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Post by Deleted on May 18, 2013 16:16:24 GMT
Unique is the word.
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Post by steelmonkey on May 18, 2013 16:32:50 GMT
Without being racist ( some of my best friends...etc etc,,,right?) I think, from the vety start, both in music and body movements, Ian has allowed himself to detach from R and B type beat and phrasing roots and produce a more European ( okay...white guy) manner of rhythm and movement...it certainly sticks out in a world of wanna be funky dancers but for me it truly strikes a deeper, more comfortable chord.....the kind i recognize in my bones from Klezmer or Gypsy music......with all due respect to the black roots of rock and roll and the unmistakably cool beat of the freight train tracks in the deep south, which also moves me....I hear something in, say, 'Change of Horses' that feels likes it's deep in my musical DNA.
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Post by Deleted on May 18, 2013 16:53:07 GMT
'Change of Horses' that feels likes it's deep in my musical DNA.
Eerily so! This song haunts. All too familiar. We have all been here before. ;D
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Post by steelmonkey on May 18, 2013 17:04:46 GMT
Funny...listened to a David Crosby concert on the way to work...dunno the year but I'd guess about 2000....he sounded pretty good but the band was a little schmaltzy...probably his long lost son and that Jeff Pevar guy that impresses many but not me.
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Post by Deleted on May 21, 2013 13:11:37 GMT
Movie screening to show rare footage of The British Invasion By Greenwich Post Staff on May 20, 2013 in Around Town www.greenwich-post.com/13969/movie-screening-to-show-rare-footage-of-the-british-invasion/The British are coming — in the form of rare clips presented by the Avon Theatre and Shelley Archives who are set to show a Legends of Rock Live screening of The British Invasion Part 2: Rare Clips (1960s-1970s) hosted by music archivist Bill Shelley on May 22. So many British bands had success with their music in the United States in the early 1960s through the 1970s that music critics coined the phrase “The British Invasion.” There were so many popular British artists with hit songs in America, that the Avon Theatre could not feature all of them in their original presentation of The British Invasion. Now, join them for a brand new program of different clips that celebrate more of the British groups that continue to inspire us. Among the songs and performers who will be featured are The Troggs with Wild Thing, Traffic with Dear Mr. Fantasy, The Silkie with You’ve Got to Hide Your Love Away, The Yardbirds with Over, Under, Sideways, Down, Manfred Mann with The Mighty Quinn, Yes with I’ve Seen All Good People, Jethro Tull with Aqualung, The Zombies with Time of the Season, T-Rex with Bang a Gong and many more. The sources of the clips for this compilation of British groups are promos, films and videos of live concerts, studio rehearsals and television appearances. The variety and talent that will be showcased make this a night not to be missed. Music archivist Bill Shelley has been filming since the 1970s when he recorded bands Twisted Sister and Joan Jett and the Blackhearts, then directed music videos for Public Enemy. Shelley Archives was started in 1985 and today the company has more than 100,000 reels of original 35mm and 16mm films in its archives and more than 10,000 hours of rare concerts, television shows, promos, interviews, out-takes and home movies. Preservation of films and music clips is the main focus of the organization. The screening takes place on Wednesday, May 22 at 7:30 p.m. Ticket prices are as follows: Carte Blanche Members: free, members: $6, students & seniors: $8, non-members: $11. Call the Avon business office at 203-661-0321 or the box office at 203-967-3660, ext. 2, for tickets.
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Post by Deleted on May 21, 2013 16:22:55 GMT
World goes ‘wow’ for musician determined to do it his way Read more: www.blackpoolgazette.co.uk/what-s-on/music-dance/world-goes-wow-for-musician-determined-to-do-it-his-way-1-5693544When Jon Gomm’s parents split up their record collection broke up too. He had to decide blues or... Sting. ...“Dad used to write a column called Blues Corner and review gigs and CDs for The Gazette, and there was always something going on, or someone staying over with him, and I would often help out, especially with the CD or gig reviewing. “Musicians used to stay over at my dad’s house so I was hanging out with musicians all the time, and those who were really quite well known in blues circles, big names in America who had hardly played in the UK and came here for the love of it “A lot of people don’t think of Blackpool as having a musical heritage in that way. “You hear about Ian Anderson from Jethro Tull or the one from the Pet Shop Boys who doesn’t sing but there’s an acceptance the culture is cabaret, end of the pier, when the musical heritage goes much further. “There’s still lots of good stuff going on, open mic sessions and the like.â€
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Post by Deleted on May 23, 2013 13:47:04 GMT
now that's a tiny Tull mention... ;D really a nod to the son of a Beatle, guitarist/keyboardist/singer Dhani Harrison. Yeah, yeah, yeah. Read on: portlandtribune.com/pt/11-features/153068-live-musicLive Music Created on Thursday, 23 May 2013 11:00 | Written by Rob Cullivan Mr. Anonymous: More: Listen to the grass scream Speaking of dreamy, Seattle’s Rose Windows draws on all kinds of pyschedelia from The Doors, early Pink Floyd and Jefferson Airplane, as well as some Black Sabbath and Persian, Indian and Eastern European music. The band sits squarely in the art-rock category, which is nonetheless a pretty expansive genre. The male and female cats often sing like a chorus (lead singer Rabia Shaheen Qazi is a modern Grace Slick), play flutes, synthesizers and rockin’ guitars, and generally sound like a neo-pagan-half-metal-half-folk combo and could have a shot at becoming some sort of Peter Gabriel-meets-Jethro-Tull entity at some point. Suuns, Rose Windows, 9 p.m. Sunday, May 26, Doug Fir, 830 E. Burnside St. $10. Info: 503-231-9663, www.dougfirlounge.com. Karma
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Post by tullist on May 23, 2013 15:24:13 GMT
Thanks for that Too Tull! I had hoped that first band with the Tull reference was the one Dhani was in. Still getting to the line where he mentions his enjoyment in writing with Paul and John was sort of a trip. While reading it I was wondering how, if interviewing him, I could hoodwink him into using the word grotty. I think everyone knows how much he looks like his Dad, but if I remember right he sounds like him too, a little incredible since he definitely did not grow up in Liverpool, and I am guessing spent less than half of his life in the UK, not sure, I know George kept Friar Park but also lived in Hawaii.
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Post by steelmonkey on May 23, 2013 17:00:11 GMT
You have GOT to see the harrison memorial you tube clip of 'While My Guitar gently weeps' Dhani Harrison comes off as second coolest guy on stage...While Tom Petty, Jeff Lynne and Stevie Winwood try to act nonplussed during prince's scorching solo...Dhani simply watches with a huge smile on his face. Prince simply blows the roof off the place...trust me on this.
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Post by tullist on May 23, 2013 17:25:31 GMT
I think what you are referring to Bernie was in what my memory tells me was the performance at the Hall of Fame, likely in 02 after George's passing in Nov 01. Maybe there is another as, while not certain of Dhani's age, I am guessing he would have been seriously young in 02, probably still in his teens. And to be certain Prince absolutely tears it up, (love the Beatles as much as life but never heard an instrumental solo THAT good within the ranks) the best George tribute I saw of so many good ones, with the exception of Paul's singing All Things Must Pass at that thing Clapton put together, the concert for George.
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Post by steelmonkey on May 23, 2013 17:29:51 GMT
'02 sounds right....saw it at a friend's house in LA who had a nice video collection before You Tube made us all library owners....I used to go thru his stuff looking for rarities and usually ended up re-watching 'So Far' the GD official release with an amazing combo of studio/live and video....the 'Throwing Stones' on that thing is mesmerizing.
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Post by steelmonkey on May 23, 2013 17:30:06 GMT
'02 sounds right....saw it at a friend's house in LA who had a nice video collection before You Tube made us all library owners....I used to go thru his stuff looking for rarities and usually ended up re-watching 'So Far' the GD official release with an amazing combo of studio/live and video....the 'Throwing Stones' on that thing is mesmerizing.
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Post by tullist on May 23, 2013 19:11:30 GMT
So heartily agree with you re So Far, I would quickly mark it as their best official video release ever....save for the fact that if you like the Grateful Dead, and more likely love and accept them as way of life, (it tends to fall that way, love or loathe)every last one of their official releases has been very close to fantastic. Pretty sure they had re enlisted this dude named Gary Gutirez who had done such remarkable work on the iconagraphy and cartoon sections of the original Grateful Dead movie, all while knowing nothing of the band, save their by then 75 and 6, legendary name, centered on shows from 10/74. In fact out of all the juicy fruits in their catalogue, can recommend nothing as strongly as both the cd's and dvd of that remastered movie. Given that the original album was the last word in poor sound dynamics, topped by countless soundboard boot tapes, the use of current technology has made it into a complete Grateful Dead tour de force. Stunning is absolutely not too powerful a word to use. But everything in So Far is dead excellent, and featuring so many favorites in sparkling renditions, re Uncle John's Band, the stock footage of dancers from maybe the 40's used in Playing in the Band to outstanding effect, and a brilliant reading of Terrapin Station.
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Post by Deleted on May 24, 2013 14:23:26 GMT
forums.stevehoffman.tv/threads/an-insightful-look-at-audio-mastering-with-steve-hoffman.318968/ Found this in my Tull news this morning. There seems to be a new trend, however small a trend it is, of going back to the multi-track tapes, cleaning them up, and then remixing them into a “new” product. Steve Wilson, who is a rising star in remastering and re-mixing progressive classics, re-mixed Jethro Tull's Aqualung to amazing results. How do you feel about re-mixing versus remastering? SH: Can’t stand it. Usually what happens is that eventually the remix replaces the original beloved version until the remix is heard on the radio and is the only version that one can buy unless one collects an old LP or something. Hate the trend. The original mix is the work of art. One doesn’t add hot pink to a da Vinci just because it’s the color of the month. And if someone says that all they are trying to do is reproduce the old classic mix but with better sound, I say: Remaster the old classic mix and don’t try to tamper with music history. I wish this trend would GO AWAY. Can’t blame the record companies and artists for trying to make some money on their catalog in a new way though. An Insightful Look at Audio Mastering with Steve Hoffman Steve Hoffman's name is synonymous with mastering perfection. Read more: www.themortonreport.com/entertainment/music/an-insightful-look-into-audio-mastering-with-steve-hoffman/
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Post by Deleted on May 24, 2013 14:28:38 GMT
Thanks for that Too Tull! I had hoped that first band with the Tull reference was the one Dhani was in. Still getting to the line where he mentions his enjoyment in writing with Paul and John was sort of a trip. While reading it I was wondering how, if interviewing him, I could hoodwink him into using the word grotty. I think everyone knows how much he looks like his Dad, but if I remember right he sounds like him too, a little incredible since he definitely did not grow up in Liverpool, and I am guessing spent less than half of his life in the UK, not sure, I know George kept Friar Park but also lived in Hawaii. I was hoping for that too.
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Post by JTull 007 on May 24, 2013 19:20:39 GMT
forums.stevehoffman.tv/threads/an-insightful-look-at-audio-mastering-with-steve-hoffman.318968/ Found this in my Tull news this morning. There seems to be a new trend, however small a trend it is, of going back to the multi-track tapes, cleaning them up, and then remixing them into a “new” product. Steve Wilson, who is a rising star in remastering and re-mixing progressive classics, re-mixed Jethro Tull's Aqualung to amazing results. How do you feel about re-mixing versus remastering? SH: Can’t stand it. Usually what happens is that eventually the remix replaces the original beloved version until the remix is heard on the radio and is the only version that one can buy unless one collects an old LP or something. Hate the trend. The original mix is the work of art. One doesn’t add hot pink to a da Vinci just because it’s the color of the month. And if someone says that all they are trying to do is reproduce the old classic mix but with better sound, I say: Remaster the old classic mix and don’t try to tamper with music history. I wish this trend would GO AWAY. Can’t blame the record companies and artists for trying to make some money on their catalog in a new way though. An Insightful Look at Audio Mastering with Steve Hoffman Steve Hoffman's name is synonymous with mastering perfection. Read more: www.themortonreport.com/entertainment/music/an-insightful-look-into-audio-mastering-with-steve-hoffman/ Well it's hard to complain when Ian or EMI want this stuff Re-mixed in 5.1 I believe the days of analog and 24 track recordings were great, but now we have Digital Uptopia. It's all in the mind ya' know. ;D Is nothing sacred?
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Post by Deleted on May 31, 2013 13:24:00 GMT
Hometown Blues - Nazareth snub at Dunfermline City Chambers Gary Fitzpatrick • Published 31 May 2013 07:00 www.dunfermlinepress.com/news/roundup/articles/2013/05/31/458965-hometown-blues--nazareth-snub-at-dunfermline-city-chambers/#DUNFERMLINE'S rock globetrotters Nazareth were unhappy to return home and discover they had been left off the mural of famous local faces currently displayed on the City Chambers. Unlike Naz founders Pete Agnew and Dan McCafferty - conspicuous by their absence on the tribute artwork - some of those featured have somewhat loose connections with Dunfermline. Nazareth have been touring the world as ambassadors for Dunfermline for more than 40 years and were in Prague recently for the premiere of a documentary just released about their career. They remain out on the road throughout the year, packing in fans from Russia to Brazil to Mexico and their army of fans want to know why they have been snubbed on their home patch. Another rock musician Ian Anderson, of Jethro Tull fame, is featured even though he left Dunfermline when he was so young he remembers little about his time here, writer David Burnside was brought up in Cowdenbeath and Corby, while actor John Cairney was born and lives in Glasgow. A friend of the band said, "It's a pity this has happened. They thought it was a bit of an insult to walk up the street and see this up on the City Chambers. "Pete and Dan are known throughout the world as being from Dunfermline and still play to crowds of thousands all over the place. Many fans visit Dunfermline on the strength of the band coming from here. "Over the years, Nazareth have played 16 charity gigs in Dunfermline. Whenever they've been asked to do a concert for charity they've done it. "The last one was packing out the Alhambra for another good cause, the Mary Leishman Foundation, a couple of years back. "They are from Dunfermline, they live in the area and they have been great ambassadors for Dunfermline for over 40 years." Visit Dunfermline director Thomas Moffat explained that the mural was created by students at Carnegie College and it was their decision who was featured on it. He said that as well as comments about Nazareth being omitted there had also been people who thought Pars legend the late Norrie McCathie should have been there. Mr Moffat said, "It was a competition that we ran for three murals and students from Carnegie College did the one that's on the City Chambers. "We didn't feel we could intervene. It was very much their interpretation. We didn't want to go to them and say 'do this or that'. "The college decided to do a montage. We just said for them to put up what they thought represents Dunfermline as younger people so they did it and that was their choice." Pete Agnew and Dan McCafferty, who are currently working on their new album in Rosyth, declined to comment publicly on the mural. _______________________________________________ Wolf PeoplePublished on 31/05/2013 10:22 Join the pack crying wolf ahead of gig Read more: www.yorkshirepost.co.uk/lifestyle/the-arts/music/join-the-pack-crying-wolf-ahead-of-gig-1-5724181Wolf People’s sound has its roots in the British folk-rock and biker scenes of the late 60s and early 70s. Their breakout single,
Tiny Circle, with its punchy guitar and infectious flute riff have seen comparisons to British progressive rock band Jethro Tull – a comparison which the band initially resisted. “I don’t think our sound has ever been a conscious decision like it is with many other bands. “It’s not like we sat down and said ‘right, we want to make music, what kind of music shall we make?’ – we started making some music and this is what it sounded like,” explained lead vocalist and guitarist Jack Sharp, 31. “I’ve probably known more about Jethro Tull through people talking about it
and making comparisons than I did before Tiny
Circle – it’s an accident that we’ve ended up sounding this way. “I spent ages telling people that we don’t sound like Jethro Tull at all, but then you hear certain songs and you think ‘oh actually, I know what you mean’.” The band, however, see some of their influences as being a little more modern, with guitarist Joe drawing inspiration from the ’90s We will be geared to the average rather than the exceptional God is an overwhelming responsibility
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Post by Deleted on May 31, 2013 19:27:23 GMT
Marco Minnemann picks 13 essential drum albums (including Bursting Out & A)"A great drummer helps make a great band, and together they'll make music that you want to listen to." Joe Bosso (Rhythm) 6 hours ago www.musicradar.com/news/drums/marco-minnemann-picks-13-essential-drum-albums-575589/10“Bursting Out is a live record that really captures the band at their best. Barriemore Barlow is the drummer, and he’s absolutely fantastic. What he does on the kick drum and with his fills is astonishing – and really ahead of its time, in my opinion. “There's a drum solo that he plays in the song No Lullaby that is so good, so tasteful. To me, the band was at its peak during this period. I think that even John Bonham mentioned Barriemore as his favorite player at the time. "However, there’s another Jethro Tull drummer that I want to mention, and that’s Mark Craney, who plays on the A album. He has great control, great ideas, phrasing, grooves – fantastic. I don’t think anybody had heard of him until this album, but he did a fantastic job. He went on to play with John-Luc Ponty and Tower Of Power – a really solid drummer. But A was the first time I heard him, and he really impressed me.” Start from #1: www.musicradar.com/news/drums/marco-minnemann-picks-13-essential-drum-albums-575589/2
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Post by steelmonkey on May 31, 2013 19:44:34 GMT
All roads lead to Ian...that is...I think Tull has always had and will always have great, if not extraordinary drummers. Ginger Baker, in the documentary I keep raving about, tries to explain that musicians, not just drummers, either have 'time' or they don't. Ginger gives a list of people with 'time' that undefinable rhythmic version of perfect pitch and includes his nemesis Jack Bruce. I think we can assume that by Ginger's standards, Ian has 'time' and can pick a drummer with little fear of regret.
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Post by Deleted on Jun 5, 2013 16:15:29 GMT
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Post by Deleted on Jun 5, 2013 17:08:27 GMT
Published June 5th, 2013 Artist's Saint Mary's Show 'A Real Honor' By Chris Lavin www.lamorindaweekly.com/archive/issue0707/Artists-Saint-Marys-Show-A-Real-Honor.htmlPaul Kratter is fast. He walks fast. He talks fast. He answers questions fast. He even paints fast. He sets up his whole portable studio from a backpack in under two minutes... Sometimes he comes up with the titles for his paintings as he's doing them. A flock of red-winged blackbirds in Livermore led to "Serenaded." A spectacular early morning view in the Eastern Sierras - Kratter's annual trip with some other artists, which is the highlight of his year - is titled "The View with Coffee." It may have been called "The View with Jethro Tull," Kratter's default musician on his headphones. --------------------------------------------------------------------------------- Three Choirs Festival Saturday 27 July to Sunday 4 August 2013 Editor's Choice It’s Gloucestershire’s turn to host the Three Choirs Festival once again, as the choirs of Gloucester, Hereford and Worcester join together for the 286th time in 2013, with more than 60 events making up the anticipated spectacular. www.soglos.com/culture/27442/Three-Choirs-FestivalOn Sunday 4 August 2013, 80s pop legend Barbara Dickson will join forces with classical composer and Jethro Tull member, John O’Hara for a brand new opera, The Bargee’s Wife. Based on the recollections of Gloucestershire dementia sufferers of a tragic drowning in the 1940s, the performance unites singers from local choirs and schools, and is part of the work of dementia music therapy charity, Mindsong, formed by the festival in 2010.
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Post by maddogfagin on Jun 5, 2013 17:43:59 GMT
A tiny Tull mention of the oldest day
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Post by Deleted on Jun 6, 2013 12:39:19 GMT
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Post by Deleted on Jun 11, 2013 14:32:46 GMT
From here to CNN & America: Anderson&Co. (tiny TULL) mention of the newest DAY 8 amazing outdoor music venues By Marie Glancy O'Shea, Special to CNN updated 8:22 AM EDT, Tue June 11, 2013 Read more: www.cnn.com/2013/06/11/travel/summer-outdoor-music-venues/index.htmlThe Greek Theatre Los Angeles Set amid the trees of Griffith Park in the heart of L.A., The Greek Theatre has garnered plenty of fame over its 84-year history. In 1972 Neil Diamond recorded "Hot August Night" here, the album that he said made his career. Nicholas Stoller's 2010 film "Get Him to the Greek" assumed everyone would know the landmark referred to in its title. The Greek's season runs from May through October, with a variety of genres represented. This summer's lineup has a nostalgic flavor, with acts like Cyndi Lauper, LL Cool J, and Jethro Tull's Ian Anderson appearing. Tickets can be purchased through Ticketmaster. ------------------------------------------------------------------------ LETTER: Proposals to tighten gun rules won't work Read more: www.pe.com/opinion/letters-to-the-editor-headlines/20130610-letter-proposals-to-tighten-gun-rules-won-t-work.eceIn 1972, the Jethro Tull band released a concept album, “Thick as a Brick,” in which it pointed out how dense some people are.
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Post by Deleted on Jun 11, 2013 20:17:40 GMT
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Post by Deleted on Jun 12, 2013 12:54:43 GMT
Pleased to Meet You: Eight Song Characters I'd Like to Know By Jesse Sendejas Jr. Wed., Jun. 12 2013 at 7:00 AM Categories: Listen Up! READ MORE: blogs.houstonpress.com/rocks/2013/06/pleased_to_meet_you_8_song_cha.phpEleanor Rigby, The Beatles The spinster who gave loneliness a proper name is someone I need to meet. If you aren't covered in the ooze of depression when you give this song a listen, you really don't need to keep reading this list. Life is about making connections, our human interaction gives us purpose. These are the Dalai Lama-like mantras I'd deliver to Ms. Rigby. I'd not just stop by to visit occasionally so Eleanor could pull her face from the jar by the door every once and then. I'd find her some other lonely hearts to share her life with. Maybe she could clean up Jethro Tull's "Aqualung" and make an honest man of him? Together, they could love Pearl Jam's emotionally ignored "Jeremy" and Annie, Sublime's juvenile case who is headed the "Wrong Way" and in need of a motherly figure.
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Post by Deleted on Jun 14, 2013 19:29:09 GMT
Prog rock: In praise of a much-reviled musical genre Capes, 20-minute songs, gnomes: progressive rock had it all by Stephen Skratt on Friday, June 14, 2013 2:13pm - 0 Comments Read more: www2.macleans.ca/2013/06/14/prog-is-not-a-four-letter-word/Prog for years remained the last musical subgenre to be claimed by hipsters. While artists once deemed terminally uncool, such as the Bee Gees, ABBA and Daryl Hall, have had their critical reappraisal—even Paul Williams, who wrote the syrupy Carpenters hit We’ve Only Just Begun, has the most celebrated guest spot on the new, buzzed-about Daft Punk record—prog rock was a frontier too far. The long-running book series for rock snobs, 331/3, featuring writing on culturally significant albums, has devoted exactly one book (so far) out of 86 to a prog record: Aqualung, by Jethro Tull. The average music fan may not even know the term “progressive rock” but knows enough to snicker at the sight of the impressionistic album cover of a vagrant named Aqualung with snot running down his nose.
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Post by maddogfagin on Jun 16, 2013 16:47:39 GMT
From www.tmcnet.com/usubmit/-brief-sam-most-father-modern-jazz-flute-82-/2013/06/15/7208189.htmSam Most, father of modern jazz flute, was 82 June 15, 2013 (Los Angeles Times - McClatchy-Tribune Information Services via COMTEX) -- Sam Most, considered the first modern jazz flutist, had some unusual talents, one of which was the ability to hum and play notes at the same time. A number of flutists have said he was the first to combine humming and playing, a style that was later made famous in jazz by Rahsaan Roland Kirk and Yusef Lateef and in rock by Jethro Tull's Ian Anderson. "I was living in an apartment in New York in the early '50s, and I couldn't make a lot of noise late at night," Most, 82, who died Thursday in Woodland Hills after a brief bout with cancer, told The Times in 1998. "So I found that by standing in the closet playing and humming the same notes, I could hear myself and not disturb the neighbors." You can catch a demonstration of Most's humming-playing sound in the opening minutes of "Sam Most, Jazz Flutist," a 2001 documentary by Fernando Gelbard and Edmond Goff. Image from wikipedia
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Post by Deleted on Jun 19, 2013 14:48:11 GMT
This Is Why You Shouldn’t Throw Bottles At Gigs READ MORE: www.tonedeaf.com.au/news/international-news/316413/throw-bottles-gigs.htmAt a Jethro Tull concert in Madison Square Garden on October 12, 1979, a fan threw a rose onstage, and it hit Ian Anderson, wounding his eye with a thorn. The band was forced to cancel the next two shows while Anderson recovered. When he finally did return, Anderson appeared at subsequent concert dates wearing protective goggles.
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Post by JTull 007 on Jun 19, 2013 16:35:45 GMT
This Is Why You Shouldn’t Throw Bottles At Gigs READ MORE: www.tonedeaf.com.au/news/international-news/316413/throw-bottles-gigs.htmAt a Jethro Tull concert in Madison Square Garden on October 12, 1979, a fan threw a rose onstage, and it hit Ian Anderson, wounding his eye with a thorn. The band was forced to cancel the next two shows while Anderson recovered. When he finally did return, Anderson appeared at subsequent concert dates wearing protective goggles. Great article about the dangers of playing in front of large crowds. Ian..."Damn Flower Power!"
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