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Post by nonrabbit on Apr 26, 2016 8:11:41 GMT
For a poor, homeless guy...Old Aqualung has generated a lot of money for Tull and record companies and concert promoters...subtract Aqualung from Tull history/catalog and we would really be talking about an obscure, cult band. Viva Aqualung...even if I really don't need to hear another live song ever. ( well, looking forward to 'Wind-Up' on current tour). That's very true. I wonder if donates to homeless charities? Not that he should feel compelled to do because of that point, but given how he is generous to other causes and how he felt guilty about using Tull the agriculturists name - wonder if he does?
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Post by maddogfagin on Apr 27, 2016 14:28:42 GMT
For a poor, homeless guy...Old Aqualung has generated a lot of money for Tull and record companies and concert promoters...subtract Aqualung from Tull history/catalog and we would really be talking about an obscure, cult band. Viva Aqualung...even if I really don't need to hear another live song ever. ( well, looking forward to 'Wind-Up' on current tour). That's very true. I wonder if donates to homeless charities? Not that he should feel compelled to do because of that point, but given how he is generous to other causes and how he felt guilty about using Tull the agriculturists name - wonder if he does? When we were organising the first UK Convention back in '89, either Graham S. or myself asked about a charity donation to one of IA's choice and the word came back that if we were to donate it could be the NSPCC which I think was Mrs IA's choice. It seems to be the case of a specific concert for a given charity or donating memorabilia etc to which ever charity asks, either through "official" channels or in person. The Helping the Heroes concert back in 2014 is an example of the former and the latter from this piece I saw on the web yesterday. Two fathers fight against Rett SyndromeBesides the book, which will be available at Neuro-Palooza for $45, Balak will also have up for auction rock 'n' roll memorabilia donated by artists including Ian Anderson of Jethro Tull and Paul Rodgers of Bad Company and Queen.
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Post by maddogfagin on May 4, 2016 7:53:41 GMT
bravewords.com/news/ian-anderson-talks-45th-anniversary-of-jethro-tulls-aqualung-album-audio#.VymgupjCBpc.twitterIAN ANDERSON TALKS 45TH ANNIVERSARY OF JETHRO TULL'S AQUALUNG ALBUM (AUDIO)May 4, 2016, an hour ago North American syndicated rock radio show and website InTheStudio With Redbeard: The Stories Behind History’s Greatest Rock Bands celebrates the 45th anniversary of Jethro Tull’s international breakout album Aqualung with singer/songwriter and flautist Ian Anderson. Definitely not your typical rock star, wild-eyed Englishman, Ian Anderson literally leaped onto the London music scene in 1968 at the front of Jethro Tull. His Elizabethan madman look, standing on one leg complete with striped tights and sashes, made him a standout, not to mention his musical weapon of choice being a flute instead of a guitar. After three critically and moderately successful Jethro Tull albums, in 1971 Ian wrote the songs for Aqualung which include timeless fan favorites “Cross-Eyed Mary”, “Locomotive Breath”, “Mother Goose”, “Hymn #43”, the title song “Aqualung” and “My God”. Pitting the familiar struggle of spiritual faith with sometimes hypocritical worldly religion (a topic popularized then in other mediums like the musicals Jesus Christ Superstar & Godspell), Aqualung may very well have been the headiest record of its day. Ian Anderson elaborates to InTheStudio host Redbeard. Ian Anderson: “The crazy thing about writing an album like Aqualung is that a lot of these things I wrote about were actually what I felt about when I was fifteen or sixteen. I don’t feel that different now. Not a lot has changed... It’s an important piece of music to me and once in a while there’s a kid in the audience, seventeen years old or whatever, for whom it becomes important.” The interview with Anderson is available for streaming at this location - www.inthestudio.net/redbeards-blog/jethro-tull-aqualung-45th-anniversary-ian-anderson/
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Post by steelmonkey on May 4, 2016 17:49:46 GMT
Agree with Ian...topics addressed on Aqualung : Homelessness, equality of man in eyes of God... God him or herself...'organized' religons...hypocrite Bible and Koran thumpers...as or more relevant today than at time of Aqualung release.
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Post by maddogfagin on May 6, 2016 8:30:32 GMT
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Post by steelmonkey on May 6, 2016 17:33:28 GMT
'But tonight we're gonna party like it's ninteen seventy one'
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Post by JTull 007 on May 11, 2016 2:34:15 GMT
Nice little video with the new AQUALUNG Jethro Tull / Aqualung 'Adapted' 4-disc repackage SuperDeluxeEdition
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Post by maddogfagin on May 15, 2016 9:29:55 GMT
Anohni, Meghan Trainor, Keith Urban and James Blake top this week's new music DARRYL STERDAN, POSTMEDIA NETWORK FIRST POSTED: FRIDAY, MAY 13, 2016 07:00 AM MDT www.edmontonsun.com/2016/05/13/anohni-meghan-trainor-keith-urban-and-james-blake-top-this-weeks-new-musicJethro Tull Aqualung: 40th Anniversary Adapted Edition When is a 40th anniversary edition not a 40th anniversary edition? When it’s this 40th anniversary edition of Jethro Tull’s Aqualung, my friend. The main problem: Ian Anderson and the British prog-rockers’ landmark fourth album came out in 1971 — 45 years ago — and was already celebrated with a 40th anniversary “Special Edition” in 2011. So why is it back just five years later in a so-called “Adapted Edition?” Well, supposedly because fans disliked the mastering on the previous go-round. So the powers that be brought in remix master Steven Wilson — who has already handled several other titles in Tull’s recent reissue series — to give it a shot. And it’s hard to grumble about the results: As usual, Wilson subtly improves and cleans up the sound quality while maintaining the integrity of flute-rock classics like Cross-Eyed Mary, Hymn 43, Locomotive Breath and the title cut. Like its predecessor, this version also includes a second CD of excellent “associated recordings” — including outtakes and the Life is a Love Song EP — along with one DVD of 5.1 audio mixes, another featuring an old quad mix, hi-res flat transfers of all the music and a short promo film. And there’s an 80-page book containing a 6,000 word essay, anecdotes from the bandmembers, lyrics, photos, tour itineraries and more. It doesn’t have the vinyl and Blu-ray audio of the previous edition, but it’s been repackaged into the same book-box formula as previous reissues like WarChild and A Passion Play, so it will fit in seamlessly on your shelf. More simply: If you already own the 2011 box and aren’t too picky, you’re good. But if you’d like to upgrade your old CD or vinyl version, there’s never been a better time — and likely won’t be until 2021. RATING: 4.5 (out of 5)
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Deleted
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Post by Deleted on May 15, 2016 13:27:42 GMT
Bonus tracks now in 5.1: *not on 2011 set in 5.1 *Just Trying To Be *Wind Up (early version) *Wond’ring Aloud, Again (full Morgan version) Jethro Tull 5.1
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Post by maddogfagin on May 23, 2016 14:13:26 GMT
ekstrabladet.dk/musik/intlmusiknyt/jethro-tull-alt-eller-intet-album/6084135 [ a google translation would you believe ?] May 16, 2016 - kl. 17:40 Jethro Tull: All or nothing album'Aqualung', which is reissued in deluxe version, sent Jethro Tull on star travel By: Allan Lykke Jethro Tull with the crew of 'Aqualung'. Ian Anderson sits on the bottom right. Alongside him he has the actress Julie Ege, who hands over the band a gold record for the first part of the sales of the album. (Photo: AP)The record company Island Records studio in Basing Street, London, was well visited in December 1970th At one end of the building, actually a converted church that was Led Zeppelin started with the recording of the band's fourth album, while in another part stayed Jethro Tull himself and was about to record the group's most successful album, 'Aqualung' which over the years has been given the label 'milestone' not only in the band's development, but also in rock history. - There was a feeling that it was an all or nothing album, either a big step forward at international level, or it would send us back to the start, says the ubeskridte leader Ian Anderson, who as always had written all the songs and conjured on singing, flute and acoustic guitar. Do you think this is okay? - I remember that I was the last day we just lacked mixing the last song, left the studio at. 6 in the morning with John Evan (keyboard-man) to get some early breakfast, and I told him that I do not really know what we 'had here'. See also: Jethro Tull has packaged together - 'Do you think this is okay?'. I was really unsure whether the observed. I felt it was important to have good reviews. They really meant something back then, which was released 4:00 to 5:00 music magazines every week. They could either give you a page's love or hate, depending on their reaction to what they heard. So you could not help but worry about what came to be on the shelves the day after, says the now 68-year-old front man. Ian Anderson on stage in the 80s. (AP Photo) No need to worry now he had no need to worry. 'Aqualung' got an arrow up, both by reviewers and especially record buyers. And there is gored in the neighborhood of 10 million copies of store discs in the 45 years that have passed since the plate was issued. 'Aqualung' was Jethro Tulls fourth album in just three years (after 'This Was', 'Stand Up' and 'Benefit'), and impressive enough was Ian Anderson just 23 years old when he wrote the songs, which at that time was considered a concept album with criticism of organized religion as a continuous thread. Ian Anderson denied - and denies - that was the case, but it was hard to convince religious fanatics in the American South on. - We saw some ritual burnings of the plate, but it was probably just what you might expect. But even I experienced never any direct confrontation or attempt to harm me, but there were probably said some things and made some threats that our manager thought it best to keep us unaware. Not a fan of the cover album is also known for its cover a tattered figure with a big beard and a long coat, which may well be confused with Ian Anderson appearance then. Precisely for the same reason he has never cared for cover. - I did not really about it and would not have it that way. I would not appear as a pimple. But now it has become this iconic album cover. Later brought the artist behind the picture, Burton Silverman, action against 'anyone who was involved in the plate', the commercial exploitation of his work. - He got no direction of $ 5,000 from the record company at the time, so he was quite well paid. The record company figured then that it had bought the picture for use of t-shirts and everything else. I just shook his shoulders and said, 'it has nothing to do with me, I have not approved it covers'. There it ended.
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Deleted
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Post by Deleted on May 23, 2016 15:23:25 GMT
Razer Hammerhead Pro V2The signature, sinister guitar riffs and slow, cacophonous drums of Jethro Tull's "Aqualung" are powerful and imposing through the earphones, but don't overwhelm the vocals. The jangly guitar strums of the quieter parts of the song are crisp, though the midrange noticeably dips as the highs and lows are sculpted around it.
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Post by nonrabbit on Jun 6, 2016 7:20:18 GMT
i65.images obliterated by tinypic/2med6o7.jpg[/IMG] As I did walk by Hampstead Fair I came upon Mother Goose So I turned her loose But she was screaming
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Post by rockodyssey on Jun 15, 2016 17:23:43 GMT
AQUALUNG (1971)
Jethro Tull vehemently deny that this is a concept album, so, as a public service let me offer some pointers to any bands starting out as to how to avoid this kind of confusion.
1. Do not include references to characters that appear in more than one song.
2. Do not have those characters interacting with each other
3. Do not give titles to each side of your album, this can be misconstrued as an indication that there is an underlying theme.
4. Do not thematically link the songs on each side so that they reinforce the misapprehension that the listener might suffer from point 3.
5. Do not ply your trade in the early seventies when concept albums were the done thing (admittedly this is quite an easy one to avoid in 2016).
6. Do not follow up your album with another one which does all of these things again and which you say is a parody of a concept album.
By following these simple steps, embarrassment can be easily avoided. Unfortunately JT make every one of these schoolboy errors. However, why they should disown the CA tag is beyond me. Is it a kind of inverted snobbery on Anderson's part - "We're not up ourselves like everyone else"? Even if it wasn't intended, there's no shame in admitting that you wanted a degree of coherence to feature in the album as a whole is there?
One thing that sets Tull apart from their contemporaries is an earthiness bordering on the obscene. The title track itself is a tale of a rather unsavoury down-and-out and is followed by 'Cross-Eyed Mary' about a schoolgirl prostitute. Later on 'Locomotive Breath' pulls no punches as the deconstruction of a man's life is told through the metaphor of a runaway train. They also do a nice line in whimsical balladry with 'Slipstream', 'Mother Goose' and 'Wond'ring Aloud'. Musically I'd say that the Anderson's flute makes way for Barre's guitar, which, despite being Tull's USP, is a good thing, and Anderson still manages to fit in a good blow on 'My God'. The chuggy guitar scratching on 'Hymn 43' is particularly good.
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Post by Deleted on Jun 16, 2016 15:50:02 GMT
Dynamically Sound: 12 Recent CD Releases That That Aren’t Brickwalled.Jethro Tull – ‘Aqualung’ (2016 40th anniversary reissue) DR13 Music as dense and complex as prog rock needs dynamics for the multiple elements to breathe, something that Steven Wilson had firmly understood. And his remixes of classic prog albums has resulted in some of the most dynamic CD reissues in recent memory. The recently released slimmed down reissue of the 40th anniversary ‘Aqualung’ box set removes a lot of the heavy handed remastering that blighted the first issue of the box set, resulting in a CD that is the most respectful to the bands mixture of the quiet and the loud.
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Post by JTull 007 on Jul 23, 2016 10:37:59 GMT
futureshock: Are there no theater student or photographer Tull fans? >>> Why has nobody yet tried to post images of themselves creating a photo imitating the Aqualung album cover? I have NEVER seen that attempted, ever! Baffled, convexed and hyphenated beyond decimals.Just when you thought Tull-o-ween 2013 was over... North Carolina - First in Tull, Home of Joey Lee Ledford as "Aqualung" from Asheville!
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Post by ash on Jul 23, 2016 11:46:25 GMT
OK
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Post by JTull 007 on Jul 23, 2016 18:52:37 GMT
OK
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Deleted
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Post by Deleted on Jul 23, 2016 21:07:05 GMT
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Post by maddogfagin on Aug 7, 2016 6:44:32 GMT
indeflagration.fr/chronique/locomotive-breath-de-jethro-tull/CHRONICLES AUGUST 2, 2016 - INDEACOUDRE Retro Tuesday - Locomotive Breath Jethro Tull: it derailsWith Aqualung , their fourth album, that Jethro Tull has really caught the music scene in 1971. With an innovative blend of folk, prog, blues, hard rock, and giving a prominent role to the flute, they offer us a small meditation on life and death in their own way. Ian Anderson, singer-guitarist-lyricist-flautist of Jethro Tull, has a problem with God. Virtually the entire album Aqualung can also be seen as a real charge against the Grand Barbu, or rather, the one imposed him when he was in school. Song by song he bullies, claiming a non-dogmatic view of religion, of a God who " is in you and me ". Locomotive Breath shows the mechanistic image of God as found in the Enlightenment, except that, instead of a remote but organized watchmaker, this is a malicious saboteur who snatched the brake of the locomotive then takes us where he wants. Jethro Tull and God are on a train ... A quiet start to the piano, then it heats up, like a locomotive that is gradually on, and here we carried on this famous train . The sound of the rhythm guitar evokes in some way with his game on mute: you scratch the rope keeping his palm on it, and the sound that comes out is mostly metal, without notes itself. Then Jethro Tull introduces the hero: a poor loser who goes straight to his death on a train out of control. His children skip wagons, his wife is in bed with his best friend: everything goes wrong. He opened the Bible to page 1, and finds that God is the source of everything, well it is the origin of what is now (lol) to get it, which is not reassuring . The dancing was an infernal side piano and flute brings the right amount of chaos with notes that go in every direction and the very audible breaths Ian Anderson to keep the atmosphere of the song. Conflict of interpretation Who is this mysterious "Old Charlie" mentioned several times throughout the song ? Some wanted (outright) to see a reference to Charles Darwin, who with his theory of evolution sabotaged the well structured dogmas of the Church accelerating the process of secularization. We now live in a world without direction and without values, like a train moving aimlessly. Others see it as an allusion to the song "MTA" 1948 speaks of a certain "Old Charlie" who was trapped in a subway because he had paid the ticket of entry and exit of non (as if you paid a RER ticket area 1-2 and you found yourself in Cergy unable to leave the station). Hard not to see it a coincidence, but if it was a reminiscence? And then finally holding the truth in this absurd world where we drive all the rocks on top of endless hills?
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Post by nonrabbit on Aug 7, 2016 10:29:15 GMT
Ian Anderson, singer-guitarist-lyricist-flautist of Jethro Tull, has a problem with God. Who is this mysterious "Old Charlie" mentioned several times throughout the song? I always thought that it was just the use of "Old Charlie" as in a slang name like "Jimmy" for a Glaswegian or the exclamation in times of bother - "Gordon Bennett" All Brit weird habits. But ....as is wont by the Hercule Poirots and Miss Marples fans of lyrics - there could be more! How about this one? There's an episode of Bonanza called Old Charlie " Charlie is well liked by everyone. He's always full of stories and plans for making money. One day a man, with a reward on his head. tries to rob his livery stable and is accidentally killed by his own knife. When the man's family comes to town looking for revenge, Hoss has to try to let everyone know who was actually in that knife fight before Old Charlie gives up his life for the reward...." Think about that as you smoke yer pipe......
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Deleted
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Post by Deleted on Oct 17, 2016 18:07:10 GMT
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stevep
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Post by stevep on Oct 19, 2016 20:01:35 GMT
Was quite surprised to see a number of copies of the green vinyl lp for sale for £15 in Sainsburys in Durham City last night. Must admit to being quite tempted but I would need to get the old turntable out and dust if off... I also wonder how many copies of this album I have bought over the years... - the original album in the 70's - cassette tape version in the 80's - CD version when it first came out in that format - 25th Anniversary CD - Live CD from 2005 - 40th Anniversary CD - 40th Anniversary adapted edition CD
Interesting to see things have moved on so you can buy the album again after 40 something years..
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Post by maddogfagin on Oct 20, 2016 8:00:16 GMT
Was quite surprised to see a number of copies of the green vinyl lp for sale for £15 in Sainsburys in Durham City last night. Must admit to being quite tempted but I would need to get the old turntable out and dust if off... I also wonder how many copies of this album I have bought over the years... - the original album in the 70's - cassette tape version in the 80's - CD version when it first came out in that format - 25th Anniversary CD - Live CD from 2005 - 40th Anniversary CD - 40th Anniversary adapted edition CD Interesting to see things have moved on so you can buy the album again after 40 something years.. Ditch the cassette version but add a German vinyl copy and we've got the same list
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Post by maddogfagin on Oct 23, 2016 13:58:27 GMT
demonszone.com/albums/jethro-tull/aqualung/?AqualungPosted on 23 October 2016 by Steven Lornie The idea that someone is sitting reading this had never heard the magnificent AQUALUNG is a little disturbing. This is a ’70s rock classic that deserves the recognition of every rock enthusiast for more then one reason. Ever since I first heard this album (thanks Alan!), I have have found the tone of the album to be quite interesting. AQUALUNG is a very guitar heavy album, one that puts a lot of the more folk themes to the background. The trade off with that is that not only do we get to hear some great flute work from IAN ANDERSON but an equal amount of guitar from the criminally underrated MARTIN BARRE. Personally speaking I think this is a career high point for him as he bashes out lots of great riffs and solo through out the forty minute album. With every classic album comes an array of classic songs. Of course you get the magnificent and timeless title track, AQUALUNG. The haunting MY GOD, CROSS-EYED MARY (the original for you IRON MAIDEN fans) and the thunderous LOCOMOTIVE BREATH amongst others. Each song has some enjoyable very well written melodies, memorable hooks and a lot of lyrics which are worth exploring just as much as the music. In comparison to the previous album, AQUALUNG has aged rather gracefully. It does boast a very recognisably raw ’70s sound but the over all tone is heavy and very thick. Long gone are the sterile drums and muted guitar tones, it is a great sound, one that I would love to track down on vinyl one of these days. There is a lot of things you can say about AQUALUNG. It is an utterly fascinating album from a lyrical and musical perspective. I would recommend exploring the album yourself as it is easily one of [ and that's how it finishes ] Rating : 9 / 10
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Post by maddogfagin on Oct 24, 2016 7:42:44 GMT
demonszone.com/albums/jethro-tull/aqualung/?AqualungPosted on 23 October 2016 by Steven Lornie The idea that someone is sitting reading this had never heard the magnificent AQUALUNG is a little disturbing. This is a ’70s rock classic that deserves the recognition of every rock enthusiast for more then one reason. Ever since I first heard this album (thanks Alan!), I have have found the tone of the album to be quite interesting. AQUALUNG is a very guitar heavy album, one that puts a lot of the more folk themes to the background. The trade off with that is that not only do we get to hear some great flute work from IAN ANDERSON but an equal amount of guitar from the criminally underrated MARTIN BARRE. Personally speaking I think this is a career high point for him as he bashes out lots of great riffs and solo through out the forty minute album. With every classic album comes an array of classic songs. Of course you get the magnificent and timeless title track, AQUALUNG. The haunting MY GOD, CROSS-EYED MARY (the original for you IRON MAIDEN fans) and the thunderous LOCOMOTIVE BREATH amongst others. Each song has some enjoyable very well written melodies, memorable hooks and a lot of lyrics which are worth exploring just as much as the music. In comparison to the previous album, AQUALUNG has aged rather gracefully. It does boast a very recognisably raw ’70s sound but the over all tone is heavy and very thick. Long gone are the sterile drums and muted guitar tones, it is a great sound, one that I would love to track down on vinyl one of these days. There is a lot of things you can say about AQUALUNG. It is an utterly fascinating album from a lyrical and musical perspective. I would recommend exploring the album yourself as it is easily one of [ and that's how it finishes ] Rating : 9 / 10 Final paragraph now reads: There is a lot of things you can say about AQUALUNG. It is an utterly fascinating album from a lyrical and musical perspective. I would recommend exploring the album yourself as it is easily one of their most interesting albums. Note: The website loaded a draft and not the full article, sorry. *facepalm*
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Post by maddogfagin on Jan 28, 2017 9:20:38 GMT
www.twinkietown.com/2017/1/27/14412016/jethro-tulls-aqualung-dominates-twins-diamond-awardsJethro Tull’s Aqualung Dominates Twins’ Diamond AwardsThe 1971 album took home awards for MVP, Pitcher, and Minor League Player of the Year by RandBall's Stu Jan 27, 2017, 8:50am EST another flute solo hell yes Photo by Mark Metcalfe/Getty ImagesAs expected, Jethro Tull’s Aqualung took home the balance of the major honors at the Minnesota Twins’ Diamond Awards on Thursday night. The British progressive rock band’s 1971 album claimed Most Valuable Player, Pitcher of the Year, and Minor League Player and Pitcher of the Year. It also shared Rookie of the Year honors with outfielder Max Kepler. Chaska’s Brad Hand took home Upper Midwest Player of the Year for his work with the San Diego Padres. “From the hard-driving riffs of ‘Locomotive Breath’ to the classic title track, we think Aqualung is a worthy recipient,” said Twins GM Thad Levine. In a statement, Tull frontman and flautist Ian Anderson said he was pleased by the honors and asked what the Diamond Awards were. “I don’t know that I understand any of this,” added Anderson. The yearly awards gala benefits neurological research at the University of Minnesota, and the winners are voted on by the local chapter of the Baseball Writers Association of America. This is not the first time a non-traditional winner has walked away with a bounty of trophies at the event. In 1978, Charles “Bebe” Rebozo, a Florida businessman and confidant to disgraced ex-President Richard Nixon, was named Most Improved Player by former owner Calvin Griffith because the latter “wasn’t giving a goddamn thing to Glenn Adams.” And in 1989, a mix-up with the balloting and multiple paperwork errors resulted in New Prague hobby farmer Junior Ortiz becoming the team’s back-up catcher for the next two seasons. Twins players and staff were united in their praise of Aqualung’s victories. “Day in, day out, Aqualung just brings it,” said Twins manager Paul Molitor. “You want to see that level of professionalism and mix of acoustic and electric jams out of everyone.” “Iron Maiden covered ‘Cross-Eyed Mary’ on the B-side to ‘The Trooper’ for Pete’s sake,” said reliever Glen Perkins. “Good enough for Maiden, good enough for me.”
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cecil
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Post by cecil on Jan 30, 2017 1:19:19 GMT
I love Side 1 of the original. Side 2 suffers a bit with grinding vocals and a bit of straight forwardness with a couple of compositions. Hymn 43 was the best track but the overbearing vocals made me never listen to it much. Then I heard the quad version and I love it. Toned downed vocals on the quad make this song a great listen. I also like the layered vocals on the quad of My God. The vocals on the original just put me off from wanting to plat it. I also like the quad of Locobreath more than the original too. I never enjoyed Wind up much, but the early version has a good feel to it. There seems to be a good version of most Tull songs. Side 1-9/10 Side 2-7/10 Using alternate versions of those songs on Side 2 it improves Side 2 to 8/10
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Post by maddogfagin on Jun 3, 2017 7:29:00 GMT
アクアラング私の友人はあなたが不安を始めることはありません Akuarangu watashi no yūjin wa anata ga fuan o hajimeru koto wa arimasen
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Post by steelmonkey on Jun 3, 2017 23:13:36 GMT
Turning Japanese ( I really think so)
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Post by maddogfagin on Jul 17, 2017 7:37:56 GMT
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