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Post by maddogfagin on Oct 27, 2014 16:38:59 GMT
It's TAAB that ALWAYS loosens the tears live. This is a fact. Not only a fact but also carved in stone. I mean if IA had not composed TAAB we'd ALL be the poorer for it.
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Post by steelmonkey on Oct 27, 2014 19:09:27 GMT
Maybe I'll make us a bumper sticker 'Real Men Cry During TAAB' with a flute and teardrop logo.
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Post by Deleted on Oct 27, 2014 19:17:03 GMT
Maybe I'll make us a bumper sticker 'Real Men Cry During TAAB' with a flute and teardrop logo. Real men could cry reading your posts.
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Post by Deleted on Oct 27, 2014 19:18:03 GMT
It's just too tull true. tears are not enough
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Post by Deleted on Oct 27, 2014 19:22:44 GMT
Not only a fact but also carved in stone. I mean if IA had not composed TAAB we'd ALL be the poorer for it. TAAB tour being my first Tull concert always makes me cry for more Brick. Anderson's TAAB2 tour could be my last.
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Post by maddogfagin on Oct 28, 2014 8:41:23 GMT
Some reviews of the tour herewww.ticketmaster.com/Ian-Anderson-tickets/artist/722512?tm_link=edp_Artist_Ratingsands casino - Bethlehem, PA - 10/26/2014Posted 10/27/2014by mercsmusic This Fan's Reviews Like a fine wine, Ian Anderson has aged well. Best concert I've seen since I saw him two years ago. He uses a young gentlemen to sing some parts of his songs now, he was tremendous and allowed Ian to play the flute more. The entire new album is done in full- great!! And the backdrop is a continuous film footage that is choreographed excellently with his music. Thick as a Brick is done in full- outstanding. The entire second set is a step back in time- won't spoil this surprise. The band was crisp and animated. Lots of neat little laughs at Ian's wit. he captivates me. Loves the Sands Casino. Great acoustics and great bar setup too. Can't wait to see Ian again in the future. Favorite moment: The entire concert Setlist: Homo Eraticus, Bouree, Thick as a Brick- set one. Won't spoil set two, lets just say I didn't want it to end. Opening act(s): No one needed at all
Horseshoe Southern Indiana - Elizabeth, IN - Thu, Oct 23, 2014Posted 10/27/2014by doug40160 This Fan's Reviews The whole show was terrific, but a little short. The sound was great and the song selections were good as well. Favorite moment: Aqualung and Locomotive Breath
Horseshoe Southern Indiana - Elizabeth, IN - Thu, Oct 23, 2014Posted 10/27/2014by Pepperjames1 This Fan's Reviews Great show and terrific venue. Ian Anderson brought back a lot of memories with his performance and still has it after all these years. Wish he would have played Cross Eyed Mary and Minstrel in the Gallery but i understand he cant fit all the songs into the set. Favorite moment: Aqualung and Locomotive BreathClick on the above link to read a whole load more.
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Post by JTull 007 on Oct 28, 2014 13:51:40 GMT
In 1997 I drove with a friend 15 hours to get here from North Carolina for my 3rd Tull Convention. Was it worth it? ABSOLUTELY !
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Post by JTull 007 on Oct 28, 2014 19:01:04 GMT
The best of Jethro Tull performed by Ian Anderson 8-|TULL LINK feat. the new album Homo Erraticus Flynn MainStage, Burlington Vermont
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Post by nonrabbit on Oct 29, 2014 9:23:40 GMT
Very good and interesting reviews on that Tickemaster site. OldiGoldie This Fan's Reviews "This is a pure example of how a professional concert should be. Start on time and give the audience what they want to hear. It shows what someone who's been in the business has learned through the years in how to present his material. With 40 albums of material, he still presents what are perhaps his strongest tunes with just a few newer ones inserted. This was the 8th time I've seen Ian perform and his new band is very tight with his material as I'm sure he demands. And yes, he still has the moves! After one hour and 40 minutes would have liked a bit more." www.ticketmaster.com/Ian-Anderson-tickets/artist/722512?tm_link=edp_Artist_Rating
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Post by maddogfagin on Oct 29, 2014 13:38:35 GMT
Maybe I'll make us a bumper sticker 'Real Men Cry During TAAB' with a flute and teardrop logo. One like this perhaps Bernie ?
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Post by Deleted on Oct 29, 2014 14:31:24 GMT
Maybe I'll make us a bumper sticker 'Real Men Cry During TAAB' with a flute and teardrop logo. One like this perhaps Bernie ? I like Bernie's current bumper sticker...
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Post by JTull 007 on Oct 29, 2014 16:24:50 GMT
There's no crying in Baseball! :'(Maybe some tonight @ Providence Performing Arts CenterBest of Jethro Tull Feat. Homo Erraticus Ian Anderson 2014 PPAC LINK
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Post by steelmonkey on Oct 29, 2014 17:07:13 GMT
That's a sticker I'd stick on my bumper in a heartbeat...despite girlfriend who strictly forbids bumper stickers...'Too Berkeley, Too 'old hippie leftie'......maybe I should turn the lights on and make her face the facts ?
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Post by steelmonkey on Oct 29, 2014 17:08:06 GMT
No, maybe not...the facts include ear hair, white chest hair, midriff bulge and shaving nicks.
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Post by Deleted on Oct 29, 2014 17:42:00 GMT
TMI TMI TMI
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Post by Deleted on Oct 29, 2014 17:42:18 GMT
That's a sticker I'd stick on my bumper in a heartbeat...despite girlfriend who strictly forbids bumper stickers...'Too Berkeley, Too 'old hippie leftie'......maybe I should turn the lights on and make her face the facts ? This is bike sized.
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Post by bunkerfan on Oct 29, 2014 20:48:14 GMT
Amazing Theatre that looks like a Cathedral inside. What a great venue.
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Post by maddogfagin on Oct 30, 2014 16:08:37 GMT
Palace Theatre welcomes Ian Anderson on Sunday nightBy Don Wilcock POSTED: 10/29/14, 1:30 PM EDT www.saratogian.com/arts-and-entertainment/20141030/palace-theatre-welcomes-ian-anderson-on-sunday-nightALBANY >> In 1967, Ian Anderson founded Jethro Tull, the British rock band named after an 18th-century Englishman who invented the seed drill. Anderson looked older 47 years ago than he does today, playing flute in the guise of a gnarly, bearded court jester standing on one foot singing about an aqua lung, whatever that is. He is not your average ’60s rock star. He’s been married to the same woman for 38 years and for a good portion of his career ran several successful salmon fisheries. He recently released “Homo Erraticus,” which he and his band will perform in its entirety Sunday night at the Palace Theatre in Albany. A press release states that “Homo Erraticus” examines “key events of British history with a string of prophecies stretching to the current day and the future.” It may not feature the name Jethro Tull on the jacket, but it certainly barks just like an Aqua Lung. “I would hope you would recognize it as being Jethro Tull music,” said Anderson, who has never been comfortable with his band’s hastily created moniker. “It may not be Jethro Tull in name, but in every other way it’s me doing what I do. With 28 different musicians I’ve worked with over the years as members of Jethro Tull, I don’t think the average listener is going to say, ‘Oh, wait a minute. That’s Jethro Tull but with that guy playing bass as opposed to their other four or five.’” Holding two honorary doctorates and obviously delighting in giving his own spin on history, Anderson offers a unique perspective on the psychedelic ’60s that jump-started his career. “It wasn’t just about hippy love, free sex and drugs,” he said. “I think it’s probably the least interesting part of the era, but I think maybe some people are jealous of that, too, because back then every young girl in the western world seemed to be on the pill. You didn’t have to worry about wearing a condom. You didn’t have a fear of contracting HIV. You didn’t have to worry about the consequences of social drugs because it just seemed everyone was doing them and not enough people like me who didn’t try any of those drugs, marijuana, or pills. “I mean thankfully, it was pre-crack cocaine, and not too many people were on heroin, but enough were to scare me as a musician. Some of my acquaintances who were at the real hard end of the drug scare were beginning to pop off and once you start to slide down that slippery slope (the question is) whether or not you are one of the permanently addicted who can’t get away from it, or whether you’re one of the lucky folks like Pete Townsend, Jack Bruce, Eric Clapton and others who went through those drug experiences and managed to shake it off, but we all know many names of those who didn’t.” Anderson has always taken care of himself, and he looks at the future stoically. “We look in the mirror and we see how life is changing us. We stare death in the face as we get into our final years and, if you’re like me and lucky enough to still be productive and physically well, then you carry on doing it for a bit longer. You know time is running out,” he said. “The sand trickles through the hour glass ever faster, and you recognize you’ve got to make your mark while you can. It’s just part of growing old. If you’re like me, you can turn up the wick and burn a bit brighter as you face those final years and that’s what I’m going to do. “The worst possible scenario would be sitting there drooling down my chin plugged into season one of ‘The Walking Dead’ because that’s all my brain was capable of taking in. So I will just see how things go. Boredom in the sense of senility would be truly horrible especially if you lose your hearing or your eyesight. I mean it’s pretty nasty. I could be encouraged toward the idea of voluntary euthanasia. But I haven’t had to really think that one through.” If you go WHAT: The Best of Jethro Tull performed by Ian Anderson WHEN: 7:30 p.m. Sunday WHERE: Palace Theatre, Clinton Avenue, Albany TICKETS: $48, $58, $68 and $103 via Ticketmaster at 600-745-3000 or Ticketmaster.com Callout: “It may not be Jethro Tull in name, but in every other way, it’s me doing what I do.”
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Post by steelmonkey on Oct 30, 2014 16:15:27 GMT
Past shelf life publicity interview still promising the full HE. But Tull Cnetral is probably right...the handful of hard core Tullies disappointed will be outnumbered by the so-called 'casuals' relieved when new songs, old veins turns to 'greatest hits' earlier than initially planned. Yeah, I'm still bitter.
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Post by maddogfagin on Oct 30, 2014 18:17:57 GMT
Scott Hammond with his new Ludwig-Musser Drums and Percussion Weather Master LW4414 Coated Silver Dot Batter head, his C1114 Snare head and P24291 Tension Rod Lock Nuts. These are for his Snare Drum of choice, the LB417 Ludwig 6.5x14 Black Beauty! Sonny Carreno
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Post by JTull 007 on Oct 30, 2014 18:25:57 GMT
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Post by Deleted on Oct 30, 2014 19:19:19 GMT
Concert Review: Ian Anderson’s flute hits the highs, but his voice can'tPublished: October 29, 2014 11:14 PM www.providencejournal.com/features/entertainment/music/20141029-ian-andersons-flute-hits-the-highs-but-not-his-voice.eceBy Andy Smith Journal Arts Writer asmith@providencejournal.com PROVIDENCE, R.I. — There were two problems with Ian Anderson’s concert at the Providence Performing Arts Center Wednesday night. And although the show had some nice moments, it never quite shook them. One is that his voice has lost much of its range and tone. Anderson, best known as lead singer, songwriter and flute player for Jethro Tull, used a second singer, Ryan O’Donnell, to help out on his tattered vocals. But while O’Donnell could hit the notes, he never had the conviction that Anderson showed in his prime. The second problem was that Anderson front-loaded the concert with seven songs from his lyrically dense but melodically sparse new album, “Homo Erraticus,” a concept album that attempts nothing less than a history of Britain from prehistoric times to the present — and beyond. The audience listened attentively, but didn’t become enthused until Anderson & Co. got into the Tull material with the instrumental “Bouree.” (Which, technically, is by Bach, but never mind.) He closed out the first half of the show with a substantial chunk from 1972′s Jethro Tull album “Thick as a Brick.” On the plus side, Anderson’s flute playing remains extraordinary, whether trading riffs with guitarist Florian Ophale or weaving around an accordion part. He’s arguably the only guy to make the flute a credible lead instrument in rock. And Anderson, 67, still had plenty of energy on stage. (It was only a few minutes before he assumed one of his iconic poses, playing the flute while perched on one leg.) The second half was devoted to Jethro Tull material. Whether it was truly a “best of,” as advertised, depends on your tastes. “Critique Oblique” might not be on your list, but these were the songs Anderson picked, and for all practical purposes, he is Jethro Tull. This part of the show opened with the apt “Living in the Past,” as the video screen showed footage of the young, wild-haired Anderson. Other selections included “With You There to Help Me” from 1970 and “Teacher,” with O’Donnell taking on much of the singing. Following “Songs from the Wood and “Farm on the Freeway,” Anderson and his band launched an extended version of the Tull favorite “Aqualung,” which had some in the crowd singing along. It also gave guitarist Ophale a chance to show his stuff. The encore was a suitably propulsive “Locomotive Breath,” which brought the audience to its feet. Anderson used a lot of theatrics in the show, with the big video screen behind the musicians filled with imagery throughout the show. Occasionally, the action on the screen and on stage merged. The concert opened as the screen showed a Swiss sanitarium, with Anderson in his bed. On screen, he finds his flute, the audience cheers, and next thing you know he’s on the stage with his band members wearing white coats. On Twitter: @asmith651
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Post by maddogfagin on Nov 1, 2014 9:13:04 GMT
Ian Anderson Rocks PPACSaturday, November 01, 2014 Ken Abrams. GoLocalProv Music Criticwww.golocalprov.com/lifestyle/ian-anderson-rocks-ppacA classic rock show came to PPAC Wednesday night, and for those who missed it, who thought about going, who made all kinds of excuses … too bad for you! Ian Anderson and his band rocked the house with an all-out production featuring the exceptional talent of the man who made the flute an instrument of Rock and Roll. Long time fans and a few first timers were more than impressed by the latest living legend to come to town. Songs Old and NewDon’t let the headline on the billboard confuse you – sure, it was billed as Ian Anderson, founder of the seminal “prog rock” band Jethro Tull. But the performance was pure Tull, complete with complex arrangements, driving guitar solos and hard rock flute blowing. The show opened with a multi-media stage show along with selections from his latest album Homo Erraticus. There were images of thousands of years of British history; the good, the bad and the ugly. The seven song introductory performance had a rock opera feel, and was politely received by the audience. The biggest applause of the night certainly came with Tull classics, the familiar tunes that had the crowd clapping and singing along. Two of the bands most famous songs, “Bouree” (originally by J.S. Bach) and an extended version of “Thick as a Brick” rounded out the opening set. Throughout the evening, Anderson used a date stamped time machine to bring up videos of historic Tull performances. The live music was perfectly choreographed with the video, a neat element that clearly took some practice. At times, Anderson’s vocals wavered and the support from vocalist Ryan O’Donnell took a little getting used to. No question, O’Donnell can sing, and has a degree of stage presence, but the performance was at times unsettling as he and Anderson traded lines of well known songs. No one expects Anderson to quite have the range he once did, but the back and forth arrangement felt a bit distracting. Second SetThe second set opened with the bands first major hit, “Living in the Past.” More Tull classics followed including “Sweet Dream,” “Teacher” and “Songs from the Wood.” The 1976 hit “Too Old to Rock and Roll, Too Young to Die,” was another highlight, the song title as relevant as ever. The set closed with a pounding “Aqualung,” which brought the crowd to its feet. Another crowd pleaser, “Locomotive Breath,” was a powerful encore, completing the 2 ½ hour show. Flute as LeadAnderson’s flute playing throughout the show was extraordinary. After all these years, it’s still pretty impressive to see and hear the flute as the “lead” instrument in a rock band. Not to mention his iconic pose! Guitarist Florian Ophale, playing rhythm most of the show, demonstrated his talents on lead driving the band along on hits like “Brick” and “Aqualung.” The reminder of the five piece band was tight, executing their roles perfectly in support of Anderson. In sum, Ian Anderson provided a great night of music, a memorable evening from a leader in rock and roll history. Not a bad deal!
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Post by maddogfagin on Nov 1, 2014 9:29:54 GMT
Ian Anderson Delights Providence!OCT 31 Posted by suze72suzereviewstheblues.com/2014/10/31/ian-anderson-delights-providence/ [ps - quite a few holiday snaps from old webby btw] With a high level of excitement, I traveled to Providence to see Ian Anderson perform with his band at the Providence Performing Arts Center. What a terrific show! I saw the band perform last year during their ‘Thick as a Brick and Thick as a Brick 2′ tour and was interested to see if my perception of Ian changed after interviewing him. I can answer that with a positive and unequivocal ‘Yes!’ Speaking with him and getting to know something about him on a personal level caused me to love this show much more than I enjoyed the show last year (and I thoroughly enjoyed that show). This tour is the ‘Homo Erraticus and the Best of Tull’ tour; ‘Homo Erraticus’ is Ian’s latest album which was released earlier this year, and the Best of Tull speaks for itself. The first set consisted of the new album played straight through, and a couple of Best of songs. ‘Homo Erraticus’ was written to tell a story which you can read about here. As the lights were dimmed, a short video was projected onto the back of the stage, with members of the band as the ‘actors’ in what appeared to be a hospital in the Swiss Alps. The members of the band came to the stage dressed as their characters; they mostly wore their costumes through the first set. The members of the band are Florian Opahle on guitar, David Goodier on bass, John O’Hara on keyboard and accordion, Scott Hammond on drums, and Ryan O’Donnell on vocals and ‘stage antics’. As soon as Ian entered the stage, he lifted the flute to his mouth and posed in his trademark one-legged stance; the crowd roared! As I mentioned, this first set was ‘Homo Erraticus’ played from beginning to end. The more I listen to this album, the more I love it and seeing it performed helps increase the love. The music is more like Ian’s early music with more of a blues base. I sensed that most of the audience was there to hear the ‘Best of Tull’ material, and I doubt anyone was disappointed. The first set (here’s the setlist) ended with two ‘Best of’ numbers; the first was one of my favorite early songs, ‘Bourée’, which was followed by an extended version of ‘Thick as a Brick’. The second set contained songs ranging from albums released in the early 1970s to the mid 1980s. Wisely (in my opinion), Ian stuck to mostly well-known songs because that’s what his fans want to hear. I loved the production which I thought was spot on and not over-produced. There was video on the backdrop running for most if not all of the show, which was choreographed with the songs. Preceding each song of the ‘Best of’ portion of the show was a date stamp; very clever! Ian, as I experienced when I interviewed him, thinks quickly; when people in the front row got up and left before the first set ended, he quipped that even an old man like he can hold his wee and those people are youngsters! The band is very tight and each member works well with Ian. It’s hard to believe they only started playing together in 2012. Ryan especially adds a lot to the show; he sounds almost exactly like Ian did in the 70s, and when they harmonize it’s close to perfection. As Ian said to me, this is a ‘job of work’ and it’s a job he does so well. I look forward to seeing him on his next tour which should arrive after he releases the album that he will start to write on January 1, 2015! Ticket courtesy of Ian Anderson; all opinions are my own.
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Post by JTull 007 on Nov 1, 2014 20:34:02 GMT
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Post by JTull 007 on Nov 2, 2014 19:03:35 GMT
:DIan / TULL 2014 Rocks The Palace Theatre in Albany, NY TULL Link
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Post by Deleted on Nov 4, 2014 15:28:52 GMT
www.progrockmusictalk.com/2014/11/prog-rock-concert-review-ian-anderson.htmlNovember 4, 2014 Prog Rock Concert Review: Ian Anderson At The Palace Theater-Albany NY Ian Anderson And The Best of Jethro Tull In Concert At The Palace In Albany, NY Ian Anderson (Flute, Guitar, Bouzouki, Mandolin, Harmonica, Vocals), David Goodier (Bass guitar and double bass), John O’Hara (Orchestral conductor, piano, keyboards and accordion), Florian Opahle (Guitar), Scott Hammond (Drums and percussion) and Ryan O’Donnell (Vocals and stage antics) are all part of the Ian Anderson and Jethro Tull lineup in present day. They perform solo material from Anderson’s latest release and some of the best of Jethro Tull since the band’s inception. Last evening at the beautiful Palace Theater, one of my favorite venues in Albany NY, Anderson and his marvelous band entertained a packed house. I got my T shirt and tour book keepsakes and even a bonus shirt that I gave to some unsuspecting fan as a gift. It’s always a joy to do some random nice thing to a total stranger, try it sometime, it feels good. The Holiday season is rapidly approaching but you don’t need that for an excuse to do a good deed. It has been 11 years since I sat in an audience to enjoy the music of Ian Anderson and Jethro Tull. This night was no different than in the past, I looked forward to it for many months. I was not disappointed in the least by the time the show was over. You know it’s a prog rock concert when you have to wait in a long line to use the men’s room at break and there is literally not one woman in front waiting to use their facilities. This was quite the opposite of most concerts I have attended in the past. This is rather funny actually and we had a good time joking about it in line. Speaking of lines, if you do not want to wait in line to get your car at the end of the concert, I wouldn’t use the parking lot in front of the venue. They give you a ticket, you hand them your keys then you wait in a long line to get your keys back so you can leave! The only good thing about it is there isn’t a mad dash by everyone to leave at the same time. Perhaps that is why they do it that way besides for general security precautions. It was all worth it in the end though as Ian and his spot on band presented quite a show. They kicked it off with selections from Ian’s solo album Homo Eraticus. What I found interesting and quite enjoyable was the overall multimedia presentation made throughout the show. Prior to the opening song there was a presentation of several bands on a huge screen. I had never been to show that did this before, I thought it was a unique albeit modern way to present different acts to an audience before the main attraction started in lieu of having a solitary opening act. The show opens with a short film of the band dressed as doctors in a sanitarium and Ian is the disgruntled patient. It is humorous and the band then comes out on stage all dressed as they were in the film then Ian comes out the show begins. It is all so very theatrical and most entertaining. Anderson has a different sense of eccentricity and humor which is very English (even though he is from Scotland). I always found it similar to that dry crazy Monty Python type of comedy yet very original. Ian still moves across the stage nimbly and plays the flute with one foot carefully placed on his other leg. I thought long ago that by now he would not be doing that once he was headed towards his seventies but he still has a lot left in the tank. At a mighty spry 67 he just keeps on going for the love of the music and the process of creating it. This is what drives the man and keeps thousands of fans coming back for more at every corner of the globe. The new solo material is as impressive live as it is in the studio. Ian and his band bring it all to life as if it was natural for them to do so. Any great band of musicians is able to translate what is created in the studio into something special and bring it to fruition with new life on the stage. This is what took place all night long. Many of the classic fan favorites were presented such as “Living In The Past,” “Teacher,” the incredible “Thick as a Brick,” and of course the ultimate curtain closer “Aqualung.” But wait, what about the encore? A rousing interpretation of “Locomotive Breath” magnificently filled the venue with the power of prog rock. It was a rocking good end to one special evening for all in attendance. This is an amazing group of musicians and the now with added touch of theatrics and the additional voice of Ryan O’Donnell, it gives some added textures to the music and Ian a break once in a while on the vocal duties. If you are looking for a great night out with friends or loved ones and are open to meeting some friends you have not met yet, give Ian Anderson and his band a try. You will never regret it. Keith “MuzikMan” Hannaleck-Founder Prog Rock Music Talk, Write A Music Review, New Age Music Reviews and Rate The Tracks Setlist: Doggerland Enter the Uninvited Puer Ferox Adventus The Engineer Tripudium Ad Bellum The Browning of the Green Cold Dead Reckoning Bourée Thick as a Brick Living in the Past With You There to Help Me Sweet Dream Teacher Critique Oblique Too Old to Rock 'n' Roll: Too Young to Die Songs from the Wood Farm on the Freeway Aqualung Encore: Locomotive Breath Posted by Keith "MuzikMan" Hannaleck at Tuesday, November 04, 2014
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Post by maddogfagin on Nov 4, 2014 16:34:47 GMT
www.progrockmusictalk.com/2014/11/prog-rock-concert-review-ian-anderson.htmlNovember 4, 2014 Prog Rock Concert Review: Ian Anderson At The Palace Theater-Albany NY Ian Anderson And The Best of Jethro Tull In Concert At The Palace In Albany, NY Ian still moves across the stage nimbly and plays the flute with one foot carefully placed on his other leg. I thought long ago that by now he would not be doing that once he was headed towards his seventies but he still has a lot left in the tank. At a mighty spry 67 he just keeps on going for the love of the music and the process of creating it. This is what drives the man and keeps thousands of fans coming back for more at every corner of the globe. How does he do it at 67 ? Devil worship ?
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Post by JTull 007 on Nov 4, 2014 21:01:13 GMT
4 Days till the U.S. TULL Convention...Tonight we ROCK like BUFFALO @ Mainstage Theatre UB Center LINK
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Post by Deleted on Nov 4, 2014 21:44:53 GMT
www.progrockmusictalk.com/2014/11/prog-rock-concert-review-ian-anderson.htmlNovember 4, 2014 Prog Rock Concert Review: Ian Anderson At The Palace Theater-Albany NY Ian Anderson And The Best of Jethro Tull In Concert At The Palace In Albany, NY Ian still moves across the stage nimbly and plays the flute with one foot carefully placed on his other leg. I thought long ago that by now he would not be doing that once he was headed towards his seventies but he still has a lot left in the tank. At a mighty spry 67 he just keeps on going for the love of the music and the process of creating it. This is what drives the man and keeps thousands of fans coming back for more at every corner of the globe. How does he do it at 67 ? Devil worship ? One vote for Devil worship.
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