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Post by Deleted on Jan 15, 2014 4:19:21 GMT
Rock Lititz starts push to make Lititz area an entertainment technology hub Tuesday January 14, 2014 12:01 AM By Erin Negley Read more: readingeagle.com/article/20140114/BUSINESSWEEKLY/301149999#.UtYK-7Sd4adClair's recent audio work stretches from Kanye West's Yeezus tour in North America to Justin Bieber's Believe tour, from the Made in America Festival in Philadelphia to The Wall Live in Europe. Last year, the company was involved with all three tour stories featured by Mobile Production Pro magazine for work with Trans-Siberian Orchestra, Barbra Streisand and Ian Anderson of Jethro Tull.
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Post by maddogfagin on Jan 16, 2014 10:42:40 GMT
www.noise11.com/Frank Sinatra Family Reveal Latest Sinatra Compilationby PAUL CASHMERE on JANUARY 16, 2014 Frank Sinatra ‘Sinatra, With Love’ is the latest project for the Frank Sinatra Enterprises combining Frank’s works from both of his Reprise and Capitol Records era. Sinatra recorded for Capitol Records from 1951 to 1960. He left in 1960 to start his own record company Reprise Records. Unfortunately, despite his name, Sinatra could not make Reprise work for him as a business and he sold it to Warner Music in 1963 but remained with the label. Reprise Records then became one of the biggest labels in the 70s and is still a major force in music today. Reprise artists of the 70s included Neil Young, Emmylou Harris, Arlo Guthrie, Norman Greenbaum, Jethro Tull, T. Rex, Frank Zappa and Ry Cooder. Today the label is still the home of Neil Young and Fleetwood Mac as well as Josh Groban, Green Day, Eric Clapton, Disturbed, Seal, My Chemical Romance and Tom Petty. In 2007, Frank’s children Nancy, Frank Jr and Tina formed Frank Sinatra Enterprises (FSE) to manage the Sinatra content assets. FSE owns the Reprise catalogue and manages the Sinatra name and likeness used on the Columbia and Capitol catalogues. It also manages the artist’s rights for the Columbia and Capitol catalogues allowing them now to combines different Sinatra eras into new compilations.
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Post by maddogfagin on Jan 18, 2014 10:06:18 GMT
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Post by maddogfagin on Jan 21, 2014 10:01:47 GMT
www.ktvu.com/news/entertainment/ktvucom-talks-tenacious-d/ncrBN/KTVU.com talks to Tenacious DBy Dave Pehling SAN FRANCISCO — Actor Jack Black has built up a solid resume as a bankable comedic star with turns in the hit films Shallow Hal, School of Rock and the animated Kung Fu Panda movies and television series, but he has always returned to Tenacious D, his hilarious musical partnership with fellow actor and acoustic guitar wizard Kyle Gass. . . . . Kyle Gass: Well, I started playing flute and my brother told me that was not going to get me laid. So around 13, I switched over to guitar. And dagnabbit, he was right! Jack Black: So wait, you don’t think Ian Anderson from Jethro Tull gets any sweet stuff? KG: [Laughs] You got me! You got me! That’s funny. I told a friend about the interview and he said “Tell those guys if they want to get something together with Ian Anderson, I can make it happen.” So just say the word… KG: Word. JB: You just gotta know how to use the whistle. KG: You can’t talk while you’re playing the flute though. You can’t sing. JB: But you always get a huge crowd reaction when you start playing your recorder. KG: Yeah, I think people appreciate the baroque. The real classics. JB: I think people appreciate the unexpected. In general, audiences today are hungry for the unexpected.
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Post by maddogfagin on Jan 23, 2014 16:52:55 GMT
Readers recommend: songs about horses – results RR regular Barbryn picks the playlist from last week's equine thread www.theguardian.com/music/musicblog/2014/jan/23/readers-recommend-songs-about-horses-resultsIn Edwin Muir’s poem The Horses, after an apocalyptic war, the coming of strange horses offering their “long-lost archaic companionship” signals a new beginning. I’m reminded of it by Heavy Horses, Jethro Tull’s rousing eulogy for draught horses which almost gives eight-minute 1970s prog-folk epics a good name: “One day when the oil barons have all dripped dry… They’ll beg for your strength, your gentle power / Your noble grace and your bearing.”Edwin Muir's poem is here somewhere on The Forum but with 42,056 posts (and counting) I can't locate it easily. For those of you who've never read it here's the link www.poemhunter.com/poem/the-horses/
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Post by maddogfagin on Jan 31, 2014 15:54:07 GMT
www.cbsnews.com/CTM Playlist: Jan. 31, 2014We take our music seriously at "CBS This Morning." Keep up with the music we play on the broadcast by following our CBS This Morning Spotify playlist, updated daily and checking CBSThisMorning.com for daily playlist posts. "Foreplay/Long Time"- Boston "She Works Hard For The Money"- Donna Summer "Don't Stop"- Fleetwood Mac "Turn The Beat Around"- Gloria Estefan "Start Me Up"- The Rolling Stones "City Of Blinding Lights"- U2 "Space Age Love Song"- A Flock Of Seagulls "All Along The Watchtower"- Jimi Hendrix "Aqualung"- Jethro Tull "Black Friday"- Steely Dan
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Post by maddogfagin on Feb 6, 2014 9:59:23 GMT
www.broadcastermagazine.com/CMW Announces Terry Ellis as Keynote SpeakerCo-founder of Chrysalis Records and Founder/President of The Imago Recording Company Terry Ellis has had a long and illustrious career in the music business. His notable past includes work with such music giants as Jethro Tull, Blondie, David Bowie and Roxy Music. During a keynote address on Saturday, May 10th at CMW 2014, the music mogul will examine the history of the music business, offer insights into today’s marketplace, and put the technological changes that appear to be turning the business on its head into true perspective. As one of the architects of the British Invasion of the 1960’s and 1970’s, Terry Ellis was responsible for guiding the careers of Jethro Tull, Blondie, Pat Benatar. Billy Idol, Huey Lewis and the News, Led Zeppelin, David Bowie, Roxy Music, King Crimson, Yes, Procol Harum, Robin Trower, Spandau Ballet, Leo Sayer, and many, many more. With his partner and promoter Chris Wright he founded the Ellis Wright agency that he built from a small artistbooking agency into Chrysalis – one of the most successful independent groups of companies in the music industry. With subsidiaries involved in artist management, booking, record labels, music publishing, concert promotion and venue management, the company soon entered the recording studio business with Beatles producer Sir George Martin. In one capacity or another, Chrysalis represented every important influence in British music in the 1970s. By his early thirties, Terry was living in The British Virgin Islands and walking through the corridors of power of American rock’n’roll as Chairman of the Recording Industry Association of America. He was the only non-American to ever lead the world of US pop music, having risen from humble beginnings to develop Chrysalis Records into one of the world’s most successful and powerful independently owned Record companies. He discovered a nose for talent early on that allowed him to bring to his college artists like The Animals, Cream, Roxy Music and Rod Stewart before they became household names. Terry wrote a pop music column for the University newspaper, The Courier; his backstage interview with Bob Dylan during the 1965 UK tour was memorialized in the Dylan movie, Don’t Look Back, to Terry’s lasting embarrassment! Enamored by the music business, when he graduated, Terry opened his own booking agency. Subsequently, he developed one of the most successful track records in contemporary music for discovering, developing and exploiting the commercial potential of young recording artists. In the US, Terry discovered and signed to Chrysalis, Blondie, Billy Idol, Pat Benatar and Huey Lewis and the News and took the artists to international success. He produced two made-for-TV movies and developed the award winning TV series Max Headroom. He has also held the Chairmanship of the British Phonographic Industry (BPI) and served for five years as a member of the International Federation of Phonographic Industries (IFPI). Whilst running the BPI, Terry was responsible for founding the BRIT School of Performing Arts in Croydon, Surrey, whose notable alumni include Adele and Amy Winehouse. After leaving Chrysalis in 1985, Terry formed Imago Records where he had success with artists such as Baby Animals, Captain Hollywood, The Rollins Band, Aimee Mann, Love Spit Love and Paula Cole whose second album, including the hit songs, “Where Have All The Cowboys Gone,” and “I Don’t Want to Wait,’ sold 3 million albums and Paula was awarded the Grammy for “Best New Artist.”
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Post by maddogfagin on Feb 14, 2014 17:23:11 GMT
Any members in New Zealand ?
events.stuff.co.nz/The ChillersWhen: Sat 15 Feb, 9:00pm – 1:00am Where: Pierside Cafe and Bar, Cnr Brighton Mall and Marine Parade, Christchurch City Restrictions: R18 Tickets: Free Admission Website: www.pierside.co.nz/The Chillers return to Pierside Cafe and Bar to rock the roof off our beach hut These guys reek of awesomeness and have quickly earned themselves a reputation as one of Christchurch's finest live acts. They play the songs you wish every other band would play and they play them like they should be played. The Smashing Pumpkins, Shihad, Pearl Jam, Rage Against the Machine, Jethro Tull, Red Hot Chili Peppers, The Beatles, Ben Harper just to name a few! Come see what all of the fuss is about and why so many people are flocking to see The Chillers. It's well worth the paddle and this is one show not to be missed
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Post by Deleted on Feb 16, 2014 20:28:26 GMT
aspenpublicradio.org/post/aspenbeat-chris-wrightAspenbeat - Chris Wright By Andrea Young Chris Wright is a part time Aspenite and a leading figure in the music industry for more than five decades. He's just written his autobiography, One Way Or Another: My Life In Music, Sport and Entertainment. It's the personal story of arguably one of the most successful media and music entrepreneurs in entertainment and music business history. Chris Wright signed bands like Jethro Tull and Ten Years After, who were at the forefront of the British rock invasion of America that took place in the late sixties and early seventies, and then went on to embrace punk with Blondie and Billy Idol and many more. In a life story that reads like a Who's Who of the rock business, Wright's book charts his humble beginnings as social secretary at Manchester University through to the formation of Chrysalis, one of Britain's most influential and successful record and entertainment groups. Chris stopped by the studio last week to chat with Aspenbeat host Andrea Young. Aspenbeat "Love Hurts" radio show broadcast on 2/15/14, with 7 min interview of Chris Wright at 00:34 on Aspenbeat website Full interview with Chris Wright (22 min) on SoundCloud Chris Wright is appearing in Aspen this week at a book signing. More information is available at Explore Booksellers. TRANSCRIPT (7 min) AY: Your book is a chronicle of superstars really that you developed or worked with over the years. The index reads like a who’s who of the rock and roll industry. CW: Well, I think it is a who’s who of the rock and roll industry, and a lot of them are people I worked with in one form or another. But I thought when I wrote the book that not everybody would want to read a book just about me, or even just about me and Chrysalis, but they might want to read a book that talked about a lot of the different trends in music and how things developed, and all of that kind of thing. So I thought I would make it more interesting by making it not just a history of Chris Wright or a history of Chrysalis, but a history of the music industry and the music scene over the last 50 years, and that’s what I’ve attempted to do. AY: Are you still involved in music? CW: Yeah, I’m always involved in music, but I’m not as hands on as I used to be. I’m more in a sort of advisory and consultancy capacity. I’d love to get my hands dirty again but AY: And what does that mean ‘getting your hands dirty’ CW: Well you know it would be great to walk into a club somewhere and see a group that you thought were fantastic and go back right to where I was in 1967 and really set my stall out and try to develop someone and make them into a superstar again. That’s the most exciting thing you can do, to do that, and maybe at my age its difficult to do but I’ve still got the inclination if the opportunity arose. AY: And you did that with many groups over the years. Could you just name a couple on the Chrysalis roster. CW: Well, going back to, starting with Ten Years After, Jethro Tull, Bloodwyn Pig, Procol Harum, Leo Sayer, Blondie, Huey Lewis & The News, Pat Benatar, Billy Idol, Spandau Ballet, Ultravox, Sinead O’Conner, I’m sure I’m missing a few, but that’s sort of for starters. AY: So you got in because of the love of music and because you needed a job while you were at university--- CW: No, it wasn’t the job, I was the student that did it, it was a part time thing that I did whilst I was still studying for my finals. AY: And yet you managed to build a media empire CW: Yes, I know, two actually, because we built the record company and then we built another media empire in the 90’s, staying with music and creating a new record label as well, but also we became a very large tv production company and one of the top three radio station operators in the U.K. as well, all from a standing start, so arguably two different times. AY: So do you think artists have the same chance today or a better chance or a worse change of being developed and getting out there and being superstars like Jethro Tull or Blondie. CW: Back in those days the groups only got off the ground because of the live performances. Jethro Tull or Ten Years After or someone like that would get signed to a record label because they could go on stage in front of maybe three or four hundred people as a support group for someone else, and they could make those three or four hundred people think, wow, this group is great, they are fantastic. And the groups developed from that. Well, the live scene on a worldwide basis isn’t anywhere near like it was in those days, and it costs a lot to tour these days compared to what it used to. So the groups don’t get to tour and play in front of people as much as they used to, unless they’ve got someone supporting them financially to be able to do that. Which means they really have to get a record deal before they can even get on the first rung of the ladder. And its difficult for people. Of course, it is just as easy in a way, but its not as easy in a way as well. You know, if there was a new Bob Dylan out there today, he may struggle, because he’s doing something different, he was bucking the trend, he was plugging in an electric guitar at the Newport Jazz Festival when people thought that was the worst thing you could do. He would have probably struggled today, those kind of artists. It’s easier today for the more pop artists, because you’re living in a world where the visual elements of what you can create with a video clip and that kind of thing can get you across to millions or hundreds of millions of people easily. So, if you can be photogenic and [have] a bit of pizazz to go with it as well…. So the real music is the tougher side. But then you can take someone like Adele, who is not the most glamorous looking person in the world, but she has a certain charisma, she has a fantastic voice, and all she needs to do is stand up and sing. And just as much as in the same way that would have applied in the same way to a Joan Baez or a Janis Joplin, Adele can still do it and sell a load of albums more than they ever sold, so it’s still possible if you’ve got a really unique talent. Chris Wright "One Way Or Another: My Life In Music, Sport and Entertainment"
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Post by Deleted on Feb 22, 2014 16:00:47 GMT
YIKES! The Rolling Stones at Memorial Drive in 1973 — a riotous good time for Adelaide fans www.couriermail.com.au/news/national/the-rolling-stones-at-memorial-drive-in-1973-a-riotous-good-time-for-adelaide-fans/story-fnii5yv5-1226834699214Forth says taping of live concerts wasn’t frowned upon back then, and he managed to get an excellent recording of the show. His only regret is that he had to tape over an earlier bootleg of Jethro Tull to do it. “Back then tapes were really expensive,” he laughs “I needed a 90-minute tape and they were about $7, which was quite a lot of money so I scrubbed over a Jethro Tull concert that I’d recorded in Aukland. “I’ve since found out that particular Jethro Tull tour was never professionally recorded and is much rarer than tapes of that Stones tour, but I don’t regret it.”
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Post by maddogfagin on Feb 22, 2014 16:17:10 GMT
YIKES! The Rolling Stones at Memorial Drive in 1973 — a riotous good time for Adelaide fans www.couriermail.com.au/news/national/the-rolling-stones-at-memorial-drive-in-1973-a-riotous-good-time-for-adelaide-fans/story-fnii5yv5-1226834699214Forth says taping of live concerts wasn’t frowned upon back then, and he managed to get an excellent recording of the show. His only regret is that he had to tape over an earlier bootleg of Jethro Tull to do it. “Back then tapes were really expensive,” he laughs “I needed a 90-minute tape and they were about $7, which was quite a lot of money so I scrubbed over a Jethro Tull concert that I’d recorded in Aukland. “I’ve since found out that particular Jethro Tull tour was never professionally recorded and is much rarer than tapes of that Stones tour, but I don’t regret it.” Should have got his priorities right and deserves to be hung, drawn and quartered, extremely slowly. At least he's honest but . . . taping over a Tull show. Egads
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Post by Deleted on Feb 25, 2014 15:42:46 GMT
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Post by Deleted on Feb 28, 2014 17:01:57 GMT
It's a crazy world out there... Which member of Spinal Tap are you? The definitive rockumentary (if you will) is celebrating its 30th anniversary. But which member of “The Tap” would you be? Find out with our big-bottomed quiz… Read more or less: www.telegraph.co.uk/men/the-filter/10667323/Which-member-of-Spinal-Tap-are-you.html 1 What are your major musical influences? Jamaican reggae, Jethro Tull and Lemmy from Motörhead. SCORE 2 POINTS Nature and the original bluesmen. SCORE 4 POINTS Mozart and Bach. Or “Mach”, as you call them. SCORE 3 POINTS Jazz and death. SCORE 1 POINT
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Post by maddogfagin on Mar 3, 2014 14:52:31 GMT
It's a crazy world out there... Which member of Spinal Tap are you? The definitive rockumentary (if you will) is celebrating its 30th anniversary. But which member of “The Tap” would you be? Find out with our big-bottomed quiz… Read more or less: www.telegraph.co.uk/men/the-filter/10667323/Which-member-of-Spinal-Tap-are-you.html 1 What are your major musical influences? Jamaican reggae, Jethro Tull and Lemmy from Motörhead. SCORE 2 POINTS Nature and the original bluesmen. SCORE 4 POINTS Mozart and Bach. Or “Mach”, as you call them. SCORE 3 POINTS Jazz and death. SCORE 1 POINT ^ ^ ^ 27 points - seems I'm Nigel Tufnel
Getting stuck in a giant seashell and toppling over mid-guitar solo: The 11 commandments of Spinal TapRead more: www.dailymail.co.uk/home/event/article-2569316/Spinal-Tap-Getting-stuck-giant-seashell-toppling-mid-guitar-solo-The-11-commandments-Spinal-Tap.html#ixzz2uuZQwTjL 5. Thou shalt not smoke a pipeMovie moment Bassist Smalls puffs sagely on a Peterson pipe As experienced by... Ian Anderson of Jethro Tull: ‘I did a TV show with Harry Shearer [who plays Smalls]. I put it to him that a character on our Seventies albums Thick As A Brick and A Passion Play was Derek Small, and I said: “Your character smoked a Peterson – quite unusual!” I then produced pictures of three Tull members smoking Petersons. Come on Harry, fair cop!’
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Post by Deleted on Mar 4, 2014 19:16:40 GMT
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Post by nonrabbit on Mar 5, 2014 9:34:16 GMT
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Post by maddogfagin on Mar 5, 2014 16:35:01 GMT
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Post by Deleted on Mar 5, 2014 17:44:53 GMT
KISS ? Tull - Tiger Toon
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Post by nonrabbit on Mar 6, 2014 9:06:33 GMT
KISS ? Tull - Tiger Toon What To Do On A Rainy-day in Oireland. No 1067 i59.images obliterated by tinypic/2nukm6v.png[/IMG]
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Post by maddogfagin on Mar 6, 2014 9:25:09 GMT
KISS ? Tull - Tiger Toon What To Do On A Rainy-day in Oireland. No 1067 See you've got back your turnip modelling skills then
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Post by steelmonkey on Mar 6, 2014 16:26:04 GMT
Don't play with your food...do i have to tell you potato famine stiories AGAIN !
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Post by Deleted on Mar 7, 2014 15:57:24 GMT
Rock Britain Musicians’ inspirations /// Ian Evans (The Relics) Posted by Olga Polomoshnova on March 6, 2014 · Read more: rockbritain.com/2014/03/06/musicians-inspirations-ian-evans-the-relics/Rock Britain’s favourite musicians got a challenge from me: I asked them to share their stories about only one most favourite and inspirational album in their lives. Ian Evans from The Relics was one of the first ones to accept the challenge and here’s what he told me… One of the albums by a British band to have an impact on my life would have to be the album “Living in the Past” by Jethro Tull. add: CD Review: The Ravelers' Ravel On Digital release date: Feb. 4, 2014 by Pat Moran clclt.com/charlotte/cd-review-the-ravelers-ravel-on/Content?oid=3344761In their '90s heyday, Charlotte's The Ravelers crafted supple, muscular pop rock that merged R.E.M.'s Southern-comfort jangle, the electric minstrelsy of Jethro Tull and the rock-candy crunch of Cheap Trick.
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Post by Deleted on Mar 10, 2014 20:14:35 GMT
www.incgamers.com/2014/03/dark-souls-2-prepare-jethro-tull-launch-trailerDark Souls 2: Prepare to Jethro Tull with the launch trailer 10 Mar 2014 by Peter Parrish Dark Souls 2 launches tomorrow, hooray! Except not on the PC, because the super-special 1080p and above version is coming out on 25 April instead. Here are the required system specs if you’re interested. Still, that doesn’t mean we have to ignore the new Jethro Tull-infused launch trailer. Yes, this Dark Souls 2 video comes with a soundtrack straight out of the 1971 Aqualung album. Settle down for some footage of disturbing monsters smacking hapless knights and sorcerers around the place to the pleasing sounds of “Locomotive Breath.” Beats dubstep any day of the week, that’s for sure
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Post by JTull 007 on Mar 11, 2014 1:20:12 GMT
www.incgamers.com/2014/03/dark-souls-2-prepare-jethro-tull-launch-trailer Dark Souls 2: Prepare to Jethro Tull with the launch trailer 10 Mar 2014 by Peter Parrish Dark Souls 2 launches tomorrow, hooray! Except not on the PC, because the super-special 1080p and above version is coming out on 25 April instead. Here are the required system specs if you’re interested. Still, that doesn’t mean we have to ignore the new Jethro Tull-infused launch trailer. Yes, this Dark Souls 2 video comes with a soundtrack straight out of the 1971 Aqualung album. Settle down for some footage of disturbing monsters smacking hapless knights and sorcerers around the place to the pleasing sounds of “Locomotive Breath.” Beats dubstep any day of the week, that’s for sure That's one nice promo for a video game. A great find indeed!
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Post by Deleted on Mar 20, 2014 14:54:08 GMT
Why YES endures after 46 years; Prog rock band back in Edmonton next week By ROGER LEVESQUE, Edmonton Journal Read more: www.edmontonjournal.com/endures+after+years+Prog+rock+band+back+Edmonton+next+week/9636398/story.htmlYES already had a special thing for Edmonton. They played their first North American date here, opening for Jethro Tull at Edmonton Gardens in 1971. Then in 1984, the band filmed their 9012Live concert video here, directed by an up-and-coming director named Steven Soderbergh. Artist Gary Grimshaw to be celebrated Saturday with music, Grande film Read more: www.freep.com/article/20140320/ENT04/303200011/gary-grimshaw-grande-ballroomWhen news spread earlier this year that famed Detroit artist Gary Grimshaw had passed away after a long illness, the local music scene was saddened. The iconic poster artist was well-known for his output of art from the mid-’60s to late ’70s, when he churned out colorful concert bills and album covers for everyone from the MC5 to the Stooges, Jimi Hendrix, Cream and Jethro Tull. He later worked with modern acts such as the White Stripes. His work left an impression on our gritty city that many of us won’t soon forget. Peace, Love & Classic Rock www.atlanticcityweekly.com/news-and-views/cover-story/Sixties-rock-experience-golden-nugget-atlantic-city-march-60s-music-Peace__Love___Classic_Rock-251016071.htmlSixties music legends celebrated in the show include Mick Jagger, Robert Plant, Joe Cocker, Ian Anderson (of Jethro Tull), Feliz Cavalieri (The Rascals), Justin Hayward (Moody Blues), Lulu and Dusty Springfield rounding out the Brits; and Jim Morrison (pictured), Linda Ronstadt and Grace Slick rounding out the Yanks.
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Post by Deleted on Mar 20, 2014 16:53:55 GMT
Channeling Ian Anderson, is that you Jethro Tull? HELLO! Just when you thought it was safe to say Ian Anderson instead of Jethro Tull, this comes along today. Oy vey! Read more if you care: www.delmartimes.net/2014/03/20/writer%E2%80%99s-roundtable-q-a-with-musician-and-%E2%80%98channeling-harrison%E2%80%99-author-david-young/Writer’s Roundtable: Q & A with musician and ‘Channeling Harrison’ author David Young Who are the two musicians who most influenced you and why? Andreas Vollenweider who plays the electric harp showed me that you could make music that was spiritual and uplifting and have it be interesting. And when I was a kid, Jethro Tull because he was the craziest, most high-energy flute player ever. For the past few years you have been channeling George Harrison – yes, the George Harrison. What was your first response when you realized it was George coming through? I couldn’t believe it. I didn’t know why he chose me. I wasn’t a big Beatles fan, I didn’t believe in channeling. And I was afraid of just the idea of ghosts. Now I do believe in channeling, I am no longer afraid of ghosts. And I have a far-greater appreciation for the Beatles.
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Post by Deleted on Mar 21, 2014 15:48:58 GMT
www.letsnotgetcarriedaway.com/get-out-56/ Let's Not Get Carried Away Everybody Rock and Roll The Place Get Out Posted on March 20th, 2014 Kings Of Leon Tour 2014 Seeing an arena rock band actually perform in a legitimate arena is a rare occurrence as both a legitimate arena rock band and arena are in short supply. However Friday night Kings Of Leon will at The Fabulous Forum. It’ll be like: Steppenwolf performing during their At Your Birthday Party Tour on July 14, 1969 at The Forum, with Three Dog Night as their opening act Jethro Tull playing 5 sold out shows in one week at the Forum, from February 3–4 and 8–10, 1975 KISS performing three consecutive shows at the Forum during their Love Gun Tour on August 26–28, 1977 I imagine it’ll be almost like a Heavy Metal Parking lot before the show. In other words, it’s going to be epic and not to be missed! LATE; 96.9 Buffalo's 97 Rock - Vote Now in the First Round of March www.wgrf.com/common/page.php?pt=Vote+Now+in+the+First+Round+of+March+Bandness&id=17424&is_corp=0Vote Now in the First Round of March Bandness Who will win the Zeppelin Trophy this year? Boston vs Jethro Tull: M&T Bank presents March Bandness 2014- The Tournament of Classic Rock. Your chance to win a 50" screen TV from Stereo Advantage! iTunes itunes.apple.com/ca/artist/jethro-tull/id44596725?albumPage=3#albumPage
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Post by Deleted on Mar 21, 2014 19:08:56 GMT
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Post by Deleted on Mar 26, 2014 14:36:45 GMT
see more: geekologie.com/2014/03/no-jethro-tull-twenty-iconic-bands-as-le.phpNo Jethro Tull?: Twenty Iconic Bands As LEGO Minifigs March 25, 2014 in bands, everybody needs a hobby, having a great time, heck yeah cypress hill let's smoke a fat doobie-do, imagining things as other things, lego, making beautiful music together, minifigs, modular, music, no rage against the machine?, photoshop, plastic, sure why not, taking pictures of things
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Post by nonrabbit on Mar 26, 2014 21:46:18 GMT
see more: geekologie.com/2014/03/no-jethro-tull-twenty-iconic-bands-as-le.phpNo Jethro Tull?: Twenty Iconic Bands As LEGO Minifigs March 25, 2014 in bands, everybody needs a hobby, having a great time, heck yeah cypress hill let's smoke a fat doobie-do, imagining things as other things, lego, making beautiful music together, minifigs, modular, music, no rage against the machine?, photoshop, plastic, sure why not, taking pictures of things i62.images obliterated by tinypic/sgitfl.jpg[/IMG]
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