequel to Thick as a Brick, because it just seemed to be a stand-alone, one-off thing that was best left where it was. But it was the challenge, I supposed, laid down to me a few times by people in media, fans, record company guys, you know? Several times over the years I've been asked to seriously consider making a sequel, and finally, of course after 39 years, I suddenly thought, 'Okay, well now I have a way to do this through the very simple question: Whatever happened to Gerald Bostock, and what might've happened to the St. Cleve Chronicle, the fictitious newspaper that's on the cover of the original album?' And so those two questions demanded an answer, and the answer was in February of last year I sat down and wrote between 15 and 20 different scenarios that might reflect what young Gerald Bostock might've become, and decided to go out and pick five of them and extrapolate on those. … I suddenly had a concept, if you like, that made sense to write an album for today, not an album for the nostalgic way that was a sequel set in '72 or '73. I really didn't want to go back there. I wanted to do something that was about today and the world in which we live in today, which in many ways is very different than the one of 40 years ago. ETonline: Have you closed the book on Gerald? Ian Anderson: I really thought I had until about two weeks ago, and I woke up in the middle of the night with another thought. It's certainly not Thick as a Brick 3, but I just thought maybe Gerald has a little life in him yet. I just kind of like the more or less weekly newsletters called The Bostock Diaries which appear on our web site and on Facebook. … I rather like the rather cantankerous, failed politician and middle-aged, getting a bit kind of angry -- I quite like the angry Gerald, so I actually think I might possibly have just another Gerald moment in 2013, but a very different one to this. Related: Celebrities Lend Their Star Power to Sandy Victims ETonline: I was watching a vintage clip from Letterman of you smoking a pipe, talking about salmon farming and the Loch Ness Monster. Are you still in the salmon farming business? Ian Anderson: No, that was 20 years of my life, really, between '78 and 2001-2002, and I decided it was probably time in my life to step back from doing things other than music, because I felt I really had to make a choice, and I didn't feel like I could possibly carry on with the responsibility of running a company employing 400 people -- and with quite often difficult decisions to make regarding not only the commercial side of running a company, but the ethical side of running a company. And so some things about the intensive nature of fin fish farming and some of the environmental issues, they kind of helped me decide that it was probably time to get out of that. If I was going to have a carbon footprint in life, I'd rather it came from a musical direction than through the increasing industrial scale of agriculture. ETonline: For this social media generation, why do you think Jethro Tull's music endures? What is it about the music that is timeless to this day? Ian Anderson: I think that it works on two levels. I think that there are those who come to Jethro Tull music either as adults or as teenagers because they hear it and they like it. Intrinsically, it's the music, but there are also those that perhaps hear it because they have diligently sought it out, because they're interested in the historical perspective of rock music. And particularly for younger people, it helps identify who you are in the context of your parents if you listen to the music they listened to, if you watch the movies they watched, if you read the books that they read. I think that we find out about ourselves by finding out about our parents. … I think that's why people will often discover the music of the previous generation by checking out what their parents listened to and wondering about it. … It's easy enough to go to Mr. Google or Mr. Amazon or Mr. iTunes and hit the button and download a track or just listen to it for free. In fact, all they really have to do is just go to JethroTull.com where 24 hours a day Jethro Tull repertoire is playing on the live streaming Tull Radio, which is on the home page. ETonline: Do you have strong opinions about the access to free music these days compared to going to a traditional brick and mortar store or buying music on Amazon or iTunes. The fact that so much is free now, have you given in to this new territory, or does it bother you? Ian Anderson: It doesn't strictly bother me in regards to people who have made a ton of money selling records over the last twenty, thirty, or forty years. It doesn't bother me. What bothers me is really the artists trying to make a go of it today -- young musicians struggling to find an outlet for the music find it very, very difficult to be rewarded for their effort. … You had a fighting chance 40, 50 years ago making a living as a musician. These days the odds against you are overwhelming that you're ever going to get paid for what you do, and it's really a tough world. I'm quite angry about the fact that people have gotten used to the idea that they simply don't have to bother paying for anything. It doesn't seem to be an ethical question -- it's just almost like you're stupid if you actually pay for it -- but somebody has to make the records. They don't make themselves. Somebody has to publish them, somebody has to make them available in its physical content, and to market and promote what you're doing costs just as much money -- arguably even more -- than it did back in the days when physical product was all there was. … You can go and look at the reality: record companies and airlines are in deep $h1t, and to some extent, for kind of similar reasons. It has to do with enormous difficulty in competing. … You have very few record companies left on planet Earth, and they're all fighting for survival in a very difficult economic climate. ETonline: That topic surely requires a very long conversation, and I appreciate your bite about that. I'll just wrap it up by asking, what's next for Ian Anderson and Jethro Tull? Ian Anderson: All of this year, apart from the Christmas concerts that I do a few of each year, everything else is the Thick as a Brick tour. … There will be, during the course of 2013, some shows that will play other repertoire. In essence it'll have ended up being close to a two-year run of that Thick as a Brick material -- but if it wasn't going well, I wouldn't keep doing it. For even more of Ian's interview -- in which he extolls the virtues of being step-dad to The Walking Dead star Andrew Lincoln -- CLICK HERE. www.theinsider.com/tv/56231_What_s_with_The_Walking_Dead_and_Jethro_Tull/
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Post by bunkerfan on Nov 6, 2012 19:48:50 GMT
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Post by Deleted on Nov 8, 2012 14:59:52 GMT
The Bengal's Purr Lewiston High School Lewiston, ID Jethro Tull show thicker than bricks Wednesday, November 07, 2012 By Kevin Dillard - King my.hsj.org/Schools/Newspaper/tabid/100/view/frontpage/articleid/553149/newspaperid/4415/Jethro_Tull_show_thicker_than_bricks.aspxLights dimmed slowly, the babble of the audience hushed and a man in a long, brown coat walked out onto stage. He pushed a broom across the floor in the dim light. Several other men joined him and they cleaned the stage. The tone quickly changed from a serious to a humorous tone when one of the men picked up a woman’s bra from behind a monitor. The men finished cleaning the stage and exited. A single spotlight shone stage left and illuminated an older gentleman who played a small guitar. ”I really don’t mind if you sit this one out,” he started to sing. Ian Anderson, front man, flutist and lead vocalist of “Jethro Tull” stood there, animatedly singing ”Thick as a Brick”. Anderson’s stage antics wowed audiences for 44 years. According to his website, Anderson played over 3000 concerts – typically about 100 per year. A young man appeared on the stage, dressed in maroon and black. He twirled a stick, performed stage antics and sang. Ryan O’Donnell assisted Anderson with the singing. Scott Hammond tapped quietly on the drums, and John O’Hara’s talent on the keyboards appeared instantly as they joined Anderson’s and O’Donnell’s singing and playing. Finally, the guitars started. Bass and electric guitars joined the ensemble, played by David Goodier and Florian Opahle, respectively. Opahle easily filled the massive shoes of Martin Barre, the original “Jethro Tull” guitarist. A master guitarist, Opahle mostly tours with other bands; currently, he tours with “Jethro Tull”. In 2005, however, “The Greg Lake Band” invited him to tour with them. “The camaraderie is great with the guys. You spend so much time together, and, of course, that sometimes means the girlfriend is gone,” said Opahle. When asked about feeling pressure to perform, Opahle replied, “That really isn’t much of an issue. I feel that isn’t a path I should go down. It is not good.” Opahle’s easy going manner hid his massive talent. At 29, Opahle’s talent at such a young age surprised many listeners. The ease with which he played the flowing, and sometimes complex, solos of the entire “Thick as a Brick” setlist astounded listeners. “Jethro Tull”’s longest song finally ended. Anderson spoke to the audience about growing old, and the importance of regular doctor checkups. An older gentleman made his way across the audience, apparently to use the restroom. Anderson harangued the man, saying that some people’s bladders refuse to hold even halfway through a rock concert. Anderson took the opportunity to turn the situation into a hilarious Public Service Announcement about the importance of regular prostate checks. Intermission ended, and a video once again appeared on screen. Anderson, in disguise, provided the audience with a tour around his fancy home in England. The video faded into the start of “From a Pebble Thrown”. The screen showed a theme park ride called “Ghost Train”, which referenced the song, “Take me on the ghost train. 20 [Pence] and there you are!” “Pebbles Instrumental” consisted mostly of Anderson and Opahle playing back and forth, with O’Donnell dancing and pretending to play instruments. Anderson then spoke his poem, “Might-Have-Beens” to the audience, which then turned into “Upper Sixth Loan Shark” and then to “Banker Bets, Banker Wins” which also displayed a video. The video contained much poverty, pigs and a bunch of richly dressed men gambling. “Thick as a Brick” progressed impressively with many lights and excellently performed songs after that, until “Swing it Far”, where the lights flashed and flared. The concert went on to “Adrift and Dumbfounded” where O’Donnell disappeared. Anderson finally provided Goodier a chance to show off his bass skills in a long solo. Anderson appeared to be telling the tale of Gerald Bostock, the man Anderson wrote about in the albums, until “Give ‘Til it Hurts”. O’Donnell reappeared dressed in black priest robes, and asked the audience and band members for donations. Anderson spoke another poem he wrote, called “Cosy Corner”, and O’Donnell changed into proper clothes – a vest, dress shirt, and dress slacks. The concert ended all too soon, and the band exited. After a couple minutes of thunderous applause from the estimated 2,300 audience members, the band reentered the stage. O’Hara started one of “Jethro Tull”’s most popular songs – “Locomotive Breath”. After the encore, the audience slowly shuffled out of the concert hall. The carefully constructed show and the story that the band told created a massively impressive show. The huge amount of talent from the band members and the lyrical content entertained and wowed. The way the group acted together, the talent and the music inspired awe. The intense light shows created an air of excitement. The conglomeration of all these properties earned this concert five-out-of-five stars.
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Post by Deleted on Nov 8, 2012 15:54:23 GMT
www.vindy.com/news/2012/nov/08/pianists-latest-release-has-a-mythical-q/IAN ANDERSON CONCERT WAS ONE OF the YEAR’S BEST Akron’s Civic Theater was a fine setting for Ian Anderson’s concert Sunday night. The auditorium is ostentatiously ornate, as baroque as a European cathedral. As such, it was a visual counterpart to “Thick As A Brick,” the 1970s Jethro Tull album that was played in its entirety at the show. Anderson is the visionary songwriter-singer-flautist for Tull, and “TAAB” is his concept-album masterpiece, an epic rock symphony filled with introspective melodies, sudden time changes, sweeping overtures and literate lyrics. “TAAB” comprised the first half of the concert, while “TAAB 2” — the worthy 2012 sequel that musically parallels the original while updating the story of its protagonist — was played in its entirety in the second half. Anderson is rock’s pied piper, and he was in fine form, striking his trademark “flamingo” pose — left leg cocked and resting on right knee — during flute solos. The band wasn’t the familiar Tull lineup (no Martin Barre on guitar), but was every bit as good. Anderson enlisted Ryan O’Donnell, a young actor-singer, to share lead vocals, and his stage moves added a Shakespearean flair. Theatricality, in fact, was a hallmark of the concert — punctuated by wacky British caricatures, delivered via video from Anderson’s staid and silly alter-ego. The capacity crowd’s standing ovation was rewarded with “Locomotive Breath,” an encore to one of the best concerts of the year.
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Post by Tull50 on Nov 9, 2012 15:55:13 GMT
Ian Anderson Return to Barcelona Festival Mil.lenni 6 feb 2013 – 21h Palau de la MúsicaIan Anderson, the brilliant player and the voice of the legendary band Jethro Tull, is known worldwide as the best piper in rock history. So far, there is no real pretender to the throne. Ian plays guitar and mandolin and is accompanied by ethnic flutes and whistles filled the repertoire of richly textured Jehtro Tull. Jethro Tull, one of the most original bands of the British progressive rock was born from the merger of the 'John Evan Band' and 'McGregor'Engine', two well-known British groups locally who based their sound in the blues. They were the last years of the sixties. Throughout its history, the band has crossed the jazz, blues, folk, art rock, electronica and even heavy metal. In these four decades, Jehtro Tull and Ian Anderson have released 30 albums, including those recorded in the studio and that were published direct result of the banda at different locations all over the world. Undoubtedly, despite the variations, each album has the unique sound of the band. With over 60 million copies sold, visited Barcelona in a concert hopes to be one of the jewels of the Fourteenth Millennium Festival and with the band celebrates its 44 anniversary, preparing a special production for this reason: "Jehtro Tull's Ian Anderson Thick as a Brick 2". www.festival-millenni.com/jethro-trull/Palau de la Musica de BarcelonaWell I am very happy to see the show again TAAB 1 & 2 this time in Barcelona in one of the most beautiful places and where only allowed to play the great musicians, I think it's an honor for Barcelona and Ian Anderson get playing in the Palau de la Musica (Palace of Music in Barcelona)
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Post by steelmonkey on Nov 9, 2012 16:22:23 GMT
Lucky!
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Post by nonrabbit on Nov 9, 2012 17:25:59 GMT
OMG and is that sun streaming though the top windows? That's something Catalonia and Scotland don't have in common ;D
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Post by Tull50 on Nov 9, 2012 17:54:50 GMT
OMG and is that sun streaming though the top windows? That's something Catalonia and Scotland don't have in common ;D It really is something unusual for a rock group be allowed to play in the Palau de la Musica, I've only attended classical music concerts and many years ago I attended a concert by Lou Reed, both the place and the acoustics are awesome! I'm very happy! I'm sure they have something similar in Scotland
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Post by nonrabbit on Nov 11, 2012 10:01:11 GMT
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Post by maddogfagin on Nov 12, 2012 10:10:28 GMT
Ian Anderson Live 2012 Thick as a Brick Pt 1 10/27/2012 - Houston, Tx
Published on 11 Nov 2012 by DeadMikeDOTcom
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Post by steelmonkey on Nov 14, 2012 16:51:53 GMT
Remy...you trying to tell me that Tull and Lou Reed are NOT classical music ?
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Post by Tull50 on Nov 14, 2012 21:31:57 GMT
Remy...you trying to tell me that Tull and Lou Reed are NOT classical music ? Of course they are classics, but I was referring to orchestras... In Spain say classical music to orchestral music (Bach, Mozart, Beethoven etc.), an error,you're right but I can not imagine the Stones in the Palau de la Musica
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Post by steelmonkey on Nov 14, 2012 22:00:15 GMT
That's cuz Mick and Keith aren't fit to sharpen the pencils of Lou Reed and Ian Anderson.
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Post by Tull50 on Nov 14, 2012 22:37:09 GMT
That's cuz Mick and Keith aren't fit to sharpen the pencils of Lou Reed and Ian Anderson. LOL you're right again ;D
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Post by maddogfagin on Nov 15, 2012 18:42:40 GMT
Thick as a Brick Pt 2, 10/27/2012 - Houston, Tx
Published on 11 Nov 2012 by DeadMikeDOTcom
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Post by bunkerfan on Nov 26, 2012 20:28:04 GMT
Ian Anderson @ Chicago Theater 11-2-2012Great drumming from Scott Hammond. I wonder what the past Tull drummers think of his performance? www.youtube.com/watch?v=oWs33-VKNvAUploaded by bobhilbi
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Post by salamander on Nov 26, 2012 23:33:04 GMT
It was some amazing drumming by Scott. My husband said, "Wow! A drum solo! Have we ever had a drum solo?" A great job by all!
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tullist
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Post by tullist on Nov 27, 2012 2:15:06 GMT
Read in one of the reviews, I forget which town because I think it was not London, that Barrie had seen the show and been very impressed with Scott. I know I read recently that Doane saw, likely, the Long Beach show, nothing was written of his impression, if he did not like it, he just might be too much of a gentleman to say so! But where Scott's work is concerned, what's not to like.
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chea
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Post by chea on Nov 30, 2012 9:56:46 GMT
Hello to all friends and J. T Fans. Among just 5 days, I assist my 3rd TaaB2 show this year. This time in Modena, in my own country. I am so happy for this. Our favourite Band never leaves us alone !! Tell about whole story on my return. M.
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Post by nonrabbit on Nov 30, 2012 16:05:20 GMT
Hello to all friends and J. T Fans. Among just 5 days, I assist my 3rd TaaB2 show this year. This time in Modena, in my own country. I am so happy for this. Our favourite Band never leaves us alone !! Tell about whole story on my return. M. Your greedy Chea but I can't say I blame you!! Have a great time and let us know Patti
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Post by maddogfagin on Nov 30, 2012 18:24:17 GMT
Hello to all friends and J. T Fans. Among just 5 days, I assist my 3rd TaaB2 show this year. This time in Modena, in my own country. I am so happy for this. Our favourite Band never leaves us alone !! Tell about whole story on my return. M. Chea - look forward to reading your review of the Modena concert ;D
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Post by bunkerfan on Nov 30, 2012 21:04:59 GMT
Hello to all friends and J. T Fans. Among just 5 days, I assist my 3rd TaaB2 show this year. This time in Modena, in my own country. I am so happy for this. Our favourite Band never leaves us alone !! Tell about whole story on my return. M. Have a great concert chea, I'm sure you'll enjoy it as Ian and the band are sounding better and better as the tour goes on. Not long for me to see Ian at St. Nicholas Cathedral......Can't wait!
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Post by maddogfagin on Dec 1, 2012 9:05:33 GMT
Published on 30 Nov 2012 by MrPlahtinen
Adrift and Dumbfounded, Oslo, Norway - 28.11.2012
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chea
Master Craftsman
Posts: 356
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Post by chea on Dec 3, 2012 15:10:56 GMT
Hello to all friends and J. T Fans. Among just 5 days, I assist my 3rd TaaB2 show this year. This time in Modena, in my own country. I am so happy for this. Our favourite Band never leaves us alone !! Tell about whole story on my return. M. Your greedy Chea but I can't say I blame you!! Have a great time and let us know Patti Thanks, i will. I just learned by a friend which was in the audience at the show in Padova two evenings ago, that Ian has fell down, because he found something on his walk on the stage, playng " Locomotive breath ", but no damages for him, anyway. M.
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